IMDb रेटिंग
5.7/10
2.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.In their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.In their sexual game, an egotistical and womanizing television host meets his match, Marion, who seeks to remain one step ahead of him.
- 1 BAFTA अवार्ड के लिए नामांकित
- 1 जीत और कुल 2 नामांकन
Françoise Pascal
- Paola, the au pair
- (as Francoise Pascal)
Constantine Gregory
- Michel Le Guestier
- (as Constantin De Goguel)
फ़ीचर्ड समीक्षाएं
I enjoyed this film and am surprised at the low rating (at time of writing).
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
I like Peter Sellers, most of the time. I had never seen him portray an upper-class Brit until this movie. He pulls it off pretty well, although you see bits of Inspector Clouseau in the mix. It doesn't get interesting until Goldie Hawn arrives.
I never expected the youthful Hawn to deliver such a solid performance. Her timing was great and her expressions were priceless. The way she alternately shoots Sellers lecherous character down and seduces him is beautiful to watch. Verbal sparring like I've seldom seen from a movie of that era.
The last thirty minutes of the movie DOES fall flat. It is worth the let down just to see the first sixty. Hawn is nude for a few glorious seconds early on. Enjoy it...
I never expected the youthful Hawn to deliver such a solid performance. Her timing was great and her expressions were priceless. The way she alternately shoots Sellers lecherous character down and seduces him is beautiful to watch. Verbal sparring like I've seldom seen from a movie of that era.
The last thirty minutes of the movie DOES fall flat. It is worth the let down just to see the first sixty. Hawn is nude for a few glorious seconds early on. Enjoy it...
"My GOD but you're lovely."
This is surely one of Sellers' most memorable characters. This guy HAS to have been a major influence on Austin Powers: he's an aging playboy, with hairy back and bad teeth, who never imagines that he's anything but irresistible to women. Goldie Hawn is the woman who won't give him what he wants when he wants it.
The first hour is pure gold, some of the greatest comedy i've ever seen. Then it strangely begins to meander. Really badly. With the extended wine tasting journey, involving many pointless shots of Frenchmen drinking wine at what seems like a real wine tasting ceremony, and later on the pointless shots of scenery, very out of place in this story. I was thinking what terrific characters they were, and what a terrific comedy set-up we had here - but at the point where it starts to wonder, you realise that they'd only thought up these funny characters - but hadn't got as far as what to do with them. Thus, they also had no idea what the resolution, if any, should be.
They seem to have figured that everything would work itself out once they started shooting - well, it didn't. The last half-hour is an absolute mess. I would have enjoyed it much more as a 60 minute movie, thankyou very much.
As it is, we have a clumsy "resolution" scene that needed about seven re-writes, and a rather meandering, almost unnecessary last half-hour, peppered with a few good scenes (Sellers carrying Hawn over his shoulder in the lift), which unfortunately spoils what might have been one of the funniest movies i've ever seen.
6/10. The first hour is an absolute gem - i'd still recommend you see it for that.
This is surely one of Sellers' most memorable characters. This guy HAS to have been a major influence on Austin Powers: he's an aging playboy, with hairy back and bad teeth, who never imagines that he's anything but irresistible to women. Goldie Hawn is the woman who won't give him what he wants when he wants it.
The first hour is pure gold, some of the greatest comedy i've ever seen. Then it strangely begins to meander. Really badly. With the extended wine tasting journey, involving many pointless shots of Frenchmen drinking wine at what seems like a real wine tasting ceremony, and later on the pointless shots of scenery, very out of place in this story. I was thinking what terrific characters they were, and what a terrific comedy set-up we had here - but at the point where it starts to wonder, you realise that they'd only thought up these funny characters - but hadn't got as far as what to do with them. Thus, they also had no idea what the resolution, if any, should be.
They seem to have figured that everything would work itself out once they started shooting - well, it didn't. The last half-hour is an absolute mess. I would have enjoyed it much more as a 60 minute movie, thankyou very much.
As it is, we have a clumsy "resolution" scene that needed about seven re-writes, and a rather meandering, almost unnecessary last half-hour, peppered with a few good scenes (Sellers carrying Hawn over his shoulder in the lift), which unfortunately spoils what might have been one of the funniest movies i've ever seen.
6/10. The first hour is an absolute gem - i'd still recommend you see it for that.
In many respects Peter Sellers is satirising himself in There's A Girl In My Soup, by playing this role of an ageing Lothario in the public eye. As such, Sellers gives a first rate performance as would be expected from the great man. Deep down Seller's character in the film was a lonely, insecure celebrity with low self-esteem, who depended on the adulation of women, and his fans like a life support system. In this sense Seller's was portraying the tears of a clown via this characterisation of himself.
