The Music Lovers

"Music Lovers" has long been labored over as another of Ken Russell extravagant excess baggages. Seeing it again has made me realize that the film is rather brilliant--not in cinema style but in conception. From the very start it seems to capture the schizoid world of Tsaichovsky and the social milleau he was forced to grip with. The point of view shots and the subsequent dream sequences in the early portion of the film capture this in brilliant colors and sharp editing. As the musician falls into his double life the scnes build to the scarring climax. Performances are excellent. The film may not be totally accurate, but who cares?

His films are weird, unique, cool, regal, purposeful, wild, modern, obnoxious, empathetic, uncomfortable, hilarious...there's never a dull moment. The heart this film has for closeted gay people is so far ahead of it time, showing the danger of pretending to be who you think people want you to be. It furthers the argument many storytellers make about composers, that they could be nightmares to those closest to them. Just wish there was more music composing / performing.

Watching a Ken Russell film is, if anything, an experience, and this was certainly was an emotional rollercoaster. Although it has less of the absurdist/surrealist touches that would come to characterize his later films, it still had a rhapsodic quality that deftly blended the music and visuals. While I can't claim to be overly familiar with Tchaikovsky's life, by now I'm used to Russell's approach in this area: taking the raw, biographical material and concocting something purely fantastical out of it. It's an approach that I quite like, something which moves beyond the mundane and quotidian details that characterize ordinary life and creates something magical and mythological, that lays bare the inner life of its characters. I also liked how the film played with blurring lines, revealing underlying connections between music and sexuality, ecstasy and insanity. This was certainly less insane of a movie than LISZTOMANIA, but just as dramatically thrilling. It is cinematic art.

Although this film is difficult to follow at times (and, reportedly, historically inaccurate, too; I wouldn't know), there are still several reasons to see it:

1) Glenda Jackson's outstanding performance (you won't believe that the actress we see at the final stages of the film is the same one who played Tchaikovsky's wife early on, but it is - her transformation is amazing).

2) Some truly impressive sequences; be sure to watch this movie on tape, so you can rewind it and watch them again.

3) Tchaikovsky's music, of course.

4) Lush sets and costumes.

Ken Russell is a very unpredictable director; just when you think the film is about to start boring you, he'll give you a wonderful moment out of nowhere.

As startling and entertaining a piece of cinema The Music Lovers is, on the whole it will disappoint those who (not unreasonably) may be expecting an accurate (if typically melodramatic) biopic.

Rife with inaccuracies, The Music Lovers however occasionally elicits tantalising moments of truth which will be familiar to those who might have studied the great man and his music. The moment of madness during the composition of the violin concerto, Tchaikovsk'y mixing fact and fiction during the composition of Eugene Onegin; (resulting in his disastrous marriage), the brief glimpse of his benefactress during a stay at her apartments, the failed suicide attempt etc etc. However, these fascinating glimpses into well documented occurrences are undeveloped, and in their place we are left with a pastiche either of overly romanticised or histrionic scenes of theatrical fantasy.

The real strength here lies in the actor's performances, even Richard Chaimberlain's stuffy and occasionally irritating performance has its moments and Glenda Jackson is wonderful as the vulnerable, unloved wife. The cinematography too is wonderful, evocative and colourful - perfectly in tune with the music of Tchaikovsk'y which also is used to great effect.

If you can take Ken Russel's notorious penchant for the ridiculous (and at times, distasteful) and are not expecting the truth, the whole truth and nothing but the truth, then The Music Lovers is worth watching if only for its being so gloriously over the top!