IMDb रेटिंग
5.7/10
2.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.In their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.In their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.
- 1 BAFTA अवार्ड के लिए नामांकित
- 1 जीत और कुल 2 नामांकन
Françoise Pascal
- Paola, the au pair
- (as Francoise Pascal)
Constantine Gregory
- Michel Le Guestier
- (as Constantin De Goguel)
फ़ीचर्ड समीक्षाएं
Goldie Hawn (The First Wives Club) plays Marion, and was for nominated by the British Academy Awards for best Actress. She is adorable in the part as usual. Marion is a very young American girl in Europe whose boy's friend is an idiot. Because of that she takes off with Robert Danvers, Peter Sellers (Pink Panther). Robert Danvers is a very famous and very rich television gourmet cook - a celebrity. She does not know about his fame. He is really smooth with women but she does not buy it at first. But with all that money she stays with him for awhile, but then goes back to the young boy friend. Nothing great about the plot. If you like Goldie, you can see her at a very young age. Just a silly comedy. It is just okay entertainment. Watch it on television. It does not justify the rental nor is it worth buying it
I enjoyed this film and am surprised at the low rating (at time of writing).
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
"My GOD but you're lovely."
This is surely one of Sellers' most memorable characters. This guy HAS to have been a major influence on Austin Powers: he's an aging playboy, with hairy back and bad teeth, who never imagines that he's anything but irresistible to women. Goldie Hawn is the woman who won't give him what he wants when he wants it.
The first hour is pure gold, some of the greatest comedy i've ever seen. Then it strangely begins to meander. Really badly. With the extended wine tasting journey, involving many pointless shots of Frenchmen drinking wine at what seems like a real wine tasting ceremony, and later on the pointless shots of scenery, very out of place in this story. I was thinking what terrific characters they were, and what a terrific comedy set-up we had here - but at the point where it starts to wonder, you realise that they'd only thought up these funny characters - but hadn't got as far as what to do with them. Thus, they also had no idea what the resolution, if any, should be.
They seem to have figured that everything would work itself out once they started shooting - well, it didn't. The last half-hour is an absolute mess. I would have enjoyed it much more as a 60 minute movie, thankyou very much.
As it is, we have a clumsy "resolution" scene that needed about seven re-writes, and a rather meandering, almost unnecessary last half-hour, peppered with a few good scenes (Sellers carrying Hawn over his shoulder in the lift), which unfortunately spoils what might have been one of the funniest movies i've ever seen.
6/10. The first hour is an absolute gem - i'd still recommend you see it for that.
This is surely one of Sellers' most memorable characters. This guy HAS to have been a major influence on Austin Powers: he's an aging playboy, with hairy back and bad teeth, who never imagines that he's anything but irresistible to women. Goldie Hawn is the woman who won't give him what he wants when he wants it.
The first hour is pure gold, some of the greatest comedy i've ever seen. Then it strangely begins to meander. Really badly. With the extended wine tasting journey, involving many pointless shots of Frenchmen drinking wine at what seems like a real wine tasting ceremony, and later on the pointless shots of scenery, very out of place in this story. I was thinking what terrific characters they were, and what a terrific comedy set-up we had here - but at the point where it starts to wonder, you realise that they'd only thought up these funny characters - but hadn't got as far as what to do with them. Thus, they also had no idea what the resolution, if any, should be.
They seem to have figured that everything would work itself out once they started shooting - well, it didn't. The last half-hour is an absolute mess. I would have enjoyed it much more as a 60 minute movie, thankyou very much.
As it is, we have a clumsy "resolution" scene that needed about seven re-writes, and a rather meandering, almost unnecessary last half-hour, peppered with a few good scenes (Sellers carrying Hawn over his shoulder in the lift), which unfortunately spoils what might have been one of the funniest movies i've ever seen.
6/10. The first hour is an absolute gem - i'd still recommend you see it for that.
I love the message in this film; that we don't need to conform to the norms of society to be happy. We don't need to search for life's purpose because there isn't one, we can just be ourselves.
This is a charming, beautifully made drama about an upper class man who thinks he might be envious of the lifestyle of those whom society hasn't moulded into what's expected. It's about a free-spirited girl who thinks she might be envious of being part of a world she finds stuffy and rather ridiculous. Both Peter Sellers and Goldie Hawn are perfect as the aging Lothario from a bygone age and the wild child of the sixties.
The story of mismatched lovers from different sides of the tracks is as old as Shakespeare and was used in what seemed to be about half of all the pre-code pictures of the early thirties. The society of the 1970s, when remnants of 1930s mindsets still ran through what is virtually 'modern times' with modern attitudes created two distinct societies happily existing side by side. Sellers' and Hawn's characters get together and embark as tourists in each other's lives. They're both cynical enough to know that this is just a holiday romance but they want to believe that their relationship can really work. Deep down however they're both too selfish to completely jettison their own ways of living and means of finding personal happiness.
Were this a 1930s film it would have either had a cheesy happy ending or a melodramatic tragic tear-jerking shocking denouement. Without giving anything away, the conclusion of this is much more like real life - it just goes on. That's not unsatisfying in fact it has quite a surprisingly optimistic feel.
