Big Jake

Mark this down as a very entertaining western with more realistic gunfight scenes than most films, meaning the good guys get shot as well as the villains. John Wayne's "The Searchers," a very similar movie story-wise, gets a lot better press than this film but "Big Jake" is just as good, if not better.

To be fair, while the gunfights in here were well done, the fistfights were an insult. Whenever someone got slugged, such as Wayne belting his kids, it had no effect on them, except just to knock them down for a second or two. In real life, folks, chances are you will knocked unconscious if you are hit in the face, especially by a powerful man like Wayne. This has been a ludicrous fact-of-life, however, in all films for 100 years, not just here.

Other than that, the film is a straight hard-nosed one with Wayne and adversary Richard Boone both fascinating. The dialog between the two was especially fun to hear. Too bad there wasn't more of it. Boone did not have enough lines in this film. Wayne's real-life sons in this film didn't impress me with their acting but they weren't horrible either.

Bruce Cabot was a hoot as an old Indian friend of Wayne's. As with most westerns, there is some nice scenery so if you have the opportunity, watch this on widescreen DVD. It was nice-looking movie.

From the outset 'Big Jake' will always be a firm favourite of mine, it's the first John Wayne movie I can recall watching, and this is the movie that has made him my all-time favourite movie star and actor.

The movie follows Dukes pursuit of seven kidnappers whom killed a large number of people at his former ranch (now run by his estranged wife) and kidnapped his grandson.

Up until this point in John Wayne's career he had by in large refrained from using excessive violence in his movies. However it could be argued and with some basis that movies such as 'True Grit', 'The Green Berets' and 'The Alamo' to name but three were physically violent in their own right. Regardless of this however 'Big Jake' was to be a dramatic departure for John Wayne due to the fact that on numerous occasions it give an honest depiction of physical violence. The opening shootout at the Candles ranch is a prime example of this, the sequence is extremely well executed by the director and stunt co-coordinators and there are many examples gunshot wounds which add to the realism of the movie.

The screenplay is rather slick with ample action included to satisfy audience expectations. The movie does contain many memorable scenes such as the opening and closing shootouts, Dukes casual killing of a would be assassin and some touching and at times volatile scenes involving Jake and his ex wife played eloquently by the great Maureen O'Hara.

An interesting segment at the start involves a voice-over retelling the transformation of the west from the early 1800's to its relatively civilised state in 1909 (when the film is set). The voice-over also introduces the audience to nine bandits whom act as the heavies in the movie, its fascinating to hear a brief introduction of each bandit and what skill they bring to the group e.g. Fain is the leader, O'Brien the gunfighter and John Goodfellow is proficient with a machete etc etc.

Duke in this movie is accompanied is his pursuit if the kidnappers by a trusted dog (who is very violent) an Indian friend played very well by Bruce Cabot, and his two on screen sons James (Patrick Wayne who is Dukes own son) and Michael (Chris Mitchum). The main protagonist in the movie is John Fain played superbly by Richard Boone and some of the scenes between him and John Wayne are very memorable containing both tension and style. John Wayne's youngest son John Ethan Wayne makes his debut in this movie playing the kidnapped grandson of Jake and acquits himself very impressively to the field of acting.

Despite my fondness for this movie it is not however without its weaknesses, for one the acting by both Patrick Wayne and Chris Mitchum is horrendous and neither one manages to endear the audience to their respective characters. Some sloppy direction also resulted in the disappearance of one of the Fain gang early in the movie, despite being given an introduction at the start of the movie; young Billy simply disappears without any explanation right at the beginning of the raid on the McCandles ranch. Several campfire scenes that are set at night appear much too bright; the director should have masked the lens on the camera more in order to ensure the scenes effectiveness. Finally several stunts involving Mitchum and a motorcycle come across as tired, overblown and generally dull although the director rightly erased the motorcycle from the movie quite early on much to the relief of the audience.

Critics were less than impressed with the movie stating that it was 'overly violent', these were the same critics who praised the Wild Bunch months earlier for being innovative and honest in its depiction of violence. Despite what he critics stated and some of the minor criticisms I have pointed out about this movie it remains a firm favourite and was a big box office hit when first released.

A very entertaining John Wayne western. Richard Boone makes a great villian. It's action packed much more in the style of a Clint Eastwood Dirty Harry picture than a vintage John Wayne. Most highly recommended of Wayne's movies in the post-True Grit period.

A later John Wayne western that contains a surprising amount of graphic violence. This is by no means another "Wild Bunch" but there are more bloody gunshot wounds than usual.

The plot concerns the search and rescue of a kidnapped grandson that Wayne has never seen.

The banter between Jacob McCandles(Wayne) and his estranged sons is the source of many of the film's great lines. When Patrick Wayne tries to provoke the Duke by calling him "Daddy", the retort by the old man is priceless.

A good villan(Richard Boone), another pairing with Maureen O'Hara, some great one-liners and several references to older Wayne films make this a great choice from the westerns section at Blockbuster. Elmer Bernstein's music is wonderful too, sounding much like his "Magnificent Seven" score.

First I have to say that I am a huge JW fan. In this film JW is his classic Kick A** self. There is some sentimental stuff in here, about the old man's relationship with his grown sons. Basically it is good old John Wayne Action. When the bad guys get the drop on him, all you can think is "Big mistake" This film is set in the early 1900s. There is an interesting parallel between the passing of the baton from one generation to the next (Jake and his grown sons) and the passing of technology. We see new fangled weapons and a motor car. (Naturally Jake rejects these)

Finally: You got to love the idea of Big Jake owning a dog named ..... DOG.