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Warum läuft Herr R. Amok

  • 1970
  • Not Rated
  • 1 घं 28 मि
IMDb रेटिंग
7.2/10
3 हज़ार
आपकी रेटिंग
Kurt Raab and Lilith Ungerer in Warum läuft Herr R. Amok (1970)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंWith slicked-down hair and three-piece suits, dependable Herr Raab is a technical draftsman. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness ... सभी पढ़ेंWith slicked-down hair and three-piece suits, dependable Herr Raab is a technical draftsman. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness to problem solving. He's a dutiful husband; his wife's a social climber and pushes him to ... सभी पढ़ेंWith slicked-down hair and three-piece suits, dependable Herr Raab is a technical draftsman. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness to problem solving. He's a dutiful husband; his wife's a social climber and pushes him to seek a promotion, but they also share sweet moments. He's a caring father, helping his son... सभी पढ़ें

  • निर्देशक
    • Michael Fengler
    • Rainer Werner Fassbinder
  • लेखक
    • Michael Fengler
    • Rainer Werner Fassbinder
  • स्टार
    • Lilith Ungerer
    • Kurt Raab
    • Amadeus Fengler
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Fengler
      • Rainer Werner Fassbinder
    • लेखक
      • Michael Fengler
      • Rainer Werner Fassbinder
    • स्टार
      • Lilith Ungerer
      • Kurt Raab
      • Amadeus Fengler
    • 17यूज़र समीक्षाएं
    • 28आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 2 नामांकन

    फ़ोटो7

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार31

    बदलाव करें
    Lilith Ungerer
    Lilith Ungerer
    • Frau R.
    Kurt Raab
    Kurt Raab
    • Herr R.
    Amadeus Fengler
    • Der Sohn
    Lilo Pempeit
    • Kollegin im Büro
    Franz Maron
    Franz Maron
    • Chef
    Harry Baer
    Harry Baer
    • Kollege im Büro
    • (as Harry Bär)
    Peter Moland
    • Kollege im Büro
    Hanna Schygulla
    Hanna Schygulla
    • Hanna
    Ingrid Caven
    Ingrid Caven
    • Nachbarin
    Irm Hermann
    Irm Hermann
    • Nachbarin
    Doris Mattes
    • Nachbarin
    Hannes Gromball
    Hannes Gromball
    • Nachbar
    Vinzenz Sterr
    • Opa Raab
    • (as Herr Sterr)
    Maria Sterr
    • Oma Raab
    • (as Frau Sterr)
    Peer Raben
    • Schulfreund
    Eva Pampuch
    • Schallplattenverkäuferin
    Carla Egerer
    Carla Egerer
    • Schallplattenverkäuferin
    • (as Carla Aulaulu)
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
      • निर्देशक
        • Michael Fengler
        • Rainer Werner Fassbinder
      • लेखक
        • Michael Fengler
        • Rainer Werner Fassbinder
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं17

      7.23K
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      फ़ीचर्ड समीक्षाएं

      7sunheadbowed

      Fassbinder's nihilism knew no bounds.

      Sometimes a film is not 'boring', it's actually a study on boredom as societal satire; a disarmament of psychological setting -- a slow-motion, funereal-paced race to the ugly punchline. The funniest jokes require patience and an ability to listen.

      Fassbinder pulls it off marvellously in 'Why Does Herr R. Run Amok?', one of his best early films, from 1970. This particular punchline connects as hard as a blow to the back of the head.

      If a life can only be understood backwards, this film parodies the theory by emulating it.

      Fassbinder's nihilism knew no bounds.
      9melissamildrake

      Beautiful, perceptive film

      They don't make great low-budget films like this anymore. Fantastic performance by Kurt Raab, very moving, delicate, intense. You can feel the chill run down your spine when you watch him slowly degenerating. Fassbinder at his early best.
      7Quinoa1984

      not easy to sit through, but has some surprising rewards

      I kind of wish I didn't know before watching Why Does Herr R Run Amok? that there was the distinct possibility- pointed by a quote on IMDb's trivia by co-star Hanna Schygulla- that Rainer Werner Fassbinder may have had *nothing* to do with with this film, considered by some to be one of his best. It made me think, from time to time watching, it, if maybe this point was correct, considering a) Fassbinder usually doesn't do improvisation, as it would appear this film does to the point where one wonders if a script was even used (was this, in fact, one of the first "mumblecore" movies?) and b) why his usual cast agreed to do it if it was only run by Michael Fengler (who, in his defense, also collaborated on The Niklashausen Journey and may be a capable producer in his own right).

