La morte risale a ieri sera

A very interesting director and especially this film being a part giallo part cop procedural and we have a sexy 25 year old woman with the mind of a three year old. This being as tasteful as possible and she disappears, the police straight away think of prostitution but there is also some humour but the ending is amazing. The very next year is really a giallo, The Bloodstained Butterfly (1971) and later on Puzzle (1974) both great and earlier Duccio Tessari had two, just as splendid spaghetti westerns, A Pistol for Ringo (1965) and The Return of Ringo (1965). In this film it gets a bit confusing now and again but then a giallo usually does but it is all so well done and with Raf Vallone so really good as the father, it could easily have been a bit silly. Frank Wolff as the inspector and has a great time with Eva Renzi as his wife around the flat, in bed and even strumming his guitar.

25 year old Donatella Berzaghi (Gillian Bray) is a total babe and a nymphomaniac to boot, but also has the mind of a three year old. Of course, there are some people who see her disability as a bonus and are willing to pay to do bad things to her, which is why she is abducted and put to work in a brothel.

When distraught widower Amanzio Berzaghi (Raf Vallone) realises that his precious daughter is missing, he goes to the police, who begin a city-wide search for the young woman. After the girl turns up dead, having been burnt alive, Amanzio begins his own investigation, determined to make those responsible pay for what they have done.

Although labelled as a giallo by some, probably because of its typically giallo-esque title, Death Occurred Last Night is more of a poliziotteschi, with the focus on the detective work carried out by cops Duca Lamberti (Frank Wolff) and Mascaranti (Gabriele Tinti). There's a lot of dialogue and little in the way of action, meaning that the film does tend to drag a lot of the time. Director Duccio Tessari sees fit to include some gratuitous female nudity to spice things up a little, and the climax is satisfyingly brutal, but on the whole this is a fairly mundane feature, with not a leather-gloved maniac brandishing an open razor to be found.

4.5 out of 10, rounded up to 5 for the hilariously bad likeness of a suspect drawn by an interviewee at the police station, which the police sketch artist uses to create a portrait that is almost as bad.

In Lombardia, the widower Amanzio Berzaghi (Raf Vallone) goes to the police station and reports to Police Captain Duca Lamberti (Frank Wolff) and his assistant Mascaranti (Gabriele Tinti) that his daughter Donatella Berzaghi (Gill Bray) was kidnapped for sex trafficking. Then he explains that she is twenty-five-year-old, but intellectually disabled with mentality of a three-year-old child and nymphomaniac. Lambert and Mascaranti meet the former pimp Salvatore (Gigi Rizzi) to get information about the brothels in Milan and go deep in the underworld of sex to discover where Donatella is. Meanwhile her father continues his personal investigation about the fate of his daughter.

"La morte risale a ieri sera", a.k.a. "Death Occurred Last Night" is a good thriller made in Italy. The plot has flaws, as usual, but the story is consistent and "Hardcore" (1979) has a similar storyline. Raf Vallone has great performance and this unknown film is worthwhile watching. My vote is seven.

Title (Brazil): "Os Assassinos Só Matam aos Sábados" ("The Killers only Kill on Saturdays")

Widower (Vallone) searches for his missing daughter with the aid of committed inspector (Wolff) leading to a complex web of exploitation and deceit.

Probably more a polizioteschi than strictly giallo fare, the pacing sometimes suffers and the plot twists more than it needs to, but despite some issues with momentum, the overall result is still satisfying.

Aside from the two leads who are both excellent, German leading lady Eva Renzi lends support as Wolff's highly invested wife, Beryl Cunningham has a sizeable supporting role as a reluctant informer of sorts, whilst Gabriele Tinti shows his disdain for criminals as Wolff's highly-strung detective partner.

It's a rather bleak tale which Director Tessari handles with care and compassion, another interesting contrast to the usual giallo in which victims are typically discarded with a casual contempt. Better than average, but don't expect razor blades, black gloves and blood-splatter - this is a complex mystery which takes its time to strike.

Frank Wolff puts in a great performance here as a world weary cop in Milan assigned to a missing person's case where a middle aged man keeps referring to his little girl, who turns out to be a six foot tall nymphomaniac with the mind of a three year old! That's pretty sick seeing as all evidence points to her being sent to work as a prostitute.

Wolff is one of these cops that isn't afraid to plant stuff on people, blackmail men who frequent hookers, or have his men slap pimps around. He's also very likable as for every bust he makes, he feels the weight of every crime that goes unpunished, so he winds down at night while playing the guitar, treating his sinusitis, and banging his wife.

During the day he and his subordinates start visiting whore houses in order to track down the missing girl which leads him to befriending hooker with a heart Herrero, who might be the key to the whole case. For a change its Herrero and Wolff's missus are the one who become sort-of friends, leading to all sorts of philosophising and what not.

Another plot thread concerns that of the missing girl's father. A man who just wanted to look after his daughter, what becomes of a man who's only reason for living is missing, and what is he going to do to those responsible, as he highly suspects that one of his neighbours is the kidnapper.

The 'identity of the kidnapper' plot I guess has this film being marked as a giallo, whereas other say it's a euro-crime film. Who gives a crap? It's a good film. Not much by way of gore, or nudity, but the ending was certainly violent enough and the film also has characters that actually display feelings for a change. Duccio Tessari also directed Tony Arzenta and the two films share that highly-stylised look, and in this film Tessari includes a lot of hand held footage, and a lot of scenes where the dialogue is drowned out by external noise.

You know what this film reminded me of? A Touch of Frost. I mean that as a good thing – Wolff does that thing Frost does where he constantly berates his subordinates ("Get a haircut").