When Eight Bells Toll

I love this film, because I think it is pretty true to McClean's book and Calvert is suitably downmarket to be a more believable agent than James Bond ever could be. The scenery is fantastic and the diving scenes are good too. I also have to say that I love the theme music and wish I could get it on CD!

While When Eight Bells Toll is not a masterpiece in my eyes, I myself would hardly call it a dud. Perhaps a little too short, and I do agree that some of the fight scenes leave you wanting more and some scenes such as the wooden boat exploding do make you raise your eyebrows as if to say "just why did they do that?", however there is a huge amount to redeem it.

I have to say When Eight Bells Toll is likable and entertaining for what it is. It has superb location shooting and a rousing score. It has an interesting and exciting plot, brisk pacing, decent direction and sharp and cynical dialogue. It also has the great Anthony Hopkins playing a role atypical to any other he's played. No-nonsense and a hero in a sense, Calvert as a character is very entertaining and likable and Hopkins is exactly that too. Even better is Robert Morley who provides a deliciously comic turn as Calvert's spy-master, while Nathalie Delon is beautiful and luscious as the lovely Charlotte.

Overall, an entertaining film. 7/10 Bethany Cox

It seems that the whole world and their dogs know of Commander Bond, who takes his martinis shaken and not stirred, has his dalliances with the ladies, and manages to save the world before dawn.

Agent Calvert (played most suitably by Anthony Hopkins) is how I believe Bond should have been. Both are Commanders of the British Navy I believe, both educated 'working class' and with both, you get a sense of being slight sociopaths. Don't get me wrong, I really am a fan of the Bond genre, but this performance by Hopkins seems gritty and more realistic a character and compares quite favourably to the Bond character played by other actors.

There is some great dialogue between the upper middle class boss of Agent Calvert (Uncle Arthur played by Robert Morley) and Agent Calvert, which helps keep interest in the film between the action scenes. Compared to many of the scenes produced by action heroes of the last 10 years, some are a little dated, although there were still enough to keep me interested.

Nathalie Delon was a great choice as the leading lady requiring rescue from the sea (were her intentions good or bad?), and its a pity that most outside of her native country did not see much more of her in other things.

One of my personal favourite pieces of work by Anthony Hopkins.

If you're an action fan, I still think this is worth a look. Long overdue a worthy remake I think.

I saw this at the cinema when it was first released. I was nine at the time and I notice the DVD has now been released with a '15' certificate. Oh, well. I suppose there are some scenes (helpless men shot from a boat as 'payback' for a dead colleague, a very graphic harpooning) that are best not seen by children. In 1971 it just seemed very exciting (and had an 'A' certificate).

I enjoyed the film when I first saw it and while it seems rather dated now, I think it's still worth viewing. It sets out to provide escapist entertainment and on that level it succeeds. My memories of seeing the film 34 years ago (help!) was of the waves crashing against huge black cliffs and *feeling* the cold dampness of North-West Scotland on the edge of the Atlantic. The locations are very well used indeed, the viewer gets a real sense of place.

The cast perform their roles well, Anthony Hopkins and Robert Morley particularly playing mutual antagonism with some nice comic touches.

One reviewer mentioned that Charles Gray's dubbing of Jack Hawkins's voice seemed a bit slapdash. When Charles Gray was interviewed about dubbing Hawkins (which he did quite regularly after the mid-60's) he said that Hawkins insisted on *speaking* his lines even after his voice was gone. The result was to make his delivery very erratic and therefore difficult to voice-over. Jack Hawkins was one of the best actors we've had (Cruel Sea, Bridge on the River Kwai, Ben-Hur, Lawrence of Arabia, etc., etc.) and these supporting roles made a rather sad postscript to his career.

Recently, I've been commenting on films I haven't seen for years. At my age, It just seems about right to remark films that left decided impressions on me, many years ago.

As one reviewer remarked, this film was released shortly after Sean Connery's last appearance in the original James Bond series, with "Diamonds Are forever". I know of more than one friend who finds "DAF" an entertaining film. I was appalled when I first saw it and I am still appalled, a truly wretched film, and prophetic of the dip in class in the Bond films represented by Roger Moore.

So I was utterly delighted when I saw this film in an old movie-house in my home town a short while later. The experience was so pleasurable, I still remember that it was a snowy night, but not too cold; I remember the original poster advertising the film; and I remember that I felt personally disappointed that so few others were in the audience - the film disappeared within a week.

Hopkins' performance especially made the film memorable. I can still see his walk, how he carried a machine-gun, and his wry, somewhat jaded smile.

Everything about the film is "Bond on a low budget"; and the fact that MacLean actually wrote the script tells me that this was probably intentional - the Bond films, after all, had borrowed heavily from earlier films based on Maclean novels, while at the same time effectively burying them - "The Guns of Navarone" is well-remembered, but only brought out of mothballs for the Turner Movie Channel every now and again, but everyone owns a copy of "Goldfinger".

Yet it is this quality - which I recognized at once on initial viewing - that endeared the film for me forever - Producer Albert Brocolli had turned Bond into a clown; MacLean returned my hero to me as I always imagined him.

I think that says something positive about this one.