Doc

"Doc" is similar to "Butch Cassidy and the Sundance Kid," in that it is a revisionist Western attempting to explode some mythology of the American West, which earlier Hollywood Westerns would glamourize. Here, Doc Holliday and Marshall Wyatt Earp are shown as not quite the good guys Hollywood has long portrayed them to be. The story of "Doc" follows the legendary outlaw Dr. John Henry "Doc" Holliday and his lover "Big Nose Kate" Elder on their way to the storied Gunfight at the OK Corral. Doc Holliday is played by Stacy Keach, as a soft-spoken gent who is deadly with a six-shooter. The film is gritty and dirty, but the profane dialogue seems like it was added just because the screenwriter could. My biggest problem is that the scenes look like they cut away too soon, and should go on at least a few seconds longer. "Doc" may not tell the true story of the Gunfight at the OK Corral, but at least tries to keep an enduring Western legend alive.

Ignoring the major historical inaccuracies (Virgil was the Marshal of Tombstone and not Wyatt; Doc and Katie Elder were together long before they both came to Tombstone; etc.), the film attempts to make Doc and Wyatt out as the mob bosses of the Tombstone. "Tombstone" (the Costner film) was much more historically accurate.

The best thing about this film is the first half hour, the classic posturing in the first scene ("We ain't got no cold beer"), Doc and Kate Elder's damaged courtship, a stark, music-less ride across scorching desert. The first glimpse of Tombstone (the town, not the movie) is equally exhilarating, everything is dirty and chaotic, men are fighting in the streets. From that point on, much of the film is boring and slow, though there was enough to hold my attention throughout. Seeing how the story will unfold is the most riveting aspect. The ending is satisfying enough, as is the script's odd take on how and why Doc wound up in the fateful gunfight at the coral. The performances are good all around. It warrants mentioning here that this movie is no more historically accurate than other films on the subject. Two major inconsistencies were already mentioned, and most historians' and witnesses' accounts have Doc playing a much more active role in events leading up to the fight. The overall feel of the film, though, is much more believable than your average Hollywood western. That's probably the most satisfying thing here next to the cast: the physical details, the look and feel. Just pretend the characters are all made up. And don't watch it if you're already in a bad mood.

As a movie it is a semi-interesting curiosity. What I find amusing is the comments of some people have made here, to the effect that unlike the romantic fantasies of previous Wyatt Earp movies, this movie finally reveals the ugly truth behind the legends. I have been studying frontier history for about forty years and to anyone who thinks the events in DOC (even allowing for dramatic license) have any connection to historic fact, I say: Only on the Bizarro Planet, Cheech. As someone else wrote, all it does it replace positive lies with negative lies. I remember when the movie came out, the producer-director was plugging it on TV boasting of how much research had gone into this movie; likewise, in a preface to a paperback edition of his screenplay (which, as I recall, was even stupider than the actual movie), Pete Hamill wrote solemnly about how he--crackerjack journalist that he is--had seemingly unearthed the long-hidden truth about the Wild West in general and Wyatt Earp in particular. What twaddle. Hamill seems to have read one book about the Earps--Frank Waters' discredited Earp BROTHERS OF TOMBSTONE--and then pretty much relied on the time-honored journalistic tradition of Making Stuff Up. He didn't even really follow Waters very closely.

Among the gritiest, dirtiest, noisiest westerns I've seen. As I write this in 2002 Doc holds up very well compared to recent films such as Tombstone and Wild Bill. Doc puts a different "spin" to the famous OK Corral story both in the telling of the tale and in exploring the multi-layered relationship of the characters to one another. Stacey, Faye and Harris are fabulous.