      Because, frankly, this isn't like the Fassbinder you would be used to after seeing, for example, the BDR trilogy or Fear Eats the Soul. It's as if Fassbinder and/or Fengler contracted Al Maysles to follow an 'average' middle-class German family, the father and architect and the wife a, uh, house-wife I guess, with an 'average' child. The style of dialog is improvisation, and the camera-work reflects this with the "cienema verite" approach. Indeed there may be only about 30 actual shots in the whole film; it's a series of long takes as the DP, Dietrich Lohmann, goes around a room and zooms in or out based on a feeling here or there or something that may be of interest (such as the desperation Herr R tries his best to hide in most scenes).

      What happens with this style, for better or worse, is that we get into the daily grind, the mundane conversations in a living room or in a car (i.e. car repairs), a trip to the school for a talk with the teacher about the kid, or a trip to the not-totally sympathetic doctor, or the embarrassing toast that Herr R makes in front of his co-workers and boss. There is the mundane, and its so much that one starts to get into this mood. There is a drawback if one isn't ready/willing/able to be in this style; not a lot "happens" in the film until, of course, the frighteningly sudden climax of the "Amok" part of the title. Indeed there's something to this that draws in the audience with the characters; there's a scene where Herr R, his wife, their son and a couple of friends are walking along on a road, and it goes on for so long (both the shot and the slow walk) we, as well as the parents, don't realize that the son has gone off on his own and don't know where he ventured off.

      Herr R. is an emotional story, but it's a little hard to penetrate. But for those who are patient and attentive there are some great rewards. One of these is Kurt Raab's performance (who, by the way, is also called Mr. Raab in the film, which adds to the confusion of whether this is documentary or fiction, or both at the same time); it's a performance that is tricky but works very well, full of subtlety and restraint, eyes darting carefully and physical expressions to the dot meant with importance. The performance is improvised, but there's nothing I can see that wasn't thought through to be on the screen by Fassbinder and/or Fengler. And it's this character, if nothing else, that marks it as the indicator of it being from RW; it's about the alienation of an outsider, someone in such a mundane world, so "normal" that there is barely any expression of individuality, of anything outside of a "norm" being seen as anything except quiet (or not so quiet) scorn. This is set up from the start with the characters telling the jokes, and Herr R's going flat with everyone else.

      It's basically a super-low budget experiment in reality-as-drama, about the emptiness of a class system that allows people to live comfortably and with some semblance of peace, but also a form of life that can be shattered so easily and with such terror. The ending, indeed, can only be really comparable to the likes of Haneke's Cache for its random, existential impact. The more one lets Herr R in, the more this world is horrible and cruel and desperate. Not the brightest of times to have, but worthwhile all the same.
      8shanejamesbordas

      Highly Assured And Unsettling Early Fassbinder

      Co-directed by the young Fassbinder (then only 25 years old) with his friend and producer Michael Fengler, 'Herr R.' shows Fassbinder's tendency to get up the nose of the middle class.

      Here, in opposition to his more characteristically considered style, a shaky hand-held camera eavesdrops on the eponymous Herr R.(played to perfection by the great Kurt Raab) who is tediously seen at his work, with his wife, during a visit from his parents and the like, while slowly unwinding inside.

      Long takes predominate and we are also let into the life of Herr R.'s pretty but equally vapid wife for whom he, in a most affecting scene, buys a record without knowing the singer or song title - much to the shameless merriment of the shop-girls who serve him. Fassbinder keeps the tension tightly wound throughout and it is this knowing sense of what to show and when to withhold that gives the greatest indication that this is the work of a man who was to become one of Europe's greatest film-makers since Ingmar Bergman.

