When Eight Bells Toll

While When Eight Bells Toll is not a masterpiece in my eyes, I myself would hardly call it a dud. Perhaps a little too short, and I do agree that some of the fight scenes leave you wanting more and some scenes such as the wooden boat exploding do make you raise your eyebrows as if to say "just why did they do that?", however there is a huge amount to redeem it.

I have to say When Eight Bells Toll is likable and entertaining for what it is. It has superb location shooting and a rousing score. It has an interesting and exciting plot, brisk pacing, decent direction and sharp and cynical dialogue. It also has the great Anthony Hopkins playing a role atypical to any other he's played. No-nonsense and a hero in a sense, Calvert as a character is very entertaining and likable and Hopkins is exactly that too. Even better is Robert Morley who provides a deliciously comic turn as Calvert's spy-master, while Nathalie Delon is beautiful and luscious as the lovely Charlotte.

Overall, an entertaining film. 7/10 Bethany Cox

With only a couple of exceptions I've never been disappointed in film adaptions of Alastair McLean's work. As some authors are difficult to translate to the screen, McLean's action novels seem to be ready made for adaption. Just look at some of his work, The Guns Of Navarone, Breakheart Pass, Where Eagles Dare, Ice Station Zebra. I've loved all of them and When Eight Bells Toll came out it joins the list albeit in a more minor vein.

This film gave a young Anthony Hopkins a chance to be an action hero. His character has more of a rebellious streak than James Bond ever did, but he gets results. His assignment is to get to the bottom of a series of ship hijackings, the last one was a freighter carrying a fortune in gold bullion. He's teamed with Corin Redgrave who takes a more cerebral approach to crime fighting.

That however leaves Redgrave dead and Hopkins looking to take down who did it. He himself is almost killed when a helicopter he was in was shot down. All the action takes place in and around the islands of Northern Scotland where the locals seem to be helping the bad guys. And in McLean tradition, just who are the bad guys.

In most of McLean's work there is always a twist or two and which side the players are on is a mystery through much of the film. When Eight Bells Toll is no exception.

Robert Morley plays the spymaster supervisor of Hopkins and is less avuncular than usual. Jack Hawkins is a Greek shipping tycoon with a young trophy wife. As we know Hawkins had lost his voice box to cancer and his last eight or so years he was dubbed. Whoever dubbed him sounded to me remarkably like Alec Guinness.

When Eight Bells Toll is not as good as some of the other McLean inspired films I mentioned before. But it's still a pretty good action film.

It seems that the whole world and their dogs know of Commander Bond, who takes his martinis shaken and not stirred, has his dalliances with the ladies, and manages to save the world before dawn.

Agent Calvert (played most suitably by Anthony Hopkins) is how I believe Bond should have been. Both are Commanders of the British Navy I believe, both educated 'working class' and with both, you get a sense of being slight sociopaths. Don't get me wrong, I really am a fan of the Bond genre, but this performance by Hopkins seems gritty and more realistic a character and compares quite favourably to the Bond character played by other actors.

There is some great dialogue between the upper middle class boss of Agent Calvert (Uncle Arthur played by Robert Morley) and Agent Calvert, which helps keep interest in the film between the action scenes. Compared to many of the scenes produced by action heroes of the last 10 years, some are a little dated, although there were still enough to keep me interested.

Nathalie Delon was a great choice as the leading lady requiring rescue from the sea (were her intentions good or bad?), and its a pity that most outside of her native country did not see much more of her in other things.

One of my personal favourite pieces of work by Anthony Hopkins.

If you're an action fan, I still think this is worth a look. Long overdue a worthy remake I think.

A not bad interpretation of an interesting book by thriller writer Alistair Maclean, who has also written the screenplay in this instance. If this adaptation has anything going for it, it must surely be that it at least attempts to keep to the essential essence of the original novel, which was quite a page-turner. So many adaptations based on books by Maclean have been apparently destroyed in the writing or re-writing stage that little sense remains of the original concept. The thrill is often removed from the thriller. The essence of these books have often been hacked to pieces in an attempt to transform them into something cinematic. When things go wrong, it´s Maclean´s name that gets dragged through the mud!. Were this film to be made today, I believe it could be made much better, but still, it is an enjoyable romp made more enjoyable by the pairing of Anthony Hopkins with the luscious Nathalie Delon. Recommended.

Hopkins could have been Bond and I think he'd have made a good one. In fact, a review at the time of his performance in When Eight Bells Toll proclaimed he played his character Calvert in a way that "made James Bond look like a lounge lizard." The film is a fondly remembered actioner from my childhood (well, early teens). Although there's no way in which the pyrotechnics on show could bear realistic comparison with the CGI-dominated eye-candy extravagance of today's equivalents (witness the studio bound finale in the boat house if you really need convincing), it remains a brisk, fun way to idle away the best part of two hours.

The script is sharp, the dialogue cynical, the action belts along nicely - and Robert Morely's Whitehall mandarin thrust into the field is an eccentric delight. Nathalie Delon (whatever happened to her?) is an icy femme fatale who couldn't act to save her life (or anyone elses) and Jack Hawkins, who had throat cancer, is voiced by Charles Gray. Jack's lip-synching is well-duff to say the least. He's almost a good five minutes behind. Add Old Vic stalwart Corin Redgrave as Calvert's pragmatism-challenged sidekick and you have a recipe for some top fun.

The plot (McGuffin) is some nonsense about missing bullion ships, but it's no more than a hook to hang the action on. For me, this is a case of nostalgia most certainly being what it used to be. I just love it.

For anyone who likes the early seventies Bond movies, it's almost an essential accoutrement.

Right, next stops on the Alistair MacLean '70s movie DVD trail - Fear Is The Key, Caravan To Vaccares and the sublime Puppet On A Chain.