IMDb रेटिंग
7.1/10
22 हज़ार
आपकी रेटिंग
न्यूयॉर्क शहर के "नीडल पार्क" में हेरोइन के नशेड़ियों की ज़िन्दगी का चित्रण.न्यूयॉर्क शहर के "नीडल पार्क" में हेरोइन के नशेड़ियों की ज़िन्दगी का चित्रण.न्यूयॉर्क शहर के "नीडल पार्क" में हेरोइन के नशेड़ियों की ज़िन्दगी का चित्रण.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Vic Ramano
- Santo
- (as Vic Romano)
फ़ीचर्ड समीक्षाएं
One of the rawest images of drug addiction ever shown in a movie ! "Drugstore cowboy" and "trainspotting" turn into cartoons by seeing this film. Pacino and Wynn : what an impressive performance. One of the best ever ! The film shows a horrifying image of the junk life in the city of New York in the seventies. This motion picture does not have the sparkling colors and action, of expensive Hollywood productions nowadays and that is just the beauty of it ! It's the brutal reality that makes us realize what harder drugs can do to a persons life. Every fourteen year old kid should see this film because of the damage hard drugs can do. Forgive me, English is not my native language i hope people understand what i am trying to say. Anyway great movie and it should be better known ! What in the name happened to Jerry Schatzberg ?
Until the mid-Fifties, the taboo theme of drug addiction in films was either fleetingly mentioned - as in MYSTERY OF THE WAX MUSEUM (1933) - or ridiculously overblown as in the REEFER MADNESS (1936) school of movies but, with the appearance of films like Otto Preminger's THE MAN WITH THE GOLDEN ARM (1955) and Nicholas Ray's BIGGER THAN LIFE (1956), Hollywood producers showed that they had learned to treat it in an objective, mature and sensitive way. But, with the the runaway box office success of EASY RIDER (1969), the subject got its own unexpected little niche and the general public was for the first time allowed to wallow in a no-holds-barred view of the junkie lifestyle; of course, I am discounting films like Shirley Clarke's THE CONNECTION (1961; which I've never watched myself) and the Andy Warhol Factory movies which are anything but mainstream Hollywood products.
I can't say I've watched many of those 1970s drug-related movies and, off hand, only John G. Avildsen's JOE (1970; with Peter Boyle and Susan Sarandon) and Ivan Passer's BORN TO WIN (1971; with George Segal and a young Robert De Niro) come to mind. Even so, I'd say that THE PANIC IN NEEDLE PARK is arguably the bleakest, grittiest and most realistic screen portrayal of drug addiction I've ever watched - at least, until Darren Aronofsky's REQUIEM FOR A DREAM (2000); for one thing, while most films of the era made extensive use of the contemporaneous rock scene, this one has no musical underscoring at all.
Frankly, I've had the film on VHS recorded off Cable TV for over 10 years and only now managed to catch up with it because my father rented it on DVD (and, subsequently, turned it off before long)! Indeed, the scrappy first half-hour is rather off-putting and dreary and it wasn't until the main protagonists - Al Pacino (already superb in just his second movie) and Kitty Winn (who would go on to win the Best Actress Award at the Cannes Film festival for her work here) - really got together that I started to genuinely care about their plight; perhaps the most moving scene they share is their short-lived idyll in the country where the couple even purchase a dog with the little money they have (but lose it almost immediately through negligence when the urge for the drug habit kicks in once again). Subsequently reduced to prostitution, Winn is watched over by a sympathetic young cop but soon he's demanding that she turn Pacino over to the law. At the end of the film the couple are reunited, but it looks like their relationship has nowhere to go.
I can't say I've watched many of those 1970s drug-related movies and, off hand, only John G. Avildsen's JOE (1970; with Peter Boyle and Susan Sarandon) and Ivan Passer's BORN TO WIN (1971; with George Segal and a young Robert De Niro) come to mind. Even so, I'd say that THE PANIC IN NEEDLE PARK is arguably the bleakest, grittiest and most realistic screen portrayal of drug addiction I've ever watched - at least, until Darren Aronofsky's REQUIEM FOR A DREAM (2000); for one thing, while most films of the era made extensive use of the contemporaneous rock scene, this one has no musical underscoring at all.
Frankly, I've had the film on VHS recorded off Cable TV for over 10 years and only now managed to catch up with it because my father rented it on DVD (and, subsequently, turned it off before long)! Indeed, the scrappy first half-hour is rather off-putting and dreary and it wasn't until the main protagonists - Al Pacino (already superb in just his second movie) and Kitty Winn (who would go on to win the Best Actress Award at the Cannes Film festival for her work here) - really got together that I started to genuinely care about their plight; perhaps the most moving scene they share is their short-lived idyll in the country where the couple even purchase a dog with the little money they have (but lose it almost immediately through negligence when the urge for the drug habit kicks in once again). Subsequently reduced to prostitution, Winn is watched over by a sympathetic young cop but soon he's demanding that she turn Pacino over to the law. At the end of the film the couple are reunited, but it looks like their relationship has nowhere to go.
