No Blade of Grass

What a daring, and visionary topic, not at all desuet, as some reviews say. I fell in love with this film made by Cornel Wilde, some kind of Mel Gibson before its time. Both were - are - directors as actors, both directed movies emphasizing on cruelty and violence: NAKED PREY, BEACH RED, LANCELOT AND GENUIEVRE for Wilde and BRAVEHEART, PASSION OF THE CHRIST, APOCALYPTO, HACKSAW RIDGE; don't you see any parallels, more or less same topics (medieval, war films, or a man hunt scheme )...Same tendancies to make what they wish to show to audiences.... I though admit that MAD MAX lead has not made any ecological film yet as this one.... Anyway, this feature was a great surprise for me. I nearly prefer it to SOYLENT GREEN. It is only a shame that it is not as widely known. You are dealing here with a non Hollywoodian film, violent, gloomy but after all in the right mood of the early seventies. It may be shocking for many audiences. That's why I love it. One of Cornel Wilde's best, besides LANCELOT...and NAKED PREY. As I said in this review tite, I would have perfectly imagined zombies plague in this story, to be totally adequate to today's movies tendancies...

A bleak and uncompromising straight-laced minor b-grade apocalyptic sci-fi survival tale that's crudely made, but is grippingly constructed (despite a heavy-handed script and typically projected characters) and with committed acting led by the likes of a hardened Nigel Davenport, exuberant Jean Wallace and an unforgettably concentrated Anthony May.

John Custance, his family and friend decide to leave London to stay at his brother's farm in the Lake District, as just like the rest of the world Britain is plagued by a destructive virus caused by pollution that's destroying earth's crops and causing unstoppable panic. On their journey they pick up another couple Pirrie and Clara, but also come across a lot of obstacles and anarchy that would change the way they see things.

I wouldn't call it great, as it's an interestingly uneven production and somewhat cautionary tale that has its moments, but there are some problems evident that stop it being better than what it could have been. The two things that do stand out is the use of quick, fragmented flash forward sequences that take away any real sense of building upon surprises and suspense, to only confuse. Secondly it could have been a little more powerful in it theories of civilised society falling apart, as no one is better than anyone else in their primitive state to keep alive. What it feels like is over-the-top melodramatics and struggles, which aren't boring or emotionally forced but could have used a bit more weight. However what director Cornel Wilde develops is an effective apocalyptic vision of a dying world of dreary images (dead corpses --- humans and animals, decaying plant life and destruction of civilisation) covering brooding forlorn landscapes. Even what should be a peacefully desolated countryside, still provides looming threats outside the chaotic cities. Strangely moments had me thinking of M. Night Shyamalan's 2008 eco-thriller "The Happening". The violence has that exploitative, gritty touch with moments of relentless surges and unsettling intensity. It's not graphic, but it doesn't hold out. Wilde does use some odd, if static filming techniques that show its low budget but add to the moodiness, so does the haunting title song. The score can be harrowing when complementing the visuals, but could find it clunky and overdone. The performances are reasonably brought across, even with the black and white shadings.

I was a mere child, albeit a precocious fifteen-year-old one, the first time I saw this film on a first date with a young man who, despite the film, continued to see me for a few more years. Perhaps remembering the excitement of the date, or maybe recalling the timeliness of the film's subject, I recommended this film to a more mature young man several years later when it was playing in my college town. His sister was in town, and we dragged her along,too. I'll never forget how embarrassed I was to realize how truly wretched the production values were--surpassed only by remarkably overdrawn performances replete with grotesque vignettes that made me grimace. Naturally, the young man lost all respect for me, and who could blame him. Chris Drouhard, if you're out there anywhere, I'm sorry about this film.

On the other hand, those people who embrace profoundly bad cinema that may take itself a tad too seriously, should definitely consider "No Blade of Grass".

...Panic in Year Zero. A realistic examination of how quickly civilization can devolve and asks if one can preserve morality and civility in a world turned savage. The situations feel gritty and genuine. The way different personalities react and try to cope feels very authentic. However, it does get a bit long winded and quirky. It almost has a touch of Dr Who of the same era including the sound track. Panic in Year Zero is a bit tighter of a film and fits into it's decade (1950s) quite well with the backdrop of nuclear war. This film is set more in it's present day but in the future sort of. It's a decent B movie and has its moments. Just don't expect high budget effects or zombies.

The ubiquitous success of the zombie horror genre is, I believe, not due to the zombies as much as the depiction of societal breakdown and collapse, and the struggles of modern man to survive in a once-again savage, primordial world. That struggle is the focus of this environmental catastrophe tale, co-written and directed by Cornel Wilde.

In a near-future UK, a family decides to leave London and head north when a spreading virus has decimated the worlds crops, leading to rampant starvation and outbreaks of anarchy. The family hopes to reach the safety and security of an uncle's secluded farm. Along the way they run into the usual apocalyptic obstacles: scarcity of supplies, violent hooligan teens, rape-gangs, motorcycle savages, seemingly normal townsfolk turned murderous in the face of privation. Can the family make it to safety with both mind and body intact?

Even making allowances for the film's age, this is pretty goofy. The acting is passable at best. The script has all of the subtlety of a sledgehammer to the cranium, with repeated scenes of pollution and nature despoiled. Wilde also made the poor decision to place several flashes of future events throughout the film, which only serves to spoil said events when they eventually occur in the progression of the story. The soundtrack features a corny theme song by Roger Whittaker and a lot of bad acid rock instrumentals.