Spring and Port Wine

A true view of working class northern England of the past. Mason rules like a king over his family, as he does with his acting as he heads a super cast. This can't be faulted.

I have watched this film many times, and it always seems to get better. With great acting performance by James Mason, and the cast of this classic English film. If you have not seen it before, then I highly recommend that you do.

No matter what mood I'm in, this film always sorts me out. I can't count the times I've watched it, at any time of the day or night. It is the most basic of love stories, showing that the ties that bind a family are often stretched to the limit, but cannot be broken. I have over 500 films in my collection and I don't think there's a more romantic moment in any, than when James Mason takes of his jacket and puts is round Diana Coupland's shoulders. I remember feeling the tenderness of that moment when I first saw the film in the cinema as a young teenager and now I am 50 and it still makes me shiver. There's never been another film which comes anywhere near it. My old video is just about played out and I've copied it on to DVD, but I would love to know if anyone has ever seen it for sale on DVD.

To put it simply, I enjoyed this film. The reason for my interest & enjoyment was not related to anything other than the subject matter itself. I had heard tales from my mother and grandmother about how Northern England working class life and attitudes used to be (as experienced by them)and this is an interesting depiction that seems to faithfully represent what they told me. In particular, the paternalistic but overbearing father who "knows" what is best for his family along with his stubborness when this paradigm is challenged. (Not much has changed there then!!)

People who have seen the play will probably be disappointed with the film because the story does not easily transfer across the different media. In a sense however, the film is an historical document and I personally enjoyed it, if only because of the way it conveyed a social phenomenon.

Outside the household is a different world and the family struggle to tread the line between Dads authority and their hopes and dreams.

The period is captured; The bakelite light swithes, the Georgian floorpan, the picture rails, the wall paper, the short skirts, the cheeky lads, the Mini van, shiny modern mangles....

The location is captured; A wind lashed glacier hewn rocky landscape, walls of local stone, community, freedom.

But there is much much more; Childhood, happiness, sensuality, pride, values, freedom, authority, rebellion, violence (in the deepest sense), love, struggle, puberty, naivety, morality, trust, faith, deceit, machismo, manners, maturity, loss, poverty, sacrifice, horror, acceptence, revelation, comedy and parenthood are all there. (And in no particular order!).

This film is a richly woven expression of family tensions that are as relevent today as ever. The fact that some of these aren't tackled directly is testament in itself to the attitudes of the day but the fact that they are all here is a testament to the acting skill, the story and the direction.

If there's anything bad about this film, it's that all this deeply entrenched and wonderfully enacted tension is swept away a little too lightly towards the end. Maybe I missunderstand - the doom and gloom felt by many teenagers really does disappear if they deal with it (**) - maybe the film is trying to send even that message too - well worth doing.

What is the film trying to say? Kids: Parents were young too, parents struggle too, everyone makes mistakes, everyone learns, things change, struggle can end happily. Parents: Don't try too hard! Try to remember that your support is the key to their well being.

It sounds simplistic doesn't it? Sometimes the film feels like that too but it's then that you notice how much is being being challenged and uncovered.

The film is a classic.

(**) - Not the problems themsleves.