अपनी भाषा में प्लॉट जोड़ेंA rich society girl is recruited to go undercover and expose a drug/blackmail/prostitution ring in her small town.A rich society girl is recruited to go undercover and expose a drug/blackmail/prostitution ring in her small town.A rich society girl is recruited to go undercover and expose a drug/blackmail/prostitution ring in her small town.
फ़ोटो
Casey Donovan
- Rodney
- (as Calvin Culver)
Lise Mauer
- Elizabeth Anderson
- (as Lise D. Mauer)
- …
Tracey Walter
- Ginger's Brother
- (as Tracey Walters)
फ़ीचर्ड समीक्षाएं
When I reviewed the film 'Christina' for IMDb, I commented that it was very poorly made in comparison with many of the earlier films of the same genre, such as the early 1970's series featuring the female private investigator Ginger. Later thinking back about this spontaneous comment I found it hard to rationalise why I had hated watching Christina, but had enjoyed the Ginger series; and I began to wonder whether this was solely because I was looking back at the latter series, which I have not viewed during the quarter century since they were first released, through the rose coloured spectacles of relative youth. Many of the criticisms I had made about Christina seemed on reflection to have been equally applicable to the Ginger films. These and other films of the same genre were made on a relatively low budget for the sole purpose of bringing in good returns to their promoters; or (if we are more charitable) building up the funds required for the production of a planned future epic or Oscar winner. They are basically simple exploitation movies with an appeal based on sex and violence and with no pretensions to cinematographic significance. The promoters know that the largest cinema audiences consist of young people who typically attend in groups or pairs and who expect an interesting but not memorable screening they can enjoy together. Films such as "Ginger" or "Pepper" appeal to girls and women because they feature an unusually capable female investigator who can always deal with male colleagues or opponents on a more than equal basis. Their recipe includes enough violence and female nudity to ensure that they have an equal appeal for youths and young men; and they always show respect for the traditional values of Society - the good guys always win out in the end and there is no tolerance of either criminals or revolutionaries. Why then should I remember the Ginger films quarter of a century later, whilst most of the other films of the same genre which I have seen since have now been totally forgotten?
To answer this question I obtained copies of the first and third of the Ginger films ("Ginger" and "Girls are for Loving") to watch again, and am now submitting my comments on both to IMDb. These two sets of comments should be regarded as complimentary - probably the main difference between these films is that the first is a typical very low budget production designed to test the market, whilst the third has clearly benefited from rather less financial constraints. In these comments I am limiting myself to generalities when considering 'Ginger', but examining more specific considerations in the case of 'Girls are for Loving'.
Viewing these two films for a second time I found it very hard to identify any areas where they are significantly better in quality than 'Christina'. All these films feature violence, nudity and sexually suggestive situations, with no redeeming social message, often to the point where they would be regarded by most viewers as no more than soft porn. They are intended to provide easy viewing but not memorable fare. The Martin and Porter Guide to Home Videos makes the telling comment that it will not describe "Ginger" as the best of these three films, but rather as the least repulsive. However the Ginger films are still available as DVD's, and are presumably still selling, over 30 years after they were first released, so I am not alone in remembering them when so many of their later imitators have been totally forgotten. After watching them again I feel certain that this difference is primarily attributable to a much greater tautness in the script. Watching many other similar films, viewers encounter numerous rather boring sequences where they wonder why they are wasting their time watching such trash. Ultimately this leads to a low rating for the film in question. The problem here lies in the direction. Whilst they were no better made or acted, the direction of the Ginger films is such that the story carries the viewer forward from moment to moment in a way which leaves little time for introspection or boredom to develop. In my view this is the reason they have survived whilst so many later films have fallen by the wayside. But their appeal is purely that of a guilty pleasure, re-watching them reminded me of the appeal of splurging on a massive and rich ice cream concoction after a long period of dieting. The only reason why this may be said to be a good thing to do is that, certainly for some people, an occasional indulgence of this kind can be of enormous value in helping them to maintain the ongoing discipline of dieting over an extended period of time.
