The Light at the Edge of the World

Surprising that Jules Verne would write such a story. Even more surprising that Hollywood would produce it. Yul Brynner is unbelievably good as a man freed of all bounds of convention, free to indulge his taste for cruelty and domination. Douglass is an excellent counterpoint, a courageous individual who's chosen simple solitude as a way to deal with the complications and turmoil society had imposed on him. And Samantha Egger's character is the capper, a woman willing to sacrifice far too much for comfort and safety. Inotherwords, everyman. The movie does show its age and is limited by the conventions of time and place and technology of the time. If you're looking for special effects and action as substitutes for thought, look elsewhere.

One of my favorite films of all-time. Unusual because the pirates depicted in this movie are all too real. None of the romanticizing Errol Flynn or Jack Sparrow stuff. These pirates were shockingly ruthless and a real sense of danger permeates the film. Yul Brynner and Kirk Douglas bring intensity to their roles. Brynner as the egotistic sociopath who is the leader of the cutthroats and Douglas as a man who must deal with a desperate situation in a fight for survival. Samantha Eggar as a woman with flawed instincts for her own preservation evokes frustration and pity. From the brutal opening scenes, the message is clear that these pirates don't play. A sense of urgency then takes over until the final outcome. A great movie!

After seeing "The Light at the Edge of the World," over 40 years after its release, I understand why it was a dismal flop in 1971. I remember the billboard advertising highlighting Kirk Douglas and Jules Verne, with small pictures of Yul Brynner and Samantha Eggar. I am certain many a parent dragged her kids screaming from a "Jules Verne/Kirk Douglas pirate movie" featuring mutilations, gang rape and the skinning of one especially beloved character. Those few adult couples likely attracted to the movie were likely put off by the weak pacing, inept direction and abysmal music.

However those of us who can look beyond the cheap jack trappings will be rewarded with strong lead performances by Kirk Douglas and, especially, Yul Brynner. Samantha Eggar, who has much less screen time, also impresses, even though most of her scenes are undercut by the weak direction.

At 2 hours and 7 minutes, "The Light at the Edge of the World" is at least 20 minutes too long. The flashback exposition regarding Douglas' character is not only unnecessary, it undercuts what little suspense the ineffectual direction could muster. One of these days, I would love to have video editing software to deconstruct and reconstruct this movie, removing unnecessary scenes, tightening camera fields and replacing the awful music. Barring that, "The Light at the Edge of the Word" is worth seeing, if only for Yul Brynner's chilling performance.

I give "The Light at the Edge of the World" a "6".

A lighthouse near Cape Horn is cared by a keepers (Fernando Rey , Massimo Ranieri , Kirk Douglas). Then , a gang of pirates attacks the lighthouse .The pirates (Aldo Sambrell, Jean Claude Drout, Tito Garcia, among others) are fiercely commanded by Kongre (Yul Brynner). Handsome hero named Will Denton (Kirk Douglas) with only company a little monkey , suffering misfortunes for the conditions in which unlucky is forced to exist . Denton soon realizes that the island in the base of pirates who lure ships to their doom on the rocky coast and they arrange shipwrecks for profits and eventually appearing castaways (Samantha Eggar and Renato Salvatori) who are cast adrift and ashore. Later on , Will Denton discovers the truth and confronts Kongre in a fight to death. Jules Verne Takes You Over the Edge of the World!

This is an enjoyable Spain /Liechtenstein /United States co-production financed by Alfredo Matas, Ilya Salkind and Kirk Douglas himself . A breathtaking adventure with tension , suspense, thrills , violence and good action scenes . Some fierce hand-to hand combats and pursuits scenes will have you on the edge of your armchair. However , the ending is some ridiculous , unconvincing and overblown. Spectacular landscapes shot in Spain : Cadaques and Manga Mar Menor, great location-footage of both locations , the Spaniard coast is the best thing about this spectacular movie. Starring duo is frankly extraordinary . Kirk Douglas gives vigorous physical performance, he's magnificent as individualist, stubborn hero , similar to his roles in ¨Spartacus¨, ¨Vikings¨,¨Ulysses¨ and ¨20000 leagues under the sea¨(also by Jules Verne)¨. Impressive Yul Brynner , as usual , playing exotic roles , such as ¨Taras Bulba¨, ¨Salomon¨, ¨The buccaneer and ¨King and I ¨. They're accompanied by a lot of familiar Spanish secondaries , most of then regular in Spaghetti/Paella Western and terror genres , such as : Aldo Sambrell , Fernando Rey, Tito García , Víctor Israel , Tony Skios and Luis Barboo .

The film displays a colorful cinematography by cameramen Henri Decae and Cecilio Paniagua , furthermore evocative and thrilling musical score by Piero Piccioni . The picture was regularly directed by Kevin Billington , though being decent enough . This is a highly agreeable movie and suits marvelously . I can recommend this work to everybody who enjoy good adventures and spectacular maritime outdoors , however no for small kids by violent and realistic scenes.

3 stars for the cinematography by Henri Decaë--a beautiful, windswept, remote, rocky coastline in Spain, standing in for the story's location. This is an odd kind of adventure film, with sudden and numerous violent deaths of innocent victims. Those scenes create a downbeat, even depressing atmosphere that never leaves the mind. Acting powerhouses Kirk Douglas and Yul Brynner are not really used to advantage. They're just there to keep the plot going with a relentless, mutual antagonism. Some special effects are impressive, others not so much. An oddly romantic score by Piero Piccioni seems meant for a different movie. See it for the locations.