Von Richthofen and Brown

Given the very negative comments by others on IMDB about this film, I wasn't really expecting much, especially given that it was directed by Roger Corman, who, whilst he certainly has his talents, would not really be expected to helm a period piece with high production values. Actually I found this film not at all bad. Certainly its narrative plays fast and loose with historical details. But it is quite authentic in many respects - the planes themselves, and the nature of air combat depicted, are reasonably accurate (better, for example, than the planes in The Blue Max, which often look like very thinly disguised Tiger Moths). And fair chunks of the dialogue seem to be taken almost directly from the writings of actual WW1 flyers. Even the rather melodramatic plot does have roots in historical truths, and functions well enough to engage the viewer's attention throughout. I'd say it's definitely worth a look, and compares surprisingly well with the generally much better regarded The Blue Max.

The ( fictional ) life of WW1's greatest flying ace. This film receives a lot of negative attention due to the fact that it differs from historical truth quite a lot. However that aside the film is quite decent since the acting is quite good and it features great flying sequences and really nice planes that are all accurate for the time . It's not going to be fun to watch for anyone who knows about Von Richtofen , but it is just a film after all and does provide excitement and enjoyable drama so it definitely is worth giving a watch. It is quite similar to the battle of the bulge film in the sense it tramples all over historical events in order to create a better and more exciting story. Unorthodox but still a good film.

The flying sequences in this film are authentic, which is the best thing going here, we see real men in the aircraft in the AIR and not on a blue screen set, as in THE BLUE MAX from which this film has it's roots and where most of the aircraft came from. Since the aircraft were available from the latter, the complaints about vintage aircraft being out of time-sync are valid, but given the budget ... you make do with what you have. Case closed here.

THE BLUE MAX had decent dogfights, but blue screen as above so here the combat sequences are better. THE GREAT WALDO PEPPER also had real IN THE AIR footage of both pilots and aircraft, certain a fine pseudo-dogfight at the end of it.

DARLING LILI I have never seen much of so I will refrain, though more BLUE MAX aircraft once again.

Now we have the CGI films such as THE RED BARON and FLYBOYS, both of which show great action, totally faked and also totally way too fast. Watch the speed and action of these earlier films and you sense that these old planes did not move THAT FAST as these two films show them. Great stuff, but totally fake.

Give me real any day of the week. For this film and THE BLUE MAX, Enjoy the dogfights, tolerate the acting and have good time.

John Philipp Law and Don Stroud respectively play the two men named in this film's original title, Von Richtofen And Brown, and presents a fairly balanced and interesting set of parallels and divergences between the two men. As World War One rages to its conclusion, Von Richtofen and Brown head on a collision course towards their fateful encounter in the air.

Corman's production is a bit dated, and purists will point out many technical and historical errors in the film. Flight and combat sequences, however, are exciting, extremely well-conceived and filmed, and surpass most efforts before or since to show film-goers aerial combat of the First World War.

I saw this film at a drive-in when it was first released, and it still fascinates me to this day. While other more-expensive productions, with their sumptuous sets and A-list actors, continue to command the attention of film viewers and film collectors alike, I find the simple, sparing lines of this production far more effective as the vehicle for one of history's most famous duels. True, by now most historians have abandoned the notion that the fatal bullets came from Brown; however, this is the tale of popular culture as it was told for generations, not as nuclear scientists have most lately emended it.

Baron Manfred Von Richthofen (John Phillip Law) was the most feared and celebrated pilot of the German air force in World War I . Manfred Von Richthofen arrives from the Cavalry, at a squadron in the German Airforce under the command of honorable Oswald Boelcke (Peter Masterson). He quickly becomes an aerial ace with several victories . To him and his companions , air combats are events of sporty nature , technical challenge and upright acting, ignoring the terrible extent of war . Manfred must decide if he is a soldier first or part of the ruling class whose father is a notorious Baron (Ferdy Mayne) . But after Manfred realizes he is only used for propaganda means , as the tactics of both sides break more rules and become more destructive . This is an exciting story based on facts about Manfred Von Richthofen, the German air ace during the World War I and his struggle with the enemy aces and some jealous German officers as the ruthless Herrmann Goering (Barry Primus) who subsequently will have a long career as Nazi leader during WWI . The allied squad has similar class divisions : its Major , an aristocrat , laments that men he considers peasants are now fliers , including a tough and Canadian named Roy Brown (Don Stroud) , the squad's main ace . Von Richthofen is wounded during an aerial battle and Brown and his squadron decide to attack Allied airfield , destroying their planes on the ground and killing his brother Lothar (Brian Foley). Then the baron seeks vengeance and attacks on the opposite British airfield . Red Baron and Brown have some strong aerial battles , trivial in the larger scheme yet fateful . Caught between his disgust for the war , and the responsibility for his fighter wing , Von Richthofen sets out to fly again . With the help of a batch of new fighters from Anthony Fokker (Hurd Hatfield), the 'Richthofen Flying Circus' launches a counter attack against English aircrafts . On April 21, 1918, the Red Baron of Germany and the Black Sheep of the R.A.F. met in the skies of France for the last time.

Spectacular dogfighting , impressive scenario , fine star cast and memorable acting . Acceptable budget extended adventures produced by Jimmi T Murakami and Gene Corman about a maverick pilot and his partners undergoing risked feats on air and bombing on earth . Very good aerial actioner plenty action , tragic drama , fantastic cloudy scenes and breathtaking dogfighting . John Philip Law and Don Stroud show professionalism as crack fighter pilots , two ambitious young men assigned to dangerous missions . Top-notch support cast gives excellent performance as Stephen McHattie , Barry Primus , Ferdy Mayne and Hurd Hartfield as Fokker . Colorful cinematography by Michael Reed and rousing musical score by Hugo Friedhofer .

The motion picture is professionally directed by Roger Corman . After his period realizing poverty-budget horror movies as ¨Swamp woman¨, ¨The beast with a million of eyes¨, ¨Attack of the crab monsters¨, ¨Undead¨, then came the cycle of tales of terror based on Poe as ¨ House of Usher¨, ¨Pit and pendulum¨, ¨The raven¨ , ¨Tales of terror¨, ¨The masque of the red death ¨ , and Corman made his undisputed masterpiece , ¨X¨ , that won the Golden Asteroid in the Trieste Festival of Science Fiction Films in 1963 . Later on , he directed films as ¨Angels of hell¨, ¨The St. Valentine's day massacre¨, ¨The trip¨, ¨Bloody mummy¨, ¨Gas or It became necessary to destroy the world in order to save it¨ and of course ¨Von Richthofen and Brown¨, and finally (1990) ¨Frankestein unbounded¨ . ¨Red Baron¨ rating : 6 , acceptable and passable , definitively wholesome watching , Corman's achievement to have bent the wartime genre with nice results. Good and entertaining fare , it's a fairly watchable and spectacular film and results to be a good treatment of WWI flying aces .