      No doubt, many will find the extreme sense of realism and boredom too oppressive but 'Herr R.' has proved to be highly influential on a much later generation of film-makers and still retains the power to provoke and unsettle.
      9moskito24

      One of the best Fassbinder movies

      This is a terrific movie. I have seen the unsettling ending of it years ago. Today I was watching it from DVD. My recollection of the ending was so strong that I remembered all small details.

      Highly sensitively Fassbinder gives insight into the life of a man that runs amok. Fassbinder succeeds in showing the motives of a crazy amok run.

      If you don't know any of Fassbinders movies you must be aware that this is different than anything you know. Fassbinder portrays a man that lacks self-awareness and is poor of showing his emotions and who does not do more than he is asked for in his job. Herr R. is slow in mind and words. And yet, all that does not accumulate to his amok run. What does is hidden behind a surface that Fassbinder discloses one by one... 9 out of 10.

      इस तरह के और

      Katzelmacher
      6.8
      Katzelmacher
      Händler der vier Jahreszeiten
      7.3
      Händler der vier Jahreszeiten
      Der amerikanische Soldat
      6.5
      Der amerikanische Soldat
      Götter der Pest
      6.4
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      Satansbraten
      6.7
      Satansbraten
      In einem Jahr mit 13 Monden
      7.3
      In einem Jahr mit 13 Monden
      Martha
      7.5
      Martha
      Chinesisches Roulette
      7.2
      Chinesisches Roulette
      Liebe ist kälter als der Tod
      6.4
      Liebe ist kälter als der Tod
      Angst vor der Angst
      7.4
      Angst vor der Angst
      Die Sehnsucht der Veronika Voss
      7.6
      Die Sehnsucht der Veronika Voss
      Mutter Küsters' Fahrt zum Himmel
      7.5
      Mutter Küsters' Fahrt zum Himmel

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        In 2003 on a interview for Village Voice Hanna Schygulla claimed that this film was completely done by director Michael Fengler, whereas purported co-director Rainer Werner Fassbinder had nothing to do with the actual film. She also claimed that film was almost completely improvised which wasn't Fassbinder's way to make movies. Fassbinder still is credited as director and writer on the actual film and on many official sources, including Fassbinder Foundation's website. This fact has been confirmed by Michael Fengler himself in the 2008 documentation Gegenschuss - Aufbruch der Filmemacher (2008). He reported, that Fassbinder was involved neither in writing nor in directing of the movie and has visited the movie set at most twice during shooting.
      • गूफ़
        When Herr R. leaves the doctor the camera team can be seen in the mirror on the wall.
      • कनेक्शन
        Featured in Sehnsucht nach Sodom (1989)
      • साउंडट्रैक
        Stand by Me
        Written by Ben E. King, Jerry Leiber and Mike Stoller

        Performed by Ben E. King

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल

      • How long is Why Does Herr R. Run Amok??
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      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 5 फ़रवरी 1971 (पश्चिम जर्मनी)
      • कंट्री ऑफ़ ओरिजिन
        • पश्चिम जर्मनी
      • भाषा
        • जर्मन
      • इस रूप में भी जाना जाता है
        • Why Does Herr R. Run Amok?
      • फ़िल्माने की जगहें
        • Müllerstraße 40, म्यूनिख, बवेरिया, जर्मनी(bureau, Franz Maron, Architekt/Dipl. Ing.)
      • उत्पादन कंपनियां
        • Antiteater-Produktion
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        • Süddeutscher Rundfunk (SDR)
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      बॉक्स ऑफ़िस

      बदलाव करें
      • बजट
        • DEM 1,35,000(अनुमानित)
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      बदलाव करें
      • चलने की अवधि
        1 घंटा 28 मिनट
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      • पक्ष अनुपात
        • 1.37 : 1

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      किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
      Kurt Raab and Lilith Ungerer in Warum läuft Herr R. Amok (1970)
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      What is the English language plot outline for Warum läuft Herr R. Amok (1970)?
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