[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Get Carter

  • 1971
  • UA
  • 1 घं 52 मि
IMDb रेटिंग
7.3/10
39 हज़ार
आपकी रेटिंग
Michael Caine in Get Carter (1971)
Home Video Trailer from Warner Home Video
trailer प्ले करें2:40
1 वीडियो
99+ फ़ोटो
अपराधगैंगस्टरथ्रिलर

एक कार दुर्घटना में रहस्यमय परिस्थितियों में अपने भाई की मृत्यु के बाद, लंदन का गैंगस्टर जैक कार्टर जांच करने के लिए न्यूकैसल जाता है.एक कार दुर्घटना में रहस्यमय परिस्थितियों में अपने भाई की मृत्यु के बाद, लंदन का गैंगस्टर जैक कार्टर जांच करने के लिए न्यूकैसल जाता है.एक कार दुर्घटना में रहस्यमय परिस्थितियों में अपने भाई की मृत्यु के बाद, लंदन का गैंगस्टर जैक कार्टर जांच करने के लिए न्यूकैसल जाता है.

  • निर्देशक
    • Mike Hodges
  • लेखक
    • Mike Hodges
    • Ted Lewis
  • स्टार
    • Michael Caine
    • Ian Hendry
    • Britt Ekland
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    39 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mike Hodges
    • लेखक
      • Mike Hodges
      • Ted Lewis
    • स्टार
      • Michael Caine
      • Ian Hendry
      • Britt Ekland
    • 264यूज़र समीक्षाएं
    • 85आलोचक समीक्षाएं
    • 80मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 BAFTA अवार्ड के लिए नामांकित
      • कुल 1 नामांकन

    वीडियो1

    Get Carter
    Trailer 2:40
    Get Carter

    फ़ोटो126

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 118
    पोस्टर देखें

    टॉप कलाकार43

    बदलाव करें
    Michael Caine
    Michael Caine
    • Jack Carter
    Ian Hendry
    Ian Hendry
    • Eric Paice
    Britt Ekland
    Britt Ekland
    • Anna
    John Osborne
    • Cyril Kinnear
    Tony Beckley
    Tony Beckley
    • Peter
    George Sewell
    George Sewell
    • Con McCarty
    Geraldine Moffat
    Geraldine Moffat
    • Glenda
    • (as Geraldine Moffatt)
    Dorothy White
    • Margaret
    Rosemarie Dunham
    • Edna
    Petra Markham
    • Doreen
    Alun Armstrong
    Alun Armstrong
    • Keith
    Bryan Mosley
    Bryan Mosley
    • Cliff Brumby
    Glynn Edwards
    Glynn Edwards
    • Albert
    Bernard Hepton
    Bernard Hepton
    • Thorpe
    Terence Rigby
    Terence Rigby
    • Gerald Fletcher
    John Bindon
    John Bindon
    • Sid Fletcher
    Godfrey Quigley
    Godfrey Quigley
    • Eddie
    Kevin Brennan
    Kevin Brennan
    • Harry
    • निर्देशक
      • Mike Hodges
    • लेखक
      • Mike Hodges
      • Ted Lewis
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं264

    7.338.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9malcolmi

    Mike Hodges and Michael Caine have made a timeless film.

    Jack Carter, the reserved London gangster, travels north to Newcastle, his home town, to find the cause of his brother's death. He's warned by his bosses not to go, but refuses to obey them. We, and he, discover the reasons for the warning, which are intertwined with the details of his brother's fate, and watch Carter's quest for revenge reach its logical conclusion. The underworld life sets a kitschy vision of glamour - music-box decanter sets, flashy bespoke suits, and garishly decorated villas - against the grotty reality of arcade slot machines, pornographic 8mm films, and the claustrophobic grubbiness of Newcastle's industrial tenements. Carter, who prides himself on a style of detached shrewdness, navigates both worlds, until he discovers that they're intertwined, sickeningly. The corruption which provides him his living has tainted his own family. I think the centre of the film is the brilliant moment when Carter sits in bed in the flickering light of a projector, discovering the truth about his world. He weeps, silently, knowing what he must now do. But vengeance is all he knows, and it consumes him.

    This story captures with great subtlety the coarse truths about poverty, and crime, which are as true today in Canada and the US as they were forty years ago in England. There's no heroism, no loyalty, no glamour. We feel a kind of sorrowful revulsion at the squalid reality of Carter's world, even as we fear the intensity of his quest for his brother's killers. And we realise we've seen a perfect film of its kind - exceptionally skillful acting, cinematography and editing, bringing to life a taut script. Never again will we fall for the false romanticism of crime.
    tedg

    Cool Sight

    I saw this together with "The Silencers." The two were roughly contemporary and both played with notions of cool. There is a sort of symmetry here that I think is intrinsic to cool.

