Up the Chastity Belt

This film does not have as funny a theme song, but most of the jokes are funnier. Howerd plays Lurkalot, a serf, who bears a striking likeness to Richard the Lionheart, and goes off to fight in the crusades. Eartha Kitt puts in a performance as Scheherazade, and there is a surprise about the reality of the Crusades.

This film is a vehicle for the comedic talents of Frankie Howerd, and if you like his style of humour, the plot is irrelevant. This is a curiously popular movie (it's almost always available on VHS or DVD) considering that there was no TV series to go with it. It was really an extension of Up Pompeii (many of the same people were involved), and feels like it (Lurcio Lurkalot). Frankie's less well-known "Up the Front" (set in WW1) is hardly ever shown or on tape to buy, and the TV show "Whoops, Bagdad" is all but forgotten (possibly with good reason).

Some of the jokes require a knowledge of the state of Britain in the early 1970s, and even if it isn't politically correct by modern standards, most of the audience will be laughing out of nostalgia rather than the freshness of the material, IMHO. When Howerd turns to camera and says "oh, you know this one, don't you", you know that they are going to do the classic open the door in front of the battering ram joke anyway, even though we're all expecting it by then. Many comedians couldn't have carried it off, but that was the age of "camp" comedy. Today, audiences aren't into "camp", which is why so many younger reviewers on this site fail to understand why these films were meant to be funny. (That's why the movie of "The Avengers" was such a horrible failure.)

It is very much a product of its period, but still worth watching today - if you know how to appreciate it.

Forget about the trendy racist/sexist claims from bob the moo. Everyone and everything is stylized in the movie and it could just as easy be accused of being "kingist" "pigist" "jousterist" etc etc. There is nothing wrong with movie except that it lacks material and is a little boring. Howerd fans will enjoy seeing it. Others will have their curiosity satisfied. Some might find it right on the margin of being a waste of time. It is not as good as Up Pompeii.

The basic plot involves King Richard going off to the crusades, his brother John going to find him, and a servant who helps out the family budget with a chastity belt business, which comes in handy during the search for Richard.

Despite the title, the film would not have any trouble with the censors on the basis of sex or nudity.

A dull spin off of Up Pompei is what we get here Howerd plays Lurk-a-Lot (Get it?) in his usual persona (titter ye not etc.) which would be fine if the jokes weren't so predictable (men charging door with battering ram door being opened, men crashing through window etc.) and plain not funny in places. Up Pompei always worked best as a half hour blast the spin off film failing to maintain the gag count through feature length. This film suffers from being the left overs of what wasn't a great idea for a film in the first place.

The usual cast from the other Up... films (Up Pompei and Up the Front) put in appearances in this as well as a guest roll from Eartha Kitt but none really stand out as that good. I'm a big fan of classic British comedy but this is far from classic, if your looking for Howerd at his best then you have to look to his original TV series or in film one of the two Carry On's in which he appeared Doctor and Up The Jungle (not to be confused with this series of films it was a Carry On where Howerd presumably replaced the unavailable Kenneth Williams in a rare film of the series in which he doesn't appear).

Of the three Up..... films this is the weakest, watch the original TV series of Up Pompei and avoid this spin off even the biggest Howerd fans will i think struggle with this 4/10

I love this film! Whilst 'Up Pompeii' was good, this is far better with more laughs and has the best Robin Hood ever committed to film!

The cast seem to be having a blast and this really comes across on screen. Frankie Howerd and the aforementioned Hugh Paddick in particular shine. A shame Hugh Paddick didn't do more films.

Some will say it looks cheaply made, but that doesn't bother me in the slightest, it's cheapness is outweighed by the laughs in offer.

One of the best British comedies of the 1970's and highly recommended to those who enjoy a good belly laugh, and I suppose aren't easily offended.