IMDb रेटिंग
7.1/10
6.9 हज़ार
आपकी रेटिंग
अंग्रेजी देहात में एक युगल के बीच हॉट और निषिद्ध प्रेम कहानी.अंग्रेजी देहात में एक युगल के बीच हॉट और निषिद्ध प्रेम कहानी.अंग्रेजी देहात में एक युगल के बीच हॉट और निषिद्ध प्रेम कहानी.
- 1 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 11 नामांकन
Amaryllis Garnett
- Kate
- (as Amaryllis Garnet)
Jim Broadbent
- Spectator at Cricket Match
- (बिना क्रेडिट के)
Joshua Losey
- Boy in Village
- (बिना क्रेडिट के)
Arnold Schulkes
- Servant
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
It's turn of the century in the English country. Young Leo Colston is spending the summer with his rich school friend Marcus Maudsley's family estate. He is taken with Marcus' older sister Marian Maudsley (Julie Christie). He encounters tenant farmer Ted Burgess (Alan Bates) who recruits him to deliver love letters between Ted and Marian.
Harold Pinter adapted the screenplay from a novel. It's a rather leisurely stroll through the country especially in the beginning. The plot is not that complicated. The tension is not raised until the introduction of Burgess. There is always a sense of danger beneath the generally loving character. This inherent instability within him is the most compelling part of the movie. Marian has one great scene. It's a two hours costumed romance. It's a bit slow with moments of great intensity.
Harold Pinter adapted the screenplay from a novel. It's a rather leisurely stroll through the country especially in the beginning. The plot is not that complicated. The tension is not raised until the introduction of Burgess. There is always a sense of danger beneath the generally loving character. This inherent instability within him is the most compelling part of the movie. Marian has one great scene. It's a two hours costumed romance. It's a bit slow with moments of great intensity.
Invited by his upper crust classmate Marcus Maudsley to summer at his family estate thirteen year old Leo Colston is taken into confidence by Marcus's beautiful older sister Marian (Julie Christie) to act as a messenger to her illicit lover, local farmer Ted Burgess (Alan Bates.) Marian is engaged to Lord Trimingham (Edward Fox) whom Leo develops a strong liking for. This complicates matters for Leo who has the same feelings for Ted and out right affection for Marian. The child's innocence becomes a detriment however when he attempts to make sense of the adult world through inquiry of those very much involved and it holds drastic consequence for all.
Sumptuously photographed (Gerry Fisher) and magnificently costumed The Go-Between evokes an almost fairy tale milieu in it's early moments with summer in full bloom and the well heeled Maudsleys lounging in finery amid the lush green trappings of their estate. The Empire in 1900 is still sun 24/7 and the Maudleys, confident and mildly aloof, representative of that power. Seen through the adolescent eyes of Marcus we are exposed to the hypocritical trappings of class snobbery, stuffiness and rules of the game. As things begin to unravel the lush lazy days of summer become more storm ridden and the restraint and decorum of the Maudsleys frayed all of which is powerfully summed up and splendidly depicted by Director Joseph Losey in a scene that begins with Leo's birthday party with everyone festooned in paper party hats.
Losey's understated style does a nice job of slowly revealing his story for maximum effect. His use of flash forward, confusing at first, is spare but well utilized to tie lose ends together. The overall morose mood of the film is retained throughout though Lalo Schiffrin's score reeking of hysteria threatens it on more than one occasion.
Christie and Bates, Edward Fox as Twillingham and the young Dominic Guard are excellent fits in their roles but Margaret Leighton as Lady Maudsley turns on the jets as the film closes and walks away with the acting honors.
Sumptuously photographed (Gerry Fisher) and magnificently costumed The Go-Between evokes an almost fairy tale milieu in it's early moments with summer in full bloom and the well heeled Maudsleys lounging in finery amid the lush green trappings of their estate. The Empire in 1900 is still sun 24/7 and the Maudleys, confident and mildly aloof, representative of that power. Seen through the adolescent eyes of Marcus we are exposed to the hypocritical trappings of class snobbery, stuffiness and rules of the game. As things begin to unravel the lush lazy days of summer become more storm ridden and the restraint and decorum of the Maudsleys frayed all of which is powerfully summed up and splendidly depicted by Director Joseph Losey in a scene that begins with Leo's birthday party with everyone festooned in paper party hats.
Losey's understated style does a nice job of slowly revealing his story for maximum effect. His use of flash forward, confusing at first, is spare but well utilized to tie lose ends together. The overall morose mood of the film is retained throughout though Lalo Schiffrin's score reeking of hysteria threatens it on more than one occasion.
Christie and Bates, Edward Fox as Twillingham and the young Dominic Guard are excellent fits in their roles but Margaret Leighton as Lady Maudsley turns on the jets as the film closes and walks away with the acting honors.
I agree with the previous reviewer that the time-shifts seem unnecessary and serve only to complicate the film. There's also an unlikely implication that the events of the Norfolk summer which Leo experienced 40 years ago were so traumatic that he had become psychologically incapable of getting married.
But for me, although there's not much that happens in the plot, this film is heavy with nostalgia. It was the first school film I saw on arriving at a Northamptonshire boarding school. Like Leo, I was 13 and didn't understand everything that was going on.
