Puppet on a Chain

On paper, this movie had potboiler written all over it. A fledgling director, forced to share the task, an almost unknown cast, low budget and a presumed ho-hum adaptation of yet another Alistair McLean adventure story. But don't be misled, this is actually an entertaining, even exciting thriller, with a credible story, well acted with good location work in Amsterdam and featuring as its highlight an action-packed motor-boat chase through the city's tight maze of canals.

It starts arrestingly with a callous triple murder with the killer casually and noiselessly walking into a house and silently executing his three defenceless victims and follows it up with another surprise murder at Amsterdam airport, this time of an Interpol agent meeting up with a colleague. Said colleague is the film's principal man-hunter, played with Scandinavian stoicism (although he's supposed to be American), by Sven-Bertl Taube, who accompanied by his English, female contact in the city, former lover (as we learn) Barbara Parkins, tracks his quarry to a ruthless drug-smuggling ring, whose base appears to be of all things a monastery, which sidelines in manufacturing and dispensing toy dolls and bibles for the tourist trade, but which secretly contain packages of heroin. This gang thinks nothing of executing suspected informants or suspicious investigators and signifies their deaths with a symbolic "puppet on a chain", one of the toy dolls hung by a chain.

Being Alistair McLean, there's a major plot twist at the end when the gang-leaders are revealed which I admit I didn't see coming for once, itself following on from the aforementioned hair-raising pursuit through the waterways as Taube a chases the baddie more for personal revenge than for the ends of justice.

Like I said, there was a lot to like about this movie. The direction, although shared, I found to be pacy and engrossing, the acting above average, besides Taube and Parkins, I enjoyed seeing Mr "Voice of a thousand adverts", Patrick Allen in a cinema role for once and who ironically for a man famous for extolling the benefits of newly-built houses in the U.K. from a helicopter, finds himself in a life or death situation outside a building where a chopper might have been of benefit to him.

Sure the fashions, a cheesy disco sequence and an intrusive Euro-electric soundtrack date it somewhat but this on the whole was a gritty, low-key thriller which I really enjoyed. And trust me, I'm not yanking your chain when I say that.

Based on the famous novel by Alistair McLean, "Puppet on a String" brings secret agent Paul Sherman, played by Swedish actor and singer Sven-Bertil Taube, to the Dutch metropolis of Amsterdam. It's his turn to hunt a drug-smuggling gang and a corrupt policeman, and it takes some victims and actions until he faces the main villain on a dark harbor site in a last fatal fight.

The dark streets and canals of Amsterdam are a perfect setting for this seventies' thriller, and the action and suspense work pretty well. There is an incredibly breath-taking motor boat chase through the canals which looks takes the car chasing action of "Bullitt", "Vanishing Point" and "French Connection" a bit further and has been copied by Dick Maas in his Dutch 1987 psycho thriller "Amsterdamned". There are some really scary and psychedelic scenes in the movie, and Piero Piccionis great sound track adds much weight to the picture (and has been reissued two years ago on CD). A great forgotten action movie!

Don't you just love it when you stumble across an unknown movie and discover it to be an instant favourite? That's the case with PUPPET ON A CHAIN, a virtually forgotten Alistair MacLean drug smuggling thriller that turns out to be one of the most entertaining of '70s thrillers. With shades of Bond and a wonderful setting in the atmospheric city of Amsterdam, this is up there with the best of genre a la the two FRENCH CONNECTION movies.

Sven-Bertil Taube is the solid lead, playing an American agent dispatched to the Netherlands to break up a drug-smuggling ring. Once there he finds himself pursued by an assassin while investigating some shady business ventures that may well be the front for heroin smuggling on a grand scale. The story is fine, but it's the action that makes this a class act: there's a speedboat chase to rival the ones in LIVE AND LET DIE and AMSTERDAMNED alongside plenty of other great suspense and action sequences.

Director Don Sharp, famous from his work for Hammer Studios, contributes to the action and stunts, in particular helping shoot the aforementioned speedboat chase which is the definite highlight and might be the best thing Sharp ever did. Elsewhere, a decent cast of character actors has been assembled, with unique-looking faces filling the cast list. The only thing this film needs now is a decent Blu-ray release...

Back in the early 1970's the name "Alistair MacLean" meant "bums on seats ~ ticket sales" and the cinematic release of one of his most recent novels "Puppet on a Chain" was no exception.

It is wrong to compare this action movie (as with many, many others) with the on-going JB007 franchise: this was a formulaic movie in its own field. The action scenes are great, the storyline was then bang up-to-date and the general production (if marred a little by lack of budget) of a high standard.

Contrary to other views, in my opinion, the leading actor Sven Bertil-Taube was excellent in the role (a shame the script required him to be an American agent) and he was well supported by several character (if rather stock) actors. Pehaps Barbara Perkins was not the best choice as leading lady and her character lacked realism but then this was never meant to be anything other than entertainment.

Contains a superb score by the Maestro: Piero Piccioni.

Far from perfect but still very good and worthy of a decent DVD release.

The speedboat chase in the Amsterdam canals in this film is actually being copied by Dutch director Dick Maas in his 1988 film 'Amsterdamned'. I always thought how original it was to have such an out of the ordinary, yet in Amsterdam obvious chase, but apparently it is less original as I thought. In the 18 year older 'Puppet on a Chain' the chase is as vivid and dynamic as in Maas' film, although one detail in Amsterdamned should catch the viewer's attention. Just like in Puppet on a Chain, the villain almost crashes his boat into an oncoming barge, a thrilling moment. In 'Amsterdamned' this barge has a fanfare band, conducted by 'actor', and Holland's famous Oscar-winning documentary director Bert Haanstra. It makes the already exhilarating scene more colourful, and provides it with a light touch. This detail encapsulates an often noticeable and important difference between English and Dutch film-making if you ask me; It seems that in Dutch films a doses of ridiculing of a serious action or scene is indispensable. Fact of the matter is that the 'original' film, Puppet on a Chain, is more believable because of its absence of this ridiculing. I also find it very interesting to see sceneries of my home country (Holland) in such a serious crime intrigue, where BTW everybody speaks British English!