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The Railway Children

  • 1970
  • G
  • 1 घं 49 मि
IMDb रेटिंग
7.3/10
6 हज़ार
आपकी रेटिंग
The Railway Children (1970)
After the enforced absence of their father, three children move with their mother to Yorkshire, where during their adventures they attempt to discover the reason for his disappearance.
trailer प्ले करें0:43
2 वीडियो
60 फ़ोटो
Coming-of-AgePeriod DramaDramaFamily

अपनी भाषा में प्लॉट जोड़ेंAfter the enforced absence of their father, three children move with their mother to Yorkshire, where during their adventures they attempt to discover the reason for his disappearance.After the enforced absence of their father, three children move with their mother to Yorkshire, where during their adventures they attempt to discover the reason for his disappearance.After the enforced absence of their father, three children move with their mother to Yorkshire, where during their adventures they attempt to discover the reason for his disappearance.

  • निर्देशक
    • Lionel Jeffries
  • लेखक
    • E. Nesbit
    • Lionel Jeffries
  • स्टार
    • Dinah Sheridan
    • Bernard Cribbins
    • William Mervyn
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Lionel Jeffries
    • लेखक
      • E. Nesbit
      • Lionel Jeffries
    • स्टार
      • Dinah Sheridan
      • Bernard Cribbins
      • William Mervyn
    • 61यूज़र समीक्षाएं
    • 30आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 3 BAFTA अवार्ड के लिए नामांकित
      • 3 कुल नामांकन

    वीडियो2

    Official Trailer
    Trailer 0:43
    Official Trailer
    Clip
    Video 1:46
    Clip
    Clip
    Video 1:46
    Clip

    फ़ोटो60

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    टॉप कलाकार35

    बदलाव करें
    Dinah Sheridan
    Dinah Sheridan
    • Mrs. Waterbury
    • (as Miss Dinah Sheridan)
    Bernard Cribbins
    Bernard Cribbins
    • Albert Perks
    • (as Mr. Bernard Cribbins)
    William Mervyn
    William Mervyn
    • Old Gentleman
    • (as Mr. William Mervyn)
    Iain Cuthbertson
    Iain Cuthbertson
    • Charles Waterbury
    • (as Mr. Iain Cuthbertson)
    Jenny Agutter
    Jenny Agutter
    • Bobbie Waterbury
    • (as Miss Jenny Agutter)
    Sally Thomsett
    • Phyllis Waterbury
    • (as Miss Sally Thomsett)
    Gary Warren
    • Peter Waterbury
    • (as Master Gary Warren)
    Peter Bromilow
    Peter Bromilow
    • Doctor
    Ann Lancaster
    • Ruth
    Gordon Whiting
    • Russian
    Beatrix Mackey
    • Aunt Emma
    Deddie Davies
    Deddie Davies
    • Mrs. Perks
    David Lodge
    David Lodge
    • Bandmaster
    Christopher Witty
    Christopher Witty
    • Jim
    Brenda Cowling
    Brenda Cowling
    • Mrs. Viney
    Paddy Ward
    • Cart Man
    Erik Chitty
    Erik Chitty
    • Photographer
    Sally James
    • Maid
    • निर्देशक
      • Lionel Jeffries
    • लेखक
      • E. Nesbit
      • Lionel Jeffries
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं61

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    फ़ीचर्ड समीक्षाएं

    8didi-5

    everyone's favourite Yorkshire-set steam train tale

    This almost perfect cinematic rendition of Edith Nesbit's popular children's novel follows the lives of Roberta (Bobbie), Phyllis, and Peter, and their mother, after their father is unfairly accused of treason and sent to prison. They go to live in an almost uninhabitable house in the country which stands near a railway line – mum writes stories to make enough money for food and candles, while the children spend much of their time around the railway station and, specifically, waving to one particular train to 'send their love to father'.

    Always an involving and clever novel, the characters are here brought to life under the perceptive direction of Lionel Jeffries (better known as a fine character actor). Jenny Agutter plays Bobbie, while Sally Thomsett and Gary Warren are her sister and brother. Their mother is Dinah Sheridan, while the other memorable characters are played by Bernard Cribbins (Perks the railway-man) and William Mervyn (the old gentleman on the train).

    'The Railway Children' is gentle entertainment from another age, but does its job beautifully. As we watch Bobbie grow up with the worries of an absent parent jostling against her own needs both to be alone and to have fun, we can only rejoice when events come together at the close of the picture. Throughout we have a sense of time and place – be it from the steam trains, the university paper chase, or the red flannelette petticoats worn by the girls (and used to avert disaster!).
    10ozmy21

    "It's perfect - more perfect than you'll ever know"...