"The Panic in Needle Park" is an incredibly unpleasant film...which is what you'd expect about a film that centers around two heroin addicts living in New York. So, if you are looking for a film to make you smile or a good date film, do NOT see this movie! In fact, that is the biggest problem with the picture...most folks won't wanna see two people slowly destroying themselves. Most folks watch films to be entertained. Now I am NOT saying it's a bad film and it might be a good one to show teens, as it shows how wretched a life hooked on drugs can be...though there are a few more recent films which make drug use seem a lot more unpleasant, such as the brilliant but hard to watch "Requiem for a Dream".
The film has very little in the way of plot. It simply shows two addicts who are in love, Bobby and Helen (Al Pacino and Kitty Winn), as they slowly degenerate...sinking lower and lower and lower through the course of the movie. At first, Bobby is very glib...and fun to be with and Helen seems rather innocent. Naturally, this doesn't last and both sink deeper and deeper into their habit. Bobby claims he's a 'chipper' (a casual user who is not addicted) but after a while he's dealing and overdoses. Helen begins turning tricks to buy their next fix.
Unpleasant, to be sure, but mostly realistic. When they shot up, it looks real...and the language is street language...nasty and crude. But the only problem I saw is that both LOOKED healthy through the course of the film and the makeup could have been better...enabling them not only to act like addicts but to look more like them. Well made but I am strongly warning you...it's not a movie for kids or for the squeamish.
The film has very little in the way of plot. It simply shows two addicts who are in love, Bobby and Helen (Al Pacino and Kitty Winn), as they slowly degenerate...sinking lower and lower and lower through the course of the movie. At first, Bobby is very glib...and fun to be with and Helen seems rather innocent. Naturally, this doesn't last and both sink deeper and deeper into their habit. Bobby claims he's a 'chipper' (a casual user who is not addicted) but after a while he's dealing and overdoses. Helen begins turning tricks to buy their next fix.
Unpleasant, to be sure, but mostly realistic. When they shot up, it looks real...and the language is street language...nasty and crude. But the only problem I saw is that both LOOKED healthy through the course of the film and the makeup could have been better...enabling them not only to act like addicts but to look more like them. Well made but I am strongly warning you...it's not a movie for kids or for the squeamish.
Sherman Square is in NYC on the West Side at the intersection of Broadway and 72nd Street. It is known as Needle Park for its heroin addicts. Petty criminal addict Bobby (Al Pacino) is a friend to artist Marco (Raul Julia). Helen (Kitty Winn) is in the hospital after a bad abortion from relations with Marco. She is homeless and looking to go back to Indiana. She moves in with Bobby and slowly drifts into the dark world of drugs.
This is very 70's. It's indie. It's grim and it's grimy. The two leads are compelling. It doesn't flinch away from the needle work. It's not pretty Hollywood but rather an ugly closeup vision. It is a bit slow and the plot meanders. There is a grinding inevitability to their predicament. It wallows in the gutter.
This is very 70's. It's indie. It's grim and it's grimy. The two leads are compelling. It doesn't flinch away from the needle work. It's not pretty Hollywood but rather an ugly closeup vision. It is a bit slow and the plot meanders. There is a grinding inevitability to their predicament. It wallows in the gutter.
This is probably one of Al Pacino's best films. I would say that it is even better then "The Godfather" because you almost want to reach out and help the characters but you can't. They all have the same problem. That problem is heroin addiction and it has caused a multitude of problems in their lives. This is a great film. It is usually not shown on television (I did see it on PBS a few years ago but I think that was a rare exception) I think however, because of its realistic content most stations try not to air it. If you can find it on video I highly recommend it.
क्या आपको पता है
- ट्रिवियाAfter the film screened at the Cannes Film Festival, Keith Richards of the Rolling Stones, asked director Jerry Schatzberg if he was into the hard stuff. When Schatzberg told him he wasn't, Richards asked how he could have made a film about it. Schatzberg told Richards that he could probably make a film about a woman having a baby, but, he couldn't do that either.
- गूफ़[45:50] Boom microphone (and camera) visible in the upper right hand corner near the end of the stick ball game.
- क्रेज़ी क्रेडिटThe 20th Century Fox logo appears without the fanfare.
- इसके अलावा अन्य वर्जनOriginally rated "R" in the U.S. upon its release, some profanity and drug use was cut from the film to be re-rated "PG". The "R" rated version was released on video but is now out of print and extremely rare.
टॉप पसंद
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- How long is The Panic in Needle Park?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Pánico en Needle Park
- फ़िल्माने की जगहें
- Sherman Square, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका("Needle Park" - W. 72nd St. and Broadway)
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- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $16,45,000(अनुमानित)
- दुनिया भर में सकल
- $184
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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