हरे रामा हरे कृष्णा

Prashant and Jasbir are siblings. They were separated at childhood when their parents decided to part ways. Prashant remains with his mother and Jasbir -- with her father and his new wife. Years later, Prashant is in search of his sister. To his complete shock he finds out that she is located in Nepal and is a part of a group of young hippies, which includes unemployed drug addicts who spend most of their time at parties. She calls herself Janice and everything she does is in order to forget her past. Hare Rama Hare Krishna is one of the most famous films of Dev Anand, and its popularity comes mainly because of its rather racy presentation of the hippie movement and the modern culture in general. But the film as a film does not really work that much. The concept is very interesting but the script is quite poor and very often it turns into a big melodramatic mess. Anand's direction is quite faulty (well, like in most of his directorial ventures). I never understood the purpose of the film apart from its innovative theme and Anand's willingness to break new ground.

Where acting goes, the movie belongs to Zeenat Aman. With this film, Aman introduced a new heroine to Hindi cinema, characterised by her westernised nature and modern persona. This image was only consolidated by her proceeding films. This role is as bold as the film itself or even more, and Aman does full justice to it. She looks really beautiful and even within the rather messy proceedings manages to create a conflicted and troubled young lady who you end up feeling for. This is a very good debut and sadly she never managed to get many great chances in her career. Dev Anand is terribly miscast as he looks too old for his part. His Prashant is supposed to be 24-25 years old, but Anand himself is at his late forties, which is a total joke. Mumtaz is there to look pretty, and she definitely does. The music is excellent - well, after all it's by master R.D Burman. Asha Bhosle's fantastic rendition of "Dumm Maaro Dumm" is obviously the most memorable. Clearly, an interesting concept, "Dumm Maaro Dumm" and the presence of Zeenat Aman pretty much sum up Hare Rama Hare Krishna.

Dev Anand (or Prashant) and Zeenat Aman ( Jasbir/Janice) are siblings brought up in different countries. Because of poor parenting (crudely shown), Zeenat joins the hippie movement and also does drugs. Dev Anand after getting a letter from his father to locate Jasbir in Kathmandu visits that place, falls in love with Mumtaz( Shanti) and is also accused of stealing antiques.

Jasbir has blocked her painful childhood memories and Dev Anand sings the song which he used to sing when he was a kid to jog her memory.

Other than the great R.D.Burman music and Anand Bakshi lyrics and the footage shown about the ISKON movement and the beautiful stars and the Kathmandu location, the movie sucks big time. The story is extremely weak.

This is one of the movies of Dev Anand who gave great yet distinct movies to Hindi movie industries such as Jewel thief and guide. The story is short (if you ask me what is the story), plot is simple- a brother seeks for his lost sister. Sister has joined the hippies who smoke from pot and chant Hare Rama hare Krishna. Yet the movie portrays few of the significant events that the world experienced in 70's.Hippie culture, their submission to drugs, freedom ,escaping duty, family, and adopting anything new such as eastern (which was new for whites) religion. They have been handled perfectly. Zeenat gave her best and Dev as usual was remarkable. Songs are the best used (unlike they are abused for the sake of having songs) in this movie. They have not been spoiled.One perfect example is 'Dekho o deewano...Ram ka naam badnam na karo'. Each word in the song is very philosophical and meaningful. The end is tragic but that is not the essence of the movie. Overall Devji who does believe in making different movies has been successful in showing what he wanted to show here. A must see to experience hippie culture and beautiful Nepal of 70's.

This one grew on me. I love the R.D. Burman music and in spite of the cruder elements of the story I found much to be moved by as I kept re-watching the movie. The brother-sister plot line is powerful, I thought; there's also more probably obligatory stuff, like bar fights, a loony crime story, etc. that are just distracting. (Though not unfunny from a certain point of view.) Also the English translation is definitely by someone for whom it was a bit of a stretch, and as loony as it is I am grateful to him for doing it.

Like many of the Bollywood movies I've seen, this one is melodramatic and opera-like, including here notably a song sung first by a little boy to cheer up his abused and unhappy sister, and then the same song sung 12 or so years later by the man who has travelled to Kathmandu seeking to re-connect with this girl, grown up and troubled (she had been told her brother and mother were dead), numbing her pain with drugs.

A super thing about this 1971 movie is that it is about the hippie movement, which brought hordes of seekers to India, from an Indian point of view, that sees them as people driven to India by a spiritual hunger aroused by the failings of their own societies, but nonetheless, in India, living only for the pleasures of the moment. The hippie singing-dancing-drugging scenes are truly wonderful, and accurate in their tone (I'm old enough to remember), and I feel pretty sure that the masses of young white zoned-out kids are actual hippie extras, as I remember hearing about kids on the caravan to the East getting this kind of work in Bollywood.

(It is not about the actual Hare Krishna movement, though the movie hippies sing a Krishna/Rama chant, as do a group of actual Indian devotees, unrelated to the hippies, in the opening scene of the movie.)

~Virginia

You see the way people in the early seventies blamed ISKON for their radical nature which eventually was the supposed conclusion of being turned into hippies is not at all true and that is why this film is so damn important.

I am surprised that Dev Anand actually thought that a guy in mid forties would look like a guy in mid twenties. Zeenat Aman was stupendous. Mumtaz was good but the real highlighter of this film is the music of the legendary Rahul Dev Burman.........I mean WOW!! Funny thing I read about other reviews is that no one mentioned the song "phoolon ka taaron ka sabka kehna hain" I understand "Dumm Maaro Dumm" was phenomenal, why was it still is even today but the other songs were very good too.

Acting was above average, certain aspects are too melodramatic but then again keeping in mind the 1970s of India it was good, great job by cinematographer and rest of the support staffs.

I give my ratings out of 10:

Acting - 6 Story - 8.5 Screenplay - 8.5 Direction - 8 Music Dept. - 10 (since 100 out of 10 was not possible) Other Aspects - 6

Overall - 7.83 out of 10 so I round it of to 8 out of 10