Weekend with the Babysitter

How could the previous reviewer not mention motorcycles, ocean cruising, flying, ski chalet fireplace, and so much more? And where else can you find Mona waiting for her husband to back the car out of the garage? Where did Mikey go? I missed that part. "Weekend..." reminded me of one of those low-budget Bigfoot movies. It certainly had it's dark moments, though. I give it an 8 for pushing the envelope.

Another poor exploitation movie from Crown International Pictures. This one's about a tired, hen-pecked old middle-aged guy who falls for the young girl babysitting his kids, and begins an affair with her. The movie was shot by Don Henderson, not the actor, and is a virtual reprise of the same director's film of the previous year, THE BABYSITTER, allowing for some self-referencing moments. Overall though it's a kind of sad, wish-fulfilment type film with a bit of a grubby edge to it.

Sadly, as with a lot of Crown fare, this one has dated a lot and not in a good way. The film just sort of dawdles along while the characters take drugs and indulge in various pleasurable activities which don't transmit to the viewer. There's a lot of talk and none of it is very interesting. It's clunky throughout, performed by a cast of low-level actors who fail to make much of an impression, and never as controversial as it wants to be. Saying that, the director does manage to cram in a fair few nude and sex scenes for his young starlet, so WEEKEND WITH THE BABYSITTER does have a requisite sleazy feel to it.

How typical! Having turned out the delightful, The Babysitter (1969) the director and writer/star get together to do it all again. But hey, did the pair not get what made the first so much fun? I don't think so for this one takes itself so seriously it is positively boring at times. George E Carey is still effective in the main role and at the start there is some vaguely amusing stuff playing on the fact that Hollywood found it so difficult to get the whole hippie sub culture onto film effectively. But it soon drags with the wife a junkie surrounded by wooden actors and overlong sequences of cannabis smoking and bike racing. Candy is here played by Susan Romen and is fine but so coy, indeed the whole film is much less candies than the earlier one. Another sign, maybe, that this was to be a 'serious' film.

Despite the suggestive title, and the fact that it was produced by Crown-International Pictures (the makers of a number of sleazy drive-in movies), WWTB is far from the sleazefest that you may think it will be. In fact, the movie for the most part seems to be making an effort to be pretty tasteful. This may make the movie sound pretty boring, but the movie manages to be surprisingly entertaining all the same.

To start with, the movie's male protagonist is not a selfish dirty old man who has the "seven year itch" and lusts after his family's babysitter. He's actually made to be pretty sympathetic early on. It's clearly shown that his marriage has problems, and while some of these problems may come from him, we see that the majority of the strife comes from his wife. (Also, we see that he has been making efforts to improve the relationship, but they haven't been working.) Then when he subsequently finds himself with the babysitter and starts doing things with her, having an affair seems the last thing on his mind for a considerable amount of time. As well, it's shown that when the affair starts, the babysitter does as much - if not more - to start the affair.

Also a pleasant surprise is how our protagonist interacts with the friends of his babysitter. He doesn't talk down to them, seems genuinely interested in them, and freely tries their activities. Also pleasing is that these same young people don't seem to have a problem with him being much older than them. They are very friendly to him, and gladly teach him of his ways. There is an underlying sweetness to the movie, even with the inevitable nudity and sex that eventually arrives.

In fact, the movie is actually very dialogue-driven for its first half, and while the dialogue may not be up to Shakespeare, it has a natural inviting feeling that keeps your attention. The dialogue makes these characters interesting, giving them quirks that you don't often see in movies like this. (Such as with the sympathetic junkie seen in the subplot with the wife.)

The movie is far from perfect; the last hour has some clunky and somewhat boring bits, and there seems to be no firm resolution between our protagonist and his babysitter (or with his wife, for that matter.) But I still highly recommend this to those who like drive-in movies. Hard to believe this was directed by "Billy Jack" himself!

This is another 1970's "sex-with-the-babysitter" movies (the best of these probably being "Jailbait Babysiiter" made a few years later). They don't make these kind of movies today, and personally I wouldn't want to see them if they did (after you reach a certain age you may still harbor a nostalgic attraction for the teenage girls of your own youth, but that doesn't mean that you really want to see modern-day teens having sex with anybody). That's not to say that this movie is all that racy. There's some nudity, and some gratuitous showering and spanking. The character is underage, but I don't think the unknown actress actually was.

The real problem with this movie is how shamelessly it pandered to the perverts of the day. The male protagonist is very middle-aged, bordering on elderly--a lot more likely to have grand-kids than kids, and hardly any teenage girl's dream date. He even gets to be a hero when he rescues his unfaithful wife from the clutches of a vicious drug dealer, thus morally glossing over the whole infidelity and statutory rape issue. I liked "Jailbait Babysitter" better because it was told from the perspective of the girl and the middle-age lech in that one is treated to a heart attack(!) rather than to hero status. Neither is very realistic, of course, but even blatant moral hypocrisy is preferable to this kind of sleazy pandering.

Two things are of interest about this otherwise forgettable movie though. It was directed by Tom McLoughlin, old "Billy Jack" himself, a guy who(perhaps erroneously)was considered in touch with the "youth culture" of the day (making it all the more curious why this movie is told from the perspective of the middle-aged codger). And the gangster's sleazy girlfriend is played by Anik Borel, an interesting European actress who appeared in the ludicrous trash-cult favorite "Werewolf Woman" because the director thought she had a face like a wolf (albeit with a body to die for). There's absolutely nothing else to recommend this though. See "Jailbait Babysitter" instead.