Johnny Got His Gun

A quadriplegic, who also lost most of his face from a WW1 bomb during that conflict, leaves us under no illusion of the futility of war and the insanity of those who lead us into them. As impacting a film as you're ever likely to see.

One of cinema's greatest achievements. The film is an incredible experience. The fact that you spend almost two hours watching the figure of someone buried under sheets and that we are intrigued by every second of it, testifies to the genius of the film. It's sad that most people remember this movie as the one Metallica made a video for. No offense to the band, but this JGHG is far more important than that. Dalton Trumbo's only directorial effort and it is flawless. The majority of the film is told in a voiceover and like "Twelve Angry Men" every thing takes place in one room. Prepare to be amazed.

Johnny Got His Gun is a motion picture based on a 1938 anti-war book that used World War I as the setting. It should be noted that Dalton Trumbo (1905-1976), author of the book and director of the movie was a brilliant Hollywood screenwriter who also wrote the scripts for several Academy Award winning movies such as Exodus, Roman Holiday, Spartacus and The Brave One. He was one of the big 10 blacklisted in the 1940s by Hollywood and essentially forced to move to Mexico. He had joined the Communist party in 1943, thinking that it was all about caring for fellow human beings and ensuring that working people are paid fairly rather than being turned into semi-slaves. He was not terribly interested in the political agenda of the American Communist Party and dropped it in the mid 1940s to instead put his efforts into unionization. However, during the McCarthy era, the fact that he really had little to do with communism didn't matter. He was targeted by McCarthy, and imprisoned for a year for standing on his 5th Amendment rights by refusing to testify before McCarthy's committee. One must wonder if this book had something to do with why he was targeted in that immediate post WWII, rabidly pro-war and anti-communist culture.

This film is graced by several stars and minor players who were relative unknowns in 1971 when the film was released. They included not only Southerland, but also Timothy Bottoms, Tom Tryon, and David Soul. Additionally, some pretty well known actors such as Alice Nunn, Marsha Hunt, and Jason Robards had parts in the film. These excellent actors brought their considerable skills to what was essentially a low-budget anti-war film made and released during the Vietnam war. Strangely (at least to me), the movie wasn't a hit with the anti-war crowd during the very early 1970s--perhaps because the depiction of the terrible injuries suffered by the protagonist were just too real to those threatened with being drafted.

This is clearly an anti-war film because it shows the horror of war in the person of Johnny Bonham, a soldier whose body was blown apart by an explosive. All Johnny was left with was a horribly damaged body--essentially just a head and torso. He was left with none of the physical senses humans use to communicating with other people no eyes, ears or tongue. In the normal course of events, doctors would have let him die of his horrific injuries. However, in this case they used him as an experiment to see how well/long they could keep an essentially "dead" body alive. The doctors assumed his injuries were such that he had no consciousness and no ability to suffer. How wrong they were! In a surrealistic format, the film goes back and forth from a black and white present, to a color past showing Johnny's memories, and back to the present in which Johnny has discussions with Jesus Christ (played by a young Donald Southerland).

To this viewer, it was the beauty of human compassion demonstrated first by a nurse supervisor and later by the young nurse who cared for Johnny that resonated. When we first see Johnny as a patient, he is "stored" in what looks like some kind of utility room, with no light, no air, and no human contact other than the minimum necessary to provide physical care. The nursing supervisor (sort of a battle-Axel type) comes in and demands that the window be opened so he can have the light and sun on his face and some fresh air. When the other nurses start to protest that he won't feel these things, she shuts them up with a words to the effect that she would not stand for treating any patient with less than excellent nursing care. (Being a nurse myself, I recognized immediately the nursing standards she was demanding although her words would probably not be understood in that context by a non-nurse). That brusk nurse supervisor's demand that even this terribly disabled person be treated with respect and concern was a tiny, but powerful scene in the movie, because it communicated the essential worth of all people, no matter their station or condition.

Later young nurse gives Johnny sensitive and kind care to, even though she has no idea that he has any mental awareness. The brilliance of her caring for even this, the least of patients, shows what human beneficence should be in this world. And it showed especially what being a nurse should mean. To me, the many shades and colors of human feeling for other people, and the importance of human caring--even under the most drastic of circumstances, was a key element of this film. To that extent, the message of about how humans should and should not view and interact with each other was even more powerful than the anti-war message.