    It is a symmetry of misogynism. The idea with Dean Martin's thing is probably more familiar to most viewers through Austin Powers. Martin is basically an ugly thug whose fame was based on fantasies about the rat pack. But we are to believe that women — here as automatons with pink bits — automatically adjust to him as god merely through presence. There are gadgets and settings too, and everything emanates from the being of the man. Cinematically speaking, it is Italian storytelling.

    Here in Carter we have something else. Its the same pull on values. The man has charm, enough that every woman in his orbit gets seduced and suffers. But the entire dynamic is different. Its the environment here that is the focus, not the man. Unfortunately, this film has not aged well and we have much, much better examples of cool ground out from a gritty machine.

    This guy is a genuine thug. To be cool in this mold you cannot be violent. You have to be an observer, one who understands the workings of the machine that surrounds. Small insights into those workings give great advantage. The cinematic expression of that dynamic is not groundbreaking in this film. But it is there, is gritty in a human way and gives a worthy ending as the machine grinds on, another viewer somewhere having gotten some small advantage.

    I have not seen the remake, I think. But it is hard to imagine it working as well. This, by the way, was when Caine was real and true. When he understood this business of what I call folded acting, where he could spend some energy being the character, and some being in the character of an actor playing the guy. Two, simultaneous conversations with us, one with us as a watcher.

    Ted's Evaluation -- 3 of 3: Worth watching.
    ginger_sonny

    classic

    British gangster classic starring Michael Caine as the eminently quotable, ultimately tough Jack Carter

    Hard to believe that a major studio felt the need to remake this British gangster classic, which ranks up there with the likes of The Long Good Friday as one of the finest home grown films of the past 30 years.

    Caine is the gangster who goes to Newcastle for his brother's funeral and begins to suspect his death was no accident; cue edgy thrills and violence as he exacts revenge on the folks he believes responsible.

    Caine, as in the majority of his signature roles, is superbly armed with a set of eminently quotable one-liners ("You're a big man, but you're out of shape" tops the bill this time), and as emotionally detached and violently ruthless as Point Blank's similarly vengeful Lee Marvin, while director Hodges paints a gritty, bleak picture of the gangster underworld.

    Soap fans will be equally intrigued to see Coronation Street's Alf Roberts (aka Bryan Moseley) being tossed off a roof.
    9Quinoa1984

    a nasty bastard of a movie with a steel-eyed, cold but brilliant performance in the lead

    Jack Carter is not someone you'd usually want to take home to your mother. He's a career criminal, a gangster in London whose brother was in Newcastle (his hometown) when he found out that he died under mysterious circumstances. Already we're on his side, since it was obviously not a typical drunk-driving accident that caused Frank Carter's death, and we want to see revenge and/or justice. But Jack Carter, that man with a near-permanent dour look on his face and a tendency to get violent, isn't a typical protagonist. He's something of an anti-hero, a nasty one at that, who is a perpetual womanizer (in one oddly hot scene he talks with a direct tone on the phone with a gangster's moll to take off her clothes and masturbate), and will hurt anyone he needs to, sometimes to extreme lengths, to get what he needs to know.

    Certainly he's surrounded in a murky enough criminal environment. The Newcastle of 'Get Carter' is a place with sleazy gangsters betting big bucks and nightclubs with of-the-period music, and women running hotels with weathered looks on their faces. It's here that Carter goes on his investigation, like a hard-boiled detective without mercy. And as he digs deeper into what is at the heart of the mystery- that Frank Carter wasn't a saint, but got duped by the criminal elements and in a pornographic film that brings Jack to tears of rage- it becomes clear he'll have to knock a few heads, and shoot when he must... which is a lot.

    Carter might be more unlikable if not for the star in the role. Michael Caine has a look to him in this film that recalls Alain Delon in the Jean-Pierre Melville pictures, specifically Le Samourai. Nothing can really flinch this guy, unless it's something that he actually cares about. But Caine gives humanity to a character that is on the move, almost always, and has to be on his toes when around unsavory characters. I loved seeing how Caine can just be great at looking around a room or a situation or looking over a person, and how when he gets angry, boy you better get out (even if, or sometimes especially because, you're a woman not dishing on what needs to be told). Caine helps a film that needs that star quality- other actors like John Osbourne as the Big Gangster Kinnear and Ian Hendry as Eric do well enough if only good performances- and where the film digs into some subversive, dark terrain, we have to keep watching it to see how Caine can pull it off.