    This is a film that I love above all others. I try to revisit the main film locations in Oakworth and Oxenhope whenever I can, which help to re-establish those magical qualities that this film seems to embody so uniquely - recalling a gentler and more mannered age, with its unspoken assertions that people really do matter, that family life is not just another disposable, and that life really is worth living (though sometimes, we may doubt that). In short, a film that soon brings tears to my eyes, helped perhaps by the deeply evocative music - some tunes are jaunty (like the Perks' tune, played on a trombone, sometimes with spoons), the stirring melody when the family first set off for Yorkshire not knowing what lies ahead, and the haunting little tune played on a solo clarinet (or is it an oboe?) that precedes sudden child-felt changes in fortune.

    This is as much a film for adults as for children, appealing to the eternal child in us all - a key that effortlessly reactivates those deep and apparently long-lost values and feelings buried inside us, which are normally swept aside by the demands of modern everyday life. This is a film about basic human goodness and decency in which we the viewers are left to make of it what we will, and there are welcome touches of humour sometimes added for good measure, such as the arrival of the aunt or, on a more earthy level, the bedroom scene on Perks' birthday - "All right Bert - as it's your birthday!" I must know every scene, every line of this film, and yet so great is the magic that each time I watch, it is like I am opening a box of delights for the first time, savouring each moment - sometimes humorous, sometimes....well, very different. As Peter says in the film: "it's perfect - more perfect than you know". And so it is!!!
    Filmtribute

    Romanticised nostalgia for the days of steam

    Such is the impact of Lionel Jeffries magical 1970 film version of `The Railway Children' that I can well recall the time my grandfather dragged me from my play to watch one of his favourite movies when it was first screened on television. A quarter of a century later as a father of a small boy my interest has been revived and I find myself becoming something of a railway child once more. The number of privately restored railways that exist conveniently to hand, as though to undermine Dr Richard Beeching's efficiency cuts of the 1960's, further help this pastime. Most notable of these is the Bluebell Railway in Sussex, one of the first and best known revived lines, used by Catherine Morshead for Carlton TV's remake of this movie in 2000. The actual location used for this first film was in Bronte country with the Haworth Parsonage passing for the doctor's house, though the true star was the Keighly and Worth Valley Railway which had been reopened by volunteers six years after its closure in 1962. This film was well liked by the younger generation besotted with all things `Thomas the Tank Engine', including `Thomas and the Magic Railway' an all American reworking of Rev W Awdry's creation starring Alec Baldwin and Henry Fonda, serving to add to the ever growing collectable models now available.

    A middle class family lose their government official of a father on spying charges and are forced to adjourn to the country in reduced circumstances to a wonderful house that many would dream of living in. Being spared incarceration in a school, the fate of most of today's children, they fully enjoy their privileged freedom and have some adventure through befriending the neighbouring railway line. A word of caution should however be issued regarding the landslide and near train crash, which had a disturbing effect on the younger viewer, though undoubtedly in a different sense to that imprinted on the minds of some older fans. The moment when Jenny Agutter as the pristine heroine Bobby faints dead away after powerfully arresting the train is matched in the lump-in-the-throat stakes when she runs along the platform for the reunion with her father with her immortal cry of "Daddy, my Daddy".

    Before returning to the UK to star in The Railway Children, Agutter had spent three months touring the Australian Outback for the filming of Walkabout and being disconsolate about where society was going was unsure of doing the film, but fortunately she was charmed by the director's vitality. He had been encouraged by his daughter to turn the book into a film and Agutter was a natural choice having already played the part of Bobbie two years earlier for a BBC serial. The film provided Agutter her breakthrough first part in the National Theatre four years later as Shakespeare's Miranda, opposite Sir John Gielgud's Prospero, in `The Tempest'. This in turn led to an eighteen year career in the US, with such memorable films as the cult sci-fi `Logan's Run' and the successful horror and humour cross in `An American Werewolf in London', as well as one of her personal favourite creations as the ill-used Ann in Beryl Bainbridge's strangely unromantic `Sweet William'. As well as being official patron of the Edith Nesbit and The Railway Children website, Agutter has been working on a dramatisation of the author's life, and would seem the obvious choice for the role having such a deep professional connection. Sally Thomsett winsomely squeezes her notoriously corseted twenty-year-old frame into the role of the younger sister Phyllis, some six years her junior, and her brother Peter is an ably suited Gary Warren. A very graceful Dinah Sheridan is Mrs Waterbury, the mother, whilst Bernard Cribbins creates a manic porter in Perks.