If you know that you enjoy this type of occasional indulgence, watch one or more of the Ginger films. You will probably not be disappointed.
To answer this question I obtained copies of the first and third of the Ginger films ("Ginger" and "Girls are for Loving") to watch again, and am now submitting my comments on both to IMDb. These two sets of comments should be regarded as complimentary - probably the main difference between these films is that the first is a typical very low budget production designed to test the market, whilst the third has clearly benefited from rather less financial constraints. In these comments I am limiting myself to generalities when considering 'Ginger', but examining more specific considerations in the case of 'Girls are for Loving'.
Viewing these two films for a second time I found it very hard to identify any areas where they are significantly better in quality than 'Christina'. All these films feature violence, nudity and sexually suggestive situations, with no redeeming social message, often to the point where they would be regarded by most viewers as no more than soft porn. They are intended to provide easy viewing but not memorable fare. The Martin and Porter Guide to Home Videos makes the telling comment that it will not describe "Ginger" as the best of these three films, but rather as the least repulsive. However the Ginger films are still available as DVD's, and are presumably still selling, over 30 years after they were first released, so I am not alone in remembering them when so many of their later imitators have been totally forgotten. After watching them again I feel certain that this difference is primarily attributable to a much greater tautness in the script. Watching many other similar films, viewers encounter numerous rather boring sequences where they wonder why they are wasting their time watching such trash. Ultimately this leads to a low rating for the film in question. The problem here lies in the direction. Whilst they were no better made or acted, the direction of the Ginger films is such that the story carries the viewer forward from moment to moment in a way which leaves little time for introspection or boredom to develop. In my view this is the reason they have survived whilst so many later films have fallen by the wayside. But their appeal is purely that of a guilty pleasure, re-watching them reminded me of the appeal of splurging on a massive and rich ice cream concoction after a long period of dieting. The only reason why this may be said to be a good thing to do is that, certainly for some people, an occasional indulgence of this kind can be of enormous value in helping them to maintain the ongoing discipline of dieting over an extended period of time.
If you know that you enjoy this type of occasional indulgence, watch one or more of the Ginger films. You will probably not be disappointed.
I don't have too much else to post here that the previous commenters haven't mentioned. Extremely cheap (a lot of it obviously filmed in motel rooms), surprisingly unerotic despite the ample nudity and sex, and sorely lacking in action and excitement. And with a lead character running around all of this who never comes across as cunning, intelligent, or even sexy. The movie is also sorely lacking linking footage, with people all of a sudden in situations that come out nowhere, or their fates left up to question. Apparently, the filmmakers didn't care enough to show us this, so why should we at all for the entire movie?
There's something special about the three "Ginger" movies, something I'd very much like to see re-made or re-tried with today's sensibilities and a bigger budget. While "Ginger" is, by far, the worst of the three ("The Abductors" and "Girls are made for Loving" are actually completely watchable B-movie fare albeit with a strong sexual / sadomasochistic touch), the idiosyncrasies which made this series stand out among other, more forgettable drive-in fare, are already there in part 1. The premise of a female hero not only surviving in an otherwise men's world (and genre) but positively calling the shots is extremely rare even today. In "Haywire", Gina Carrano is bashing male stars left and right, but she is far from "calling the shots" - neither does she sexually predate like Ginger does. The same goes for Angelina Jolie's "Salt". In fact, Ginger is maybe the nearest we get in movie history to what was otherwise a very male role-model. (This is probably why she was called "the female James Bond" although she's not a secret agent at all). And while today's killing ladies are as a rule ridiculous (even Carrano - trained in martial arts - looked silly beating up guys double her weigth), Ginger very rarely relies on beating someone up - she works the weapons of a woman as well as guns, poison, traps or whatever it takes to take her opponents out. Disturbing but, in a refreshing way, at least halfway realistic!