And while Sellers has charisma in this role, the film lacks it in the comedic genre it's supposed to be. There's allot more that I expected from Hawn, while the director could have made more of situations.
In some respects, it could be said that the restaurant scene in the film Pretty Woman (1990) is an extrapolation of that in There's A Girl In My Soup, where Seller's character takes Hawn's wine tasting, when she appears to know nothing about the etiquette of the rituals involved in it. The director could have exaggerated Hawn's character's clumsiness in this scene, like Julia Robert's when eating her meal in the restaurant scene in Pretty Woman.
Overall, a bit flat, but worth watching for Seller's alone.
And while Sellers has charisma in this role, the film lacks it in the comedic genre it's supposed to be. There's allot more that I expected from Hawn, while the director could have made more of situations.
In some respects, it could be said that the restaurant scene in the film Pretty Woman (1990) is an extrapolation of that in There's A Girl In My Soup, where Seller's character takes Hawn's wine tasting, when she appears to know nothing about the etiquette of the rituals involved in it. The director could have exaggerated Hawn's character's clumsiness in this scene, like Julia Robert's when eating her meal in the restaurant scene in Pretty Woman.
Overall, a bit flat, but worth watching for Seller's alone.
Not sure why it doesn't play in Peoria, apparently, but this is a very funny, clever British comedy. It's set at the end of the "swinging sixties". Peter Sellars is fantastic as the rich, forty-something serial womaniser. The perfectly delectable Goldie Hawn, playing a 19 year American girl in London, is, initially, Sellars' "catch of the day". But the urbane TV food critic can't stop himself from falling for the dizzy American blond.
Humour, pathos, great script, strong performances from the leads and supporting caste.
It's a great film, and the best gag is the very last line.
Try it, you'll like it.
Humour, pathos, great script, strong performances from the leads and supporting caste.
It's a great film, and the best gag is the very last line.
Try it, you'll like it.
क्या आपको पता है
- ट्रिवियाAdapted by Terence Frisby from his own play. The Broadway production of "There's a Girl in My Soup" opened on Oct. 18, 1967 at the Music Box Theatre and ran for 322 performances. Gig Young and Barbara Ferris were in the original cast.
- गूफ़As Robert is getting on the elevator, he is carrying flowers wrapped in cellphone and white tissue paper. The flowers are visible and are pink, yellow, & white flowers. But when Robert hands Marion the bouquet in the apartment, they are unwrapped and the cellophane is gone, and they only contain red flowers.
- भाव
Marion: Are you trying to get me tight?
Robert Danvers: You're frightening enough sober.
- क्रेज़ी क्रेडिटChampagne (of course) by Bollinger.
- इसके अलावा अन्य वर्जनTHERE'S A GIRL IN MY SOUP (1970) when shown in Australian cinemas on its first theatrical release from 24th June 1971, at the request of the Australian Film Censorship Board, the movie had all nudity eliminated. To obtain the classification rating of (SOA) SUITABLE ONLY FOR ADULTS - the Australian Film Censorship Board ordered the elimination of "all shots of female nudity of Goldie Hawn (Marion) 37:19 to 37:55 and Geraldine Sherman (Caroline) 43:08 to 44:31" i.e. Australia Film Censorship Board insisted that the brief female nudity is never seen by Australians.
- - - Of course all the legislative rules about not showing female nudity were applied when THERE'S A GIRL IN MY SOUP (1970) was rated by the Australian Film Censorship Board as (SOA) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED, however since 15th November 1971 the movie became classified as 'M' for Mature Audiences.
- - - To comply with legislation, the following two lines of dialogue from 25:15 to 25:24 were also eliminated:- Peter Sellers: "What was it? Drink or drugs?" Goldie Hawn: "Who cares."
- - - The bedroom the morning after, Goldie Hawn (Marion) gets out of bed naked 37:19 to 37:55 with brief views of her bare bum, and walks to obtain a dressing gown, which she puts on.
- - - Later when Goldie Hawn (Marion) walks into the bedroom and throws a bucket of water over Nicky Henson (Jimmy) and Geraldine Sherman (Caroline), Geraldine Sherman (Caroline) from 43:08 to 44:31 shows her breasts and her bare bum.
- कनेक्शनFeatured in Hollywood: The Gift of Laughter (1982)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is There's a Girl in My Soup?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Ein Mädchen in der Suppe
- फ़िल्माने की जगहें
- St Michael's Church, Bray, Berkshire, इंग्लैंड, यूनाइटेड किंगडम(church in opening scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $22,04,399
- चलने की अवधि
- 1 घं 35 मि(95 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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