    Another perk for Hodges is how he deals with the action. Often his film will feel a little slow-going (never too boring, but of a time period, the 70's, when a story could take a little more time in establishing mood), but when action and violence come up it's genuinely shocking and thrilling. We expect to get some satisfaction seeing Carter getting his payback at the criminals, but here there's a dastardly twist as to how just rotten Carter can be with these figures. He goes to their level, and Hodges lets us go along for the wicked neo-noir ride. Some may find it too dark, or just a little too unrelentingly bleak with what Carter finds and how he gets his revenge. But there's the bittersweet part to it as well, especially in the last act, that makes it worthwhile.
    7blanche-2

    Michael Caine as one tough dude

    Michael Caine stars in "Get Carter," a 1971 film co-produced by Caine, who was sick of the parts he was getting. Well, the role of Carter is certainly a terrific part. Ian Hendry and John Osborne also star.

    Carter, a London gangster, returns to his home town of Newcastle for his brother's funeral. When he is offered a ticket out of town, his suspicion about his brother's death grows stronger. His investigation leads him to a pornography ring and lots of bad guys.

    There's lots of violence in this film as Carter dispenses with anyone who's in his way without even blinking. He's mean as they come. Caine is fantastic, and he's surrounded by effective evil-doers.

    There's nudity, too, as well as phone sex. If you like this type of gangster movie, you'll love this. Well-directed by Mike Hodges.

    इस तरह के और

    The Ipcress File
    7.2
    The Ipcress File
    The Italian Job
    7.2
    The Italian Job
    Point Blank
    7.3
    Point Blank
    The Long Good Friday
    7.5
    The Long Good Friday
    Alfie
    7.0
    Alfie
    Get Carter
    5.2
    Get Carter
    बुलिट
    7.4
    बुलिट
    The Taking of Pelham One Two Three
    7.6
    The Taking of Pelham One Two Three
    Funeral in Berlin
    6.8
    Funeral in Berlin
    Straw Dogs
    7.4
    Straw Dogs
    Klute
    7.1
    Klute
    The Day of the Jackal
    7.8
    The Day of the Jackal

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Writer and director Mike Hodges was surprised that a star of Michael Caine's stature would want to play Carter. Caine said "One of the reasons I wanted to make that picture was my background. In English movies, gangsters were either stupid or funny. I wanted to show that they're neither. Gangsters are not stupid, and they're certainly not very funny." He identified with Carter as a memory of his working class upbringing, having friends and family members who were involved in crime and felt Carter represented a path his life might have taken under different circumstances: "Carter is the dead-end product of my own environment, my childhood. I know him well. He is the ghost of Michael Caine."
    • गूफ़
      Kinnear's LandRover [BYX 564B], driven by Eric Paice throughout most of the movie, is the same vehicle used by the Police when they raid Kinnear's mansion near the end.
    • भाव

      Cliff Brumby: [blocking Carter's path] Listen, I don't like it when some tough nut comes pushin' his way in and out of my house in the middle of the night! Bloody well tell me who sent you!

      Jack Carter: You're a big man, but you're in bad shape. With me it's a full time job. Now behave yourself.

      [Brumby takes a swing at Carter, who grabs his hand, punches him, and then slaps him in the face for good measure]

      Jack Carter: [as he's leaving] Goodnight, Mrs. Brumby.

    • इसके अलावा अन्य वर्जन
      Due to deep accents of some characters, the film was partially dubbed for the US release to allow Americans to understand what the characters on screen were saying.
    • कनेक्शन
      Featured in V.I.P.-Schaukel: एपिसोड #7.1 (1977)
    • साउंडट्रैक
      Lookin' For Someone
      (uncredited)

      Music by Roy Budd

      Lyrics by Jack Fishman

      Sung by Lesley Cline, Mick Gallagher and John Turnbull

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Get Carter?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 मार्च 1971 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • आधिकारिक साइट
      • Official Site
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Carter - Asesino implacable
    • फ़िल्माने की जगहें
      • Blackhall Rocks Beach, Blackhall Rocks, Hartlepool, County Durham, इंग्लैंड, यूनाइटेड किंगडम(Final Confrontation between Carter & Paice on the beach and by the aerial ropeway coal skips.)
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer British Studios
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • £7,50,000(अनुमानित)
    • दुनिया भर में सकल
      • $60,404
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 52 मि(112 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.