Il prezzo del potere

Out of the 600 or so Spaghetti Westerns made this has got to be in the top twenty somewhere. Can not believe this hasn't received any reviews! Gemma is excellent in this. Van Johnson is good too though his dubbed voice is a little off killter but that's the charm of the Italian style. Beautiful photography and some excellently staged action. All the supporting characters are well played. The severity of the racist streak in the bad guys is pretty tough even by todays standards which creates an emotional depth to Gemmas character in some of the situations that take place. Absolutely FANTASTIC score by Luis Bacalov. See this is in the wonderful Wide screen DVD from Japan. A spaghetti must have.

Tonino Valerii's "Il Prezzo Del Potere" aka. "The Price Of Power" is an excellent and enthralling Spaghetti Western that mirrors the Kennedy assassination. A great leading performance by Giuliano Gemma and an excellent score by Luis Bacalof are just two of the many reasons to watch this movie.

In 1881 Texas is divided into those who appreciate the abolition of slavery and just want to live in peace, and those who, after 16 years, still want to reinstall the confederacy. In spite of warnings, President James Garfield, who wants to establish a new policy of equality, decides to visit Dallas, where corrupt law enforcement officials are planning his assassination. Bill Willer (Giuliano Gemma) and two of his friends, a black man named Jack Donovan (Ray Shaunders), and a crippled guy named Nick (Manuel Zarzo) are determined to prevent the President's murder.

Since James Garfield was not assassinated by racists, who wanted to reinstall the confederacy in Texas, but in Washington DC by mentally unstable Charles Guiteau, the storyline of "Price Of Power" is, of course, historical nonsense. Since the movie, however, doesn't claim historical accuracy, but tries to allude to the 1963 Kennedy assassination in Dallas, the fact that the story is fictitious is legitimate.

Giuliano Gemma delivers an excellent performance as the main character Bill Willer, Benito Stefanelli is great as the villainous and corrupt Sheriff Jefferson. Some other good performances are those of Ray Shaunders as Bill's black friend Jack, Warren Vanders as Arthur McDonald, the president's adviser, and Fernando Rey as Pinkerton, a villainous rich businessman. The Score by Luis Enríquez Bacalov is great, the cinematography and locations are great and (such as in Valerii's earlier "Day Of Anger") remind a lot of Sergio Leone, for whom Valerii used to work as an assistant director for "A Fistful Of Dollars" And "For A Few Dollars More".

All said, "Il Prezzo Del Potere" is, after "Day Of Anger", another excellent Spaghetti Western that shows both the great talent of Giuliano Gemma as an actor and Tonino Valerii as a director. "The Price Of Power" is a must-see for Spaghetti Western fans, and I also highly recommend it to everybody else. 8/10

I like the popular review titled, "A better film that I think it is". Spot on. It is truly unique, and if you collect and like the "Zapata Spaghetti Westerns", and the political undercurrent, then this is a must see. I'll leave it at that. Austin Fisher has done a great job analyzing it in his book on the subject. Good review of it here. He does better than I can, but, suffice to say, still waters run deep.

"http://tinyurl.com/oaqmdr7"

One problem may be the release. I didn't like watching it in Italian with English subs, since one imagines the action being in English, and the English dubs are really bad. The most important line, the last one in the movie is completely left out! So, perhaps I liked it because I did my own edit with the English track, the Italian subtitles, English subtitles and the HD Italian vid track, so you can mix and match to your heart's content. Yeah, I don't know I'd give it over a 6 if I had to watch the dubbed English version.

"The Price of Power" (1969), directed by Tonino Valerii, is a Spaghetti Western starring Guiliano Gemma, Van Johnson, Fernando Rey and Benito Stefanelli. Made six years after the assassination of US President John F. Kennedy, it seeks to comment sharply on the situation, perhaps more bitingly than Hollywood wanted or was able to do at that time.

The plot is thus, with their 1963 equivalents blatantly obvious: in Dallas, Texas, 1883 an unpopular liberal President (Johnson) visits the city and is assassinated in a crossfire of lead. A black patsy is quickly found by the corrupt sheriff (Stefanelli) and is killed while in transit between prisons. The framed man's friend (Gemma) seeks to find out the truth, variously aided and set back by a mysterious government agent (Warren Vanders).

Reading the synopsis, it's pretty clear where Valerii is heading, and he does so with style and tension. Well-acted, photographed and edited, with some excellent gunfights, this is a Spaghetti Western that deserves a much wider reputation that the one it currently holds.

Based largely on the Kennedy Assasintion, Director Valerii's The Price of Power is quite a hard going, albeit very well made, film.

President James Garfield (Van Johnson) arrives by train in the state of Texas to debate his political reforms. His anti-slavery stance is extremely unpopular with the locals, particularly the corrupt Sheriff and the banker Pinkerton (Fernando Rey), who secretly plot his assassination, knowing that his probable successor can be bribed by incriminating evidence that they hold.

Ben Willer (Giuliano Gemma) discovers that his father has been murdered by the Sheriff, because he knew of the plan to kill the president. Despite his efforts to provide some protection, the assassination is successful, with Willer's Negro companion (a staunch believer of the President's cause) blamed and imprisoned. Willer attempts to seek justice, assisted by the President's aide Arthur Macdonald (Warren Vanders).

In truth, Valerii's film is an outstanding piece of Italian cinema, with a fine performance from Gemma, and an enjoyable Bacalov soundtrack. Despite this, I struggled to be really convinced by the movie, even though it is so highly respected in euro-western circles. I think in particular I found that some of the more typical Spaghetti Western fare (such as the rifle hidden in the crutch of the disabled newspaper employee) sat uneasy within the context of the film.

That said, there were a handful of great scenes, such as the failed initial assassination attempt as the President's train arrives, the flashback and the court sequence. But in the end, I couldn't help but find the whole thing disappointing - probably because I expected so much.