A word on acting: As mentioned, the two follow-up movies are much better, "Ginger" otoh sports acting that can only be described as a-tro-cious. Except for Cheri Caffaro herself, she's neither a top-model nor a great actress but she has screen presence in spades (a bit like Schwarzenegger) and there are a few scenes in here (the killings of Rodney and Jimmy for instance) where she comes over truly menacing and mesmerizing. Part of her screen presence may be thanks to her tall body - maybe the other actors were cast so they were a bit smaller but she does own every scene she's in.
So, while I can't really recommend this slow-paced and cheaply-made stinker to anyone on its own merits, there are certain qualities in there which are really interesting and some themes which I would liked explored in future productions.
A word on acting: As mentioned, the two follow-up movies are much better, "Ginger" otoh sports acting that can only be described as a-tro-cious. Except for Cheri Caffaro herself, she's neither a top-model nor a great actress but she has screen presence in spades (a bit like Schwarzenegger) and there are a few scenes in here (the killings of Rodney and Jimmy for instance) where she comes over truly menacing and mesmerizing. Part of her screen presence may be thanks to her tall body - maybe the other actors were cast so they were a bit smaller but she does own every scene she's in.
So, while I can't really recommend this slow-paced and cheaply-made stinker to anyone on its own merits, there are certain qualities in there which are really interesting and some themes which I would liked explored in future productions.
Oh, I know the acting is wobbly, the plot clanks like a medieval dungeon, and the cinematography is dodgy. But this is pure '70s sexploitation.
I loved it.
Yes it is sexist, unpc and everything modern Hollywood tries not to be. But that is its charm. It is about cute women toting unfeasable weapons and getting naked in an unbelievable B-movie plot. So what? That's what we want with this stuff.
If you want boring and complacent cinema, go watch a movie with Tim Robbins and Susan Sarandon.....
I loved it.
Yes it is sexist, unpc and everything modern Hollywood tries not to be. But that is its charm. It is about cute women toting unfeasable weapons and getting naked in an unbelievable B-movie plot. So what? That's what we want with this stuff.
If you want boring and complacent cinema, go watch a movie with Tim Robbins and Susan Sarandon.....
In my honest opinion, watching this movie qualifies as an utter waste of life. I can't think of any other movie (I hesitate to call this a "film") that displays less intrinsic value to the viewer. As a matter of fact, I feel dumber for having seen it. Beware the "chicks and bullets" cover, it's utterly misleading, and there is nothing remotely erotic in there. If you're in the mood to be utterly disgusted, by all means watch it. As a matter of fact, this movie engenders a certain dissapointment in the human race in general for having produced it.
क्या आपको पता है
- ट्रिवियाGinger includes Cheri Caffaro's first nude scenes. She was 25 at the time. In a 1974 interview, she explained why she decided to get naked and how it was very upsetting. "Nudity is one way to get into the movies. I'm not saying it's the best way, but right now (the early 1970s) we're going though a nude cycle so you have to go along with it." She started auditioning for movies in her early 20s, but they all required nudity, which she did not want to do. But, she said, she finally got tired of fighting it after not being cast in anything. "I took the role of Ginger....There were some nude scenes in the picture, but I decided it would be all right." When the time came to film her first scene, suddenly she was not so sure. "I looked at all of the technicians and crew members and got upset. But I'd signed the contract and I don't believe in not keeping my word. So I stepped in front of the camera without a stitch on." When she noticed the mostly male group staring at her, she remembers blushing all over. Director Don Schain was so impressed with her, he cast her for the sequel, where she again spent considerable time running around and even performing fight scenes naked, as well as having steamy borderline X-rated sex scenes with naked guys. At that point, Caffaro said being exposed in front of everyone was habit forming. She and Schain started a relationship and soon got married. He directed her in a few more films and asked his wife to get naked in all of them. She said being married to him actually made her more comfortable and secure being nude. She then joked that the naked male actors she had sex scenes with were a lot more nervous, because they knew they were kissing her and fondling her body in front of her husband.
- कनेक्शनFeatured in Twisted Sex Vol. 19 (1998)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ginger?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $8,72,256
- चलने की अवधि1 घंटा 30 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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