The Grissom Gang

I especially love the 1970's film making era, and with a seasoned director such as Robert Aldrich managing the cameras, I was sure I would not be disappointed with the Grissom Gang. The opening panoramic scene which takes place at a gas station/general store was vintage 1970's film making style, and I thought the film was off to a great start.

The movie takes place in the 1930's era and stars Kim Darby as Barbara Blandish who plays a rich and spoiled heiress who is kidnapped by a crew of semi smart gangsters who are led by a tough talking Ma Grissom played by Irene Dailey. Ma Grissom's slow witted son Slim Grissom who has never had physical contact of any kind with the opposite sex becomes infatuated with their kidnap victim Barbara. While in captivity Barbara is shown several times screaming her rich pretty little head off, thus the scream queen summary. The dim witted Slim takes a lot of verbal abuse from the other gang members as they like to make fun of his so called friendship with Barbara when in fact they know that after the ransom is paid, they will have to dispose of Barbara as she is the only living witness to their crime.

No plot is complete without including a weasel eyed gang member in the story line and who better to play this part than the venerable character actor Tony Musante who plays Eddie Hagan. Eddie expresses that he is more than up to the task of killing Barbara when the time is right because he knows how much that will just torment Slim who has fallen in love with Barbara.

As the law closes in on the gang, Barbara continues to try and escape and Slim promises to protect his new found love from the other gang members. Tempers flare amongst the gang members, and the audience is anticipating one of those great Bonnie and Clyde shootouts with the law. Director Robert Aldrich includes a number of car chases and shoot outs in the Grissom Gang, the three main characters are exposed to the audience for who they are and who they believe in. I wouldn't want to spoil a good ending so you will just have to watch it. I would not call this a great movie, but it is certainly worth a Sunday matinée watch. I give it a 6 out of 10, and I thank Robert Aldrich for another good film on his extensive resume which includes the classic and hard to find on DVD Choirboys, as well as box office bonanzas The Longest Yard, and the Dirty Dozen.

The Grissom Gang is the best film based on a James Hadley Chase novel hands down! Been awhile since I saw it but it's as great as when I saw it the first time. It was a surprise when I realized that Slim was played by Maggie's dad from The Walking Dead (Scott Wilson). He is such a great actor!

Man, is this an early 70's movie or what?? Made around the time realistic brutality and violence were embraced, this film makes sure you embrace it too. The camera stays on the murder victims for a long period of time and makes sure the blood is red, REALLY red. Machine gun riddled bodies litter this fun mess of a movie. At the height of Kim Darby's fame, she gives it her all, desperately trying to make ridiculously written scenes work with Scott Wilson, who chews up the garishly decorated scenery. (Wilson's work with Robert Blake in IN Cold Blood still ranks as some of the finest in American film). The actress playing Ma is so over-the-top you gotta love it. It lookslike she was directed with Think Bette Davis!! She snarls, whoops, shouts, I even think they give her a moustache. And boy do they sweat in this movie. The lighting is designed to bring it out and everybody sweats. The cops sweat, the gangsters sweat, the stoolies sweat, even Connie Stevens sweats!

a better Patty Hearst movie than the ones actually made about Patty Hearst. not quite up there with the likes of Bonnie and Clyde and Thieves Like Us, but definitely worth seeing as an example of the 1970's ambivalence about anti-social characters and crime. the reviews make quite a big deal about the violence but you will hardly notice it--a great deal of shooting, some of that orange glop they used in the 1970s, but hardly emotionally wrenching like, say, The Wild Bunch or Texas Chainsaw Massacre...great performance by Scott Wilson who shows up on TV a lot these days.

If a movie deserves the definition of hard-boiled, this is "Grissom Gang". The characters seem to know just a way to face any problem, either major or minor: kill, kill, kill. The setting in the rural, poor Midwest in the years of Depression is both evocative and grinding: it gives the audience a feeling of bleakness and unavoidable violence. The story is carefully constructed, exciting, full of suspense. The characters are very well shaped, much care is given to details. The direction by Aldrich is superb: the action scenes are beautifully filmed, the timing is admirable. In the development of the plot we don't find those failures of strain, digressions and intervals of bore which were so common in the movies of those years, under pretension of style. All the actors' performances are outstanding. Scott Wilson draws, with masterly acting, the extraordinary character of Slim Grissom. At first, he seems just a half-witted hooligan, but we quickly realize that he is the toughest of them all, looking at other characters' behavior: they are all scared of him, even his gang mates. Actually, the smart gangster Tony Musante seems to take fun in teasing the stupid Slim: but it is clear that this is by no means a good idea. Wilson's acting gives likelihood to Grissom's possessive, infantile, somewhat touching love for Miss Blandish (Kim Darby). He states that, to save her, he is ready to kill his own mother: we have already learned to never underestimate his words. Kim Darby deserves a special mention, in the role of the spoiled girl who learns to survive at all costs, sexual abuse included. She is great here, she was extraordinary in "True Grit": I wonder why she didn't become a major Hollywood star. Despite some minor faults, "Grissom Gang" is excellent, by far better, in my opinion, of other celebrated movies of the same rural-America-gangster genre, such as Penn's "Bonnie and Clyde", Altman's "Thieves like us", Corman's "Bloody Mama".