Would I recommend it to today's youth? Well yes, but I wouldn't expect a large proportion of them to sit the entire way through it. It just doesn't have anything like the pace of today's blockbusters or teen movies. The enjoyment of this film is now largely an intellectual one -- it's about the laughable views of the upper class, and about book-to-film transfers.
Incidentally, to my knowledge, this film has never been available for sale on DVD. And yet in March 2006, it was given away as a freebie DVD with the UK's Sunday Telegraph. The film industry is seriously undervaluing its back-catalogue. Who knows what next -- Lindsay Anderson's brilliant 'IF' in a packet of cereal??
But for me, although there's not much that happens in the plot, this film is heavy with nostalgia. It was the first school film I saw on arriving at a Northamptonshire boarding school. Like Leo, I was 13 and didn't understand everything that was going on.
Would I recommend it to today's youth? Well yes, but I wouldn't expect a large proportion of them to sit the entire way through it. It just doesn't have anything like the pace of today's blockbusters or teen movies. The enjoyment of this film is now largely an intellectual one -- it's about the laughable views of the upper class, and about book-to-film transfers.
Incidentally, to my knowledge, this film has never been available for sale on DVD. And yet in March 2006, it was given away as a freebie DVD with the UK's Sunday Telegraph. The film industry is seriously undervaluing its back-catalogue. Who knows what next -- Lindsay Anderson's brilliant 'IF' in a packet of cereal??
While staying with a prosperous family in Norfolk, a young boy becomes the unwitting pawn in a love triangle. Remaining faithful to the book 'The Go-Between' is a nicely understated, almost serene account of an illicit affair, but if you want to see bedroom romps, bust ups, and flying crockery then go watch the soaps.
Where the film succeeds brilliantly is conveying an oppressive class system during a oppressively long, hot Summer in Edwardian England. One of the best scenes is the cricket match, and Pinter, himself a keen follower of the game, cleverly uses cricket as an allegory - Trimmingham strokes the ball with cultured finesse, while the rustic Ted Burgess just crouches and hits. In the end he gets caught out by the boy.
This film takes a less is more approach to a classic novel, and overall , i think succeeds very well.
Where the film succeeds brilliantly is conveying an oppressive class system during a oppressively long, hot Summer in Edwardian England. One of the best scenes is the cricket match, and Pinter, himself a keen follower of the game, cleverly uses cricket as an allegory - Trimmingham strokes the ball with cultured finesse, while the rustic Ted Burgess just crouches and hits. In the end he gets caught out by the boy.
This film takes a less is more approach to a classic novel, and overall , i think succeeds very well.
I recently watched this film after having seen it as a teenager. Both experiences touched me but in significantly different ways. Not unlike the storyline in the film ironically.
The film is beautifully crafted and almost perfect in every way. All the actors are brilliantly cast and do a great job at hiding only slightly their true emotions and motivations. Those who know and love The Age of Innocence will appreciate the way the story unfolds.
At its core is the story of how class norms and rigid rules of behavior affect an innocent young boy, at what surely is his most vulnerable time of his life.
Some may find the pace slow. I did when I first saw it as a teenager. Please give this film time to develop. Resist those swift "5 minutes and I am out" rules so many millennials tend to apply today. Resist please. And above all, give your full attention to this small masterpiece. Watch for the small changes in tone and body language these great actors provide us.
Then, when young viewers are a little older and life has provided them a few joys and pains, please revisit this film as I did. I sense your emotions may bathe over you as mine did recently.
Enjoy this film.
The film is beautifully crafted and almost perfect in every way. All the actors are brilliantly cast and do a great job at hiding only slightly their true emotions and motivations. Those who know and love The Age of Innocence will appreciate the way the story unfolds.
At its core is the story of how class norms and rigid rules of behavior affect an innocent young boy, at what surely is his most vulnerable time of his life.
Some may find the pace slow. I did when I first saw it as a teenager. Please give this film time to develop. Resist those swift "5 minutes and I am out" rules so many millennials tend to apply today. Resist please. And above all, give your full attention to this small masterpiece. Watch for the small changes in tone and body language these great actors provide us.
Then, when young viewers are a little older and life has provided them a few joys and pains, please revisit this film as I did. I sense your emotions may bathe over you as mine did recently.
Enjoy this film.
क्या आपको पता है
- ट्रिवियाThe movie was based upon L.P. Hartley's novel of the same name. The opening line of the novel has become somewhat well-known: "The past is a foreign country: they do things differently there." That same line--spoken by the voice-over narrator--opens this movie.
- गूफ़For a film partly set in 1952, many of the vehicles are of a much later period. As Leo gets in his hired car at Norwich Thorpe station, a late 1950s Ford Consul saloon and a BMC 1800 saloon from around 1969 are seen. Also, the village scenes include a 1962 Austin A35 van.
- भाव
[first lines]
Older Leo Colston: The past is a foreign country. They do things differently there.
- कनेक्शनFeatured in Aquarius: Come Lancing/Joseph Losey (1971)
- साउंडट्रैकLe Messager (The Go-Between) (Thème Du Film)
Written and Performed by Michel Legrand
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Go-Between?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $10,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,379
- चलने की अवधि
- 1 घं 56 मि(116 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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