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The Murder of Fred Hampton

  • 1971
  • Not Rated
  • 1 घं 28 मि
IMDb रेटिंग
7.6/10
624
आपकी रेटिंग
The Murder of Fred Hampton (1971)
अपराधइतिहासक्राइम डॉक्यूमेंट्रीजीवनीडॉक्यूमेंट्री

अपनी भाषा में प्लॉट जोड़ेंA chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.

  • निर्देशक
    • Howard Alk
  • स्टार
    • Skip Andrew
    • Edward Carmody
    • James Davis
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    624
    आपकी रेटिंग
    • निर्देशक
      • Howard Alk
    • स्टार
      • Skip Andrew
      • Edward Carmody
      • James Davis
    • 14यूज़र समीक्षाएं
    • 15आलोचक समीक्षाएं
    • 86मेटास्कोर
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    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो8

    पोस्टर देखें
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    टॉप कलाकार16

    बदलाव करें
    Skip Andrew
    Skip Andrew
    • Self - Attorney
    • (आर्काइव फ़ूटेज)
    Edward Carmody
    • Self - State's Atty Police
    • (आर्काइव फ़ूटेज)
    James Davis
    • Self - Police Officer
    • (आर्काइव फ़ूटेज)
    • (as James 'Gloves' Davis)
    Rennie Davis
    Rennie Davis
    • Self
    • (आर्काइव फ़ूटेज)
    Fred Hampton
    Fred Hampton
    • Self
    • (आर्काइव फ़ूटेज)
    Edward Hanrahan
    Edward Hanrahan
    • Self (Illinois State's Attorney)
    • (आर्काइव फ़ूटेज)
    • (as Edward V. Hanrahan)
    Brenda Harris
    • Self
    • (आर्काइव फ़ूटेज)
    Deborah Johnson
    Deborah Johnson
    • Self
    • (आर्काइव फ़ूटेज)
    Lawrence Kennon
    • Self - Cook County Bar Assn.
    • (आर्काइव फ़ूटेज)
    Don Matuson
    • Attorney in trial re-creation
    James Montgomery
    • Self - Attorney
    • (आर्काइव फ़ूटेज)
    Renault Robinson
    Renault Robinson
    • Self - Pres., Afro-American Police Assn.
    • (आर्काइव फ़ूटेज)
    Bobby Rush
    Bobby Rush
    • Self
    • (आर्काइव फ़ूटेज)
    Ronald Satchel
    • Self
    • (आर्काइव फ़ूटेज)
    • (as 'Doc' Satchel)
    Bobby Seale
    Bobby Seale
    • Self
    • (आर्काइव फ़ूटेज)
    Tom Streeter
    • Self - Maywood Councilman
    • (आर्काइव फ़ूटेज)
    • निर्देशक
      • Howard Alk
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं14

    7.6624
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    फ़ीचर्ड समीक्षाएं

    8gbill-74877

    Chilling

    This documentary was released just a year and half after Black Panthers leader Fred Hampton and his colleague Mark Clark were killed in a raid by Chicago policeman, who were there ostensibly to serve a warrant at a pre-dawn hour. It's an operation that is now widely considered to have been a brutal political assassination for Hampton's revolutionary views, and because of that, the interviews, press clips, and speeches assembled here are incredibly important, and still chilling 51 years later.

    The first half of the documentary show the political movement Hampton was a part of without sugar-coating it, which I thought was important, even as I wished it had been pared down (especially that fictional "People's Court") and narration provided to better frame the context. Through speeches and discussions, though, we see that the movement was one that advocated an overthrow of the oppressive, capitalist system that had exploited the common man and people of color for centuries, in order to advance to the "utopia of the communist state" of being. It advocated for blacks arming themselves and then killing policeman who "bother the people." It acknowledged cases where revolution had led to the revolutionary becoming an oppressor himself, like François "Papa Doc" Duvalier in Haiti, and yet still held out hope for the communist systems in Cuba and China, and indeed there are posters of Mao Zedong on walls. That's certainly not something that's aged well, but can you blame people for searching for an alternative when they're in a system that brutalizes them? And this quote early on is one that eerily rings true today:

    "...racist, decadent, capitalist, imperialist America is a phony state. That a phony state exists here and that these pigs are doing nothing but protecting the avaricious businessman and the demagogic politicians, protecting the exploitative system that they got going. That, in fact, we are tired of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching them. Black people are tired of it!"

    We also see the movement trying to provide for the community, e.g. Setting up medical care that's more concerned with public health that it is about profit, something which has gotten far worse all these decades later. They were for education, and standing up for their legal rights in a system that was trampling them. They were also dead on in their assessment that oppressed people had been successfully turned against one another by their oppressor, e.g. Poor white people against black people, something remarkably still true today. It's also important to note that they were young - Hampton was just 21 - and look at the arc of his colleague Bobby Rush, who was 23 here, and who would go on to serve in Congress for 30 years, announcing his retirement just this year.

    Whatever you believe about the political views and lyrics to songs being chanted about killing policemen, no one should be executed over them, least of all in a country that prides itself on its freedom and democracy. You also have to understand where these views come from, and I wish the documentary had provided a little bit more by way of that.