Maybe because Peter Sellers is known for comedy this is wrongly assumed to be a comedy. Clearly it's not a comedy but despite its cynicism, it is uplifting. It's an intelligent and thoughtful study of an impossible relationship. Peter Sellers was a surprisingly good actor (with a surprisingly hairy back) but most impressive is Goldie Hawn who seems like she'd been acting for decades (with a reassuringly non-hairy back)
This is a charming, beautifully made drama about an upper class man who thinks he might be envious of the lifestyle of those whom society hasn't moulded into what's expected. It's about a free-spirited girl who thinks she might be envious of being part of a world she finds stuffy and rather ridiculous. Both Peter Sellers and Goldie Hawn are perfect as the aging Lothario from a bygone age and the wild child of the sixties.
The story of mismatched lovers from different sides of the tracks is as old as Shakespeare and was used in what seemed to be about half of all the pre-code pictures of the early thirties. The society of the 1970s, when remnants of 1930s mindsets still ran through what is virtually 'modern times' with modern attitudes created two distinct societies happily existing side by side. Sellers' and Hawn's characters get together and embark as tourists in each other's lives. They're both cynical enough to know that this is just a holiday romance but they want to believe that their relationship can really work. Deep down however they're both too selfish to completely jettison their own ways of living and means of finding personal happiness.
Were this a 1930s film it would have either had a cheesy happy ending or a melodramatic tragic tear-jerking shocking denouement. Without giving anything away, the conclusion of this is much more like real life - it just goes on. That's not unsatisfying in fact it has quite a surprisingly optimistic feel.
Maybe because Peter Sellers is known for comedy this is wrongly assumed to be a comedy. Clearly it's not a comedy but despite its cynicism, it is uplifting. It's an intelligent and thoughtful study of an impossible relationship. Peter Sellers was a surprisingly good actor (with a surprisingly hairy back) but most impressive is Goldie Hawn who seems like she'd been acting for decades (with a reassuringly non-hairy back)
I like Peter Sellers, most of the time. I had never seen him portray an upper-class Brit until this movie. He pulls it off pretty well, although you see bits of Inspector Clouseau in the mix. It doesn't get interesting until Goldie Hawn arrives.
I never expected the youthful Hawn to deliver such a solid performance. Her timing was great and her expressions were priceless. The way she alternately shoots Sellers lecherous character down and seduces him is beautiful to watch. Verbal sparring like I've seldom seen from a movie of that era.
The last thirty minutes of the movie DOES fall flat. It is worth the let down just to see the first sixty. Hawn is nude for a few glorious seconds early on. Enjoy it...
I never expected the youthful Hawn to deliver such a solid performance. Her timing was great and her expressions were priceless. The way she alternately shoots Sellers lecherous character down and seduces him is beautiful to watch. Verbal sparring like I've seldom seen from a movie of that era.
The last thirty minutes of the movie DOES fall flat. It is worth the let down just to see the first sixty. Hawn is nude for a few glorious seconds early on. Enjoy it...
क्या आपको पता है
- ट्रिवियाAdapted by Terence Frisby from his own play. The Broadway production of "There's a Girl in My Soup" opened on Oct. 18, 1967 at the Music Box Theatre and ran for 322 performances. Gig Young and Barbara Ferris were in the original cast.
- गूफ़As Robert is getting on the elevator, he is carrying flowers wrapped in cellphone and white tissue paper. The flowers are visible and are pink, yellow, & white flowers. But when Robert hands Marion the bouquet in the apartment, they are unwrapped and the cellophane is gone, and they only contain red flowers.
- भाव
Marion: Are you trying to get me tight?
Robert Danvers: You're frightening enough sober.
- क्रेज़ी क्रेडिटChampagne (of course) by Bollinger.
- इसके अलावा अन्य वर्जनTHERE'S A GIRL IN MY SOUP (1970) when shown in Australian cinemas on its first theatrical release from 24th June 1971, at the request of the Australian Film Censorship Board, the movie had all nudity eliminated. To obtain the classification rating of (SOA) SUITABLE ONLY FOR ADULTS - the Australian Film Censorship Board ordered the elimination of "all shots of female nudity of Goldie Hawn (Marion) 37:19 to 37:55 and Geraldine Sherman (Caroline) 43:08 to 44:31" i.e. Australia Film Censorship Board insisted that the brief female nudity is never seen by Australians.
- - - Of course all the legislative rules about not showing female nudity were applied when THERE'S A GIRL IN MY SOUP (1970) was rated by the Australian Film Censorship Board as (SOA) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED, however since 15th November 1971 the movie became classified as 'M' for Mature Audiences.
- - - To comply with legislation, the following two lines of dialogue from 25:15 to 25:24 were also eliminated:- Peter Sellers: "What was it? Drink or drugs?" Goldie Hawn: "Who cares."
- - - The bedroom the morning after, Goldie Hawn (Marion) gets out of bed naked 37:19 to 37:55 with brief views of her bare bum, and walks to obtain a dressing gown, which she puts on.
- - - Later when Goldie Hawn (Marion) walks into the bedroom and throws a bucket of water over Nicky Henson (Jimmy) and Geraldine Sherman (Caroline), Geraldine Sherman (Caroline) from 43:08 to 44:31 shows her breasts and her bare bum.
- कनेक्शनFeatured in Hollywood: The Gift of Laughter (1982)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is There's a Girl in My Soup?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Ein Mädchen in der Suppe
- फ़िल्माने की जगहें
- St Michael's Church, Bray, Berkshire, इंग्लैंड, यूनाइटेड किंगडम(church in opening scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $22,04,399
- चलने की अवधि
- 1 घं 35 मि(95 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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