एक महिला को अपने नए पति के बेटे को बहकाने के लिए मजबूर किया जाता है. जिससे हत्या सहित दूसरी जटिलताओं शुरू हो जाती हैं.एक महिला को अपने नए पति के बेटे को बहकाने के लिए मजबूर किया जाता है. जिससे हत्या सहित दूसरी जटिलताओं शुरू हो जाती हैं.एक महिला को अपने नए पति के बेटे को बहकाने के लिए मजबूर किया जाता है. जिससे हत्या सहित दूसरी जटिलताओं शुरू हो जाती हैं.
- 1 ऑस्कर के लिए नामांकित
- कुल 1 नामांकन
Katherine Justice
- Margo Delgado
- (as Catherine Justice)
Margaret Garcia
- Lupé
- (as Margarite Garcia)
Gil Barreto
- José
- (as Gilberto Berreto)
Bert Madrid
- Mexican Businessman
- (as Burt Madrid)
David Garfield
- Goof
- (as John D. Garfield)
फ़ीचर्ड समीक्षाएं
Awesome. I did a double take when I first saw him in this quirky little independent ditty from the early 70s. Just out of curiosity I looked at when he started work on MASH, and it was the same year. That explains his appearance, as I don't believe he would do this after international stardom, but I don't know if all the research in the world wide web could fully explain the movie.
It's really a movie in two parts: the first half(ish) is story of a husband with a temper and jealous streak and throughout the second half the title of the movie is explored a little more and fleshed out (pun intended). Typical incoherent, excuse for a young filmmaker to get his name out by throwing in gratuitous walking-out-of-bed or to-and-from- the-bathroom-shot drive-in cinema with a director that never graduated from the genre in his short (directorial) career. There are moments of interesting story or character development, and the title song was amazingly nominated for an Oscar, but overall this is only worth watching for someone with an interest in films from the 1970s.
It's really a movie in two parts: the first half(ish) is story of a husband with a temper and jealous streak and throughout the second half the title of the movie is explored a little more and fleshed out (pun intended). Typical incoherent, excuse for a young filmmaker to get his name out by throwing in gratuitous walking-out-of-bed or to-and-from- the-bathroom-shot drive-in cinema with a director that never graduated from the genre in his short (directorial) career. There are moments of interesting story or character development, and the title song was amazingly nominated for an Oscar, but overall this is only worth watching for someone with an interest in films from the 1970s.
In the 70's, you would see a lot of skin in drama and thrillers. Then there's the sex factor that goes along with it. In "The Stepmother", there is plenty of that. Alejandro Rey("The Flying Nun") plays Frank, a successful building contractor who catches his client with his wife while he was on a business trip. He kills him, then buries his body at a beach. Unbeknownst to him, there's a fighting couple that comes up later. After getting rid of the evidence, the police comes up and tells that there are two bodies at the beach. Frank knows that he killed his client, but the other body is female. That makes him more uneasy. If that is bad, it gets worse when he accidentally kills his partner in the business. That makes him more unstable. For this one, business and pleasure, don't mix.
It has a great cast. But the ending was a letdown. It's worth the watch in certain ways. Only on a certain occasion.
2 out of 5 stars
I wasn't expecting much, but it was better than what I was expecting. Mainly just wanted to see Katherine Justice nude after seeing her on Barnaby Jones, Cannon, and Mannix. She was also in Prescription Murder, the Columbo pilot movie. Having John Anderson in it was a plus. It was more intriguing than what I thought it would've been. Is it a must see? No, but I liked it just fine.
In THE STEPMOTHER, Frank (Alejandro Rey) catches his wife Margo (Katherine Justice) having sex with another man, leading to Frank's putting an end to loverboy. After disposing of the body, Frank scowls and frowns a lot while the police investigate.
Meanwhile, a carload of hipsters arrive, led by Dick (Larry Linville!). Frank continues his grimacing amidst the frolicking hepcats.
Uh oh!
Frank sees Margo and Dick together! Luckily, it's all just a misunderstanding. Unluckily, Frank is too jealous and enraged to care. Sorry, Dick! Hmmm, why is Frank taking you to the roof of a tall building?
Eeeeaagh!
THE STEPMOTHER is another drive-in ready movie from Crown International Pictures. It's perfect for its time, complete with senseless violence, ample female nudity, 1970's ambiance, and serious groov-i-tude. In addition, how could anyone not like a movie with a character called "The Goof" in it?
How, indeed...
Meanwhile, a carload of hipsters arrive, led by Dick (Larry Linville!). Frank continues his grimacing amidst the frolicking hepcats.
Uh oh!
Frank sees Margo and Dick together! Luckily, it's all just a misunderstanding. Unluckily, Frank is too jealous and enraged to care. Sorry, Dick! Hmmm, why is Frank taking you to the roof of a tall building?
Eeeeaagh!
THE STEPMOTHER is another drive-in ready movie from Crown International Pictures. It's perfect for its time, complete with senseless violence, ample female nudity, 1970's ambiance, and serious groov-i-tude. In addition, how could anyone not like a movie with a character called "The Goof" in it?
How, indeed...
I profoundly enjoyed this film. There are some glaring errors in cinematography and blocking and editing, and there is often a feeling of ineptness. The plot itself is pure melodrama and violence.
The strength of the performances is what intrigues me. When you have a one shot of an actor delivering several lines, it's almost always done with gusto. These actors are throwing themselves into these pitiful roles. They are doing solid hard work here.
just know that all of the criticisms are correct. The film really seems as if it was made with no professional input. But the actors are phenomenal.
The strength of the performances is what intrigues me. When you have a one shot of an actor delivering several lines, it's almost always done with gusto. These actors are throwing themselves into these pitiful roles. They are doing solid hard work here.
just know that all of the criticisms are correct. The film really seems as if it was made with no professional input. But the actors are phenomenal.
क्या आपको पता है
- ट्रिवियाThe Oscar nomination for "Strange Are The Ways Of Love" for Best Song marked the only time a Crown International Picture title got an Oscar nomination. It lost to "The Morning After" from पोसाइडन एडवेंचर (1972).
- भाव
Sonya Hill: My life's empty without Dick.
- कनेक्शनFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 8 (2002)
- साउंडट्रैकStrange Are The Ways Of Love
(theme song)
Music by Sammy Fain
Lyrics by Paul Francis Webster
Arranged by Robert Matthews
Vocal by Manuel
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Stepmother?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Impulsion
- फ़िल्माने की जगहें
- लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Filiming City)
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