    Where it delivers best, however, is in its second half. There's something spine tingling about hearing Fred Hampton telling those in the audience to say "I am a revolutionary" before going to bed at night in case they don't wake up, and then seeing soundless footage of his dead body being carried out on a stretcher and all the blood at his apartment. From there the cutting back and forth to the establishment's version of events, given by police officers and Cook County State's Attorney Edward Hanrahan, and those who were in the apartment under a hailstorm of bullets and those who examined the scene afterwards, is as mesmerizing as it is disturbing. The inconsistencies in the State's story, the horrifying actions by the police, and the depraved indifference to both life and the truth are all outrageous. The fact that the documentary was made, bearing witness to what happened, is important, and it's one I wish was included in U. S. history curriculums. Sadly, that may be illegal now in some states, which is also outrageous.
    8mossgrymk

    the murder of fred hampton

    Much better than the film makers' previous "American Rev. 2" because it is more focused on a single unjust incident and its terrible reverberations than the earlier work which took its sweet time to get to the point, namely that poor whites and blacks should forge a common bond, with way too much time spent on extraneous stuff like the anti war protests in Chicago in '68. Not that this documentary is all that concise! The first hour is basically a series of Fred Hampton speeches in which he makes some cogent points, like the need for affordable healthcare and the alliance between racism and capitalism, as well as some, like an admiration for the Duvalier dictatorship in Haiti and the virtues of Chairman Mao, that show why it's a good thing that the Panthers were doomed to failure.

    However, once we get to the eponymous slaying and see the clumsy machinations of the corrupt Chicago justice system, personified by DA Ed Hanrahan who looks and sounds like a character right out of Ben Hecht, the film's pace considerably picks up and we are riveted. Whereas I periodically stopped to check the time during the first hour there were no such signs of impatience and ennui during the second. Give it a B.

    PS...One wonders if, had he lived, Hampton would have morphed into Bobby Rush, his number two guy, who is now a reliably corporate Democratic member of Congress or if he would have stayed true to his extreme left wing beliefs. We'll never know but his fervency, as opposed to Rush's more measured tones, perhaps provides us with a clue.
    Nanhut60

    I toured the apartment after the murder

    I was 10 years old when this happened and I was taken to the apartment with my mother (a Chicago school teacher) and several of her co-workers. The black community was so up in arms about this that the schools pretty much closed down that day. We toured the apartment with the Panthers (not a police in sight). They had marked how all the shots in the walls were coming from outside to the inside. We saw the blood soaked mattress and how the apartment drawers and closets were all over turned like they were looking for something. Chicago PD was and still is crooked as hell. Fred Hampton was only 21 years old. Those young brothers (Mark Clark also) were about something great for the community and they were murdered!! Rest in Peace.
    8runamokprods

    Powerful examination of a man and a murder

    A powerful last third makes up for the technical rawness (including some sections where it's hard to hear what's being said).

    Hampton can be initially be tough to sympathize with, especially for an audience 40+ years later, as he preaches what sounds like a hopelessly naïve call for violent revolution. But the slowly growing evidence that the so-called 'shoot-out' in which he died was nothing less than the intentional murder murder of a charismatic black leader set up by the police is deeply chilling, and makes Hampton's call to take up arms in self-defense seem a little less unreasonable in retrospect.

    An important reminder of a now all-but-forgotten time in our not so distant history.
    jjj522002

    murdered for reasons we all know about....

    Fred Hampton was murdered. Because he was black and because he stood up for black rights. In Chicago, that town we all love and hate. Chicago, the town that is. In Chicago, one town we can't put a finger on. Or we can, can't we? Chicago, that great town. Love you, Fred. This small town guy in Kentucky can't pretend to know what happened. But I think I know. The police, the gov't killed you, Fred. We all know that. God and Christ and Mohammed and Islam and all peoples...how many sentences do I have to submit? OK, Fred was murdered. We all know that. Fark this minimum bulls hart. And I hope the young ones can find out what Fred died for. God support the anarchists. God support the weathermen. I support and believe in the weathermen. Come get me. I love you.

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    कहानी

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    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      My uncle was involved with this film. The cameraman, Mike Gray, had to go into hiding in CA for months with the film canisters because he fillmed the evidence of the real bedroom door with bullets going one way. He went behind the yellow police tape the day before Hanrahan's men switched to the false door that showed 2 way shooting.
    • भाव

      Bobby Seale: You know what we are gonna do? We are going to defend ourselves. Because Huey P. Newton says that power - power is the ability to define phenomena and make it act in a designed manner. Power is the ability - to define phenomena - and make it act in a designed manner. What kind of phenomena? Social phenomena! What is a social phenomena? Black people, Mexican Americans, any kind of people, begins to learn that the social phenomena is that, in fact, U.S., racist, decadent, capitalist, imperialist America is a police state. And a police state exists here and that these pigs are doing nothing but protecting the average businessman and the demogoging politicians, protecting the exploiting system they got going. That, in fact, we are tire of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching us. Black people are tired of it!

    • कनेक्शन
      Featured in Underground (1976)

    टॉप पसंद

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    बदलाव करें
    • रिलीज़ की तारीख़
      • मई 1971 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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    • इस रूप में भी जाना जाता है
      • Hampton
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      • शिकागो, इलिनॉय, संयुक्त राज्य अमेरिका(location)
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      • The Film Group, Chicago
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