I would recommend that anyone who can see this film treat themselves to a truly amazing experience. I've only seen it twice, and saw much more in the film the second time than I saw the first time. My guess is that if I obtain the DVD and see it several more times, additional layers of meaning will emerge. The film is that deep and that complex in its many forms and shades of meaning.

If you are at all squeamish than please avoid seeing Johnny Got His Gun. Not there is anything to see that is particularly, but Timothy Bottoms character in and of himself is one frightening example of what can come out of war and should it.

The unkindest cut of all is minutes before the armistice was declared in operation and the guns ceased, Timothy Bottoms receives a blast from a mortar shell. Everything that makes one relate to what's around is now gone from him, four limbs, the windows to the senses all gone. But more of his brain is intact than the doctors realize and the film is narrated by Bottoms trying to communicate and also his memories of much better times before the Great War.

Dalton Trumbo of the Hollywood Ten had been back working for over a decade now from the blacklist, but here he was not writing a script but also was the director filming his own novel. No doubt certain people were looking for a hidden subversive message. But the only message that Johnny Got His Gun delivers is war is very bad thing and does terrible things to some human bodies.

Of course the title is a past tense of that opening verse of George M. Cohan's period flag waver Over There. So many young men from so many countries marched to war with those songs thinking war was some kind of honor thing. Honor if there ever was any in war was lost in that conflict where automatic weapons, poison gas, and the tank came to the fore. Kids with 19th century ideals like Bottoms as we see his reminiscences came up against something that flag waving nostrums didn't take into account.

Bottoms is brilliant in the film that first gave him stardom and the rest of the cast performs well. Credit goes to Dalton Trumbo for a necessary, but harrowing piece of cinema.

This is the most disturbing movie I've ever seen. Beyond a doubt, the reason it is so obscure has nothing to do with its quality or relevance, but with the fact that it is too penetrating for the majority to handle. This is the cinematic equivalent of a punch in the face or a kick in the stomach. When I was about 12 or 13 I first saw the Metallica video "One", and I couldn't stop obsessing about it for days because it upset me so much. Anyone with an ounce of sensitivity will be knocked off their feet by this film. We watch a naive, well to do young man go to a war he doesn't understand in the slightest, and we also watch while he is brutally destroyed by a bomb. Trumbo has no pretensions to optimism or happy endings or anything of the kind; this healthy young man is turned into a pathetic, hideous hunk of flesh by a three second explosion that simply happened to occur, with no logic or reason to it. We hear his almost unendurable cries for his mother and his frantic desire to die as he realizes what he has been reduced to, a formless mass of flesh with no capacity for communication or real awareness left, and certainly no ability to enjoy anything. This is the first and only movie that has made me want to cry or leave the room in a hurry, and I've been a horror movie buff since age 11. This remorselessly tears right into the viewer not for the sake of tearing, but to prove a point. Just imagining yourself in this young man's position is enough to sink you into a fearful depression. Trumbo is outraged that we let this kind of thing occur at all any under circumstance, for whatever reason, and understandably shoves our faces into the real results of our passivity and complacency, shattering all our ridiculous fictions about the 'glory' or 'honor' of war. I think this should be required reading in high school, although extrasensitive people with depressive or morbid tendencies (like myself)should probably keep clear of it while still being strongly warned off the military or involvement in any kind of war. To me Dalton Trumbo epitomizes the genuinely anti establishment individual,not wanting to appear angry or discontented because it is stylish or in vogue, but being angry and discontented because unlike the rest of us he knows the true state of things and how deceptive our happy go lucky society really is. There are scenes in this movie that will be stamped on my psyche forever, and unpleasantly stamped at that. It is beyond my comprehension that any of the reviewers on this page could find this movie to be 'disappointing' or mediocre or whatever. I feel really bad for anyone who comes away from this movie without feeling anything. They should seriously cut themselves to see if they are robots or something. As you might have guessed, I am recommending it but at the same time warn anyone who watches that they will not be able to forget it or feel light hearted for a good chunk of time after viewing this film.