    As a teenager Edith Nesbit lived for three years at Halstead Hall, near Knockholt Station in Kent with its deep railway cuttings and tunnels and about half an hour from London, which is believed to have given her the inspiration for her famed novel. Nesbit's use of her plain initial for her writing disguised her gender back in 1906 and whether or not this was a conscious intention it led to her occasionally being thought a male writer. Why J K Rowling of Harry Potter fame should chose to do the same nearly a century later escapes me especially as the identity behind any pseudonym is easily uncovered today? Possibly it is to do with the tradition of male fantasy writers using only their initials, as in such luminaries as J M Barrie, C S Lewis, and J R R Tolkein. Women writers today surely don't face the same difficulties and social barriers that the Bronte sisters and George Eliot (Mary Ann Evans) had, being forced to take masculine nom de plumes in order to get their work published, but do they fear that male readers will automatically be deterred if the work is obviously by a ‘girl'? Conversely it is a man, who coyly disguises his gender presumably for a female market, that has written the romantic novels of Emma Blair. Curiously, whilst the Brontes have subsequently been published under their own names rather than their Bell aliases, George Eliot's work has not been liberated in this way. If literature, that previously anonymous and faceless industry, enabling women to compete on an equal footing, continues the current invidious marketing trend of promoting works by beautiful and youthful authors rather than on the merits of the works alone, then how can any other industry ever stand a hope of breaking the sexist and ageist glass ceilings?

    The legacy of this film and the book continues with its name being used by a Wigan based pop group in 1984, and in 1995 for the very worthy charity for vulnerable youngsters arriving alone at railway stations in some of the world's poorest countries. The film still represents family entertainment at its best with nostalgia for another time and place enhancing the tale.
    dougerooo

    Wonderful Movie

    Other reviewers covered everything great, about this movie. I saw it once, on broadcast TV, even before the advent of video tape,, and always wanted to own it. In the ensuing forty seven years,,, for some reason, it has NEVER been available in America; Region 2 - England - only. The Big Questions is -- WHY?? Why doesn't a multi-national outfit like Amazon, have an American format for this DVD? WHY???
    10ShippersAreEvil

    As near to the perfect children's film as can be imagined and...

    ...apparently Bernard Cribbins ad libbed nearly all of his lines. If you can sit through the 'Daddy! Oh my daddy" bit without blubbing then you really need to get in touch with your inner child (trust me. I'm a 41 year old bloke).

    इस तरह के और

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    Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours and 11 Minutes
    7.0
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    Bugsy Malone
    6.8
    Bugsy Malone

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Sally Thomsett was twenty when she was cast as eleven-year-old Phyllis. Her contract forbade her to reveal her true age during the making of the film and she was not allowed to be seen smoking, drinking, going out with her boyfriend or driving the sports cars that were her passion. Even the film crew did not know her true age.
    • गूफ़
      As the engine approaches Bobbie in the 'landslide sequence' and comes to a halt, drifting steam is seen coming down from the sky and entering its funnel, indicating the shot is actually reversed footage of the train backing away from Bobbie so as to not endanger the actress by attempting a precision stop inches away from her.
    • भाव

      Mrs. Waterbury: May I borrow your lamp please.

      Cart Man: I dare say.

      Mrs. Waterbury: If you say 'I dare say' once more I shall have hysterics, I dare say.

    • क्रेज़ी क्रेडिट
      As the end credit captions are displayed the shot tracks towards a steam locomotive, in front of which are gathered the principal cast. They are surrounded by extras portraying local townspeople, who wave and say goodbye to the audience. All the while, Jenny Agutter is preoccupied with writing something on a slate. As the camera reaches her, she holds it up to display the words "The End".
    • कनेक्शन
      Edited into The Hound of the Baskervilles (1972)
    • साउंडट्रैक
      The Man who broke the bank at Monte Carlo
      (uncredited)

      Written by Fred Gilbert

      Performed by Amelia Bayntun (as the cook) and the children

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल22

    • How long is The Railway Children?Alexa द्वारा संचालित
    • Is "The Railway Children" based on a book?
    • Is it possible to read this book online?
    • In what year does the story take place?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 दिसंबर 1970 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
      • रूसी
    • इस रूप में भी जाना जाता है
      • The Secret Adventures of the Railway Children
    • फ़िल्माने की जगहें
      • Bents Farm, Oxenhope, Keighley, ब्रैडफोर्ड, वेस्ट यॉर्कशर, इंग्लैंड, यूनाइटेड किंगडम(Three Chimneys - Waterburys' house)
    • उत्पादन कंपनी
      • EMI Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 49 मिनट
    • पक्ष अनुपात
      • 1.66 : 1

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    The Railway Children (1970)
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    By what name was The Railway Children (1970) officially released in India in English?
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