The Liberation of L.B. Jones

The Liberation of L. B. Jones (1970) is currently available on Tubi. The storyline involves a black couple going through a divorce when the man discovers his wife is cheating on him with a local white police officer. When the woman hires a lawyer and threatens to fight the divorce, the police officer is informed the nature of their relationship may become public. Since white and black people sleeping together is heavily frowned upon the police officer could lose his job. He quickly goes on a rampage beating his lover and trying to hide the nature of their relationship by any means necessary. This movie is directed by William Wyler (Ben-Hur) and stars Lee J. Cobb (12 Angry Men), Lola Falana (The Klansman), Lee Majors (The Six Million Dollar Man), Roscoe Lee Browne (Logan's Run) and Yaphet Kotto (Alien). The storyline for this is very well told and portrayed. The ex-husband's patience was absolutely unbelievable, but so was his wife's ruthlesness. This movie in some ways gave me divorce PTSD. I loved the character interactions across the board and the set-up by the ruthless and dirty police officers was good, which makes the ending even more enjoyable. Overall this is a smart movie with a well told storyline I would strongly recommend seeing. I'd score this a solid 7.5/10.

This is a sad film about personal weaknesses. The storyline has several weak points too, but on the whole I should think the movie does a great director like William Wyler justice and is still watchable today. There is a certain similarity with the Oscar winning In the Heat of the Night. The screenplay is by the same author, Stirling Silliphant.

The Liberation of L. B. Jones really belongs to the African American cast, the whites' performances do pale in comparison. Roscoe Lee Browne plays the well-to-do undertaker who is cheated by his wife with a white policeman. He gives his character a quiet dignity that lasts throughout the story, up to the bitter and sad end. Yaphet Kotto's portrayal of an angry young man who comes to town with a score to settle is equally intense and convincing. Both Browne and Kotto have a few very good scenes in which they act by themselves. They both seize the chance to give their characters real depth. Lola Falana is convincing as the amoral undertaker's wife and there is a good supporting cast. I fondly remember a small, well acted scene at the beginning with an elderly lady who regularly visits the undertaker's show room to have a look at the coffin for which she pays instalments.

The white population is, it seems to me, much more stereotypical. The only really interesting figure here is the town's most important lawyer, played somewhat stiffly by Lee J. Cobb. He is a racist against his better judgment. His unlawful actions to protect white criminals seem like a reflex, not coming from the brain but rather from the spinal cord.

"The Liberation of L. B. Jones" is a feel-bad movie that is worth seeing...provided you aren't already seriously depressed. If you are, try watching something fun, as "The Liberation" is where fun goes to die!

The story is set in Tennessee and racism in this county is rampant. You will probably never find a movie that uses the 'n' word more...which I appreciate because it just shows how ugly racism is. The cops are evil perverters of women and justice and the place is NOT a place any black person would enjoy visiting...as they certainly would not have been welcome.

L. B. Jones happens to be the richest black man in the county and he is having problems with his wife. She's carrying on an affair with one of the cops and he's sick of it and wants a divorce. He seeks the help of a local lawyer (Lee J. Cobb) who at first refuses to take the case. But when his idealistic son-in-law shames him into taking it, he agrees...and spends much of the rest of the film perpetrating evil along with the local police department. What exactly did they do? See the film...but it certainly ain't nice!

The film came out after quite a few other race films had debuted and just before the big blacksploitation craze...so the timing was excellent. The film is brutal in the way it shows racism, as it's unflinching and will make you sick as you watch. This is a good thing...but a painful thing to see and hear. Well worth your time.

The "novel" this is based on was according to the author, almost entirely true, only the names were changed to protect the innocent and the guilty. This underlying truth plays out strongly here. I must stop to say the plot synopsis has nothing to do with the film. This is not a mystery with a "who did it" structure and it is not a courtroom justice or injustice movie. The events play out in sequence and we jump from character to character so that it remains, every bodies story, so to speak. We aren't allowed to distance ourselves from the story by taking the look from the good lawyer or cops perspective after the fact. Yaphet Kotto among many, probably gives the best performance. The photography and the score both seem a bit dated, though each have their strong moments, otherwise this doesn't date at all. The characters motives, good and bad, are clearly laid out and well performed. There are a few moments of technical slop, some optical blow ups of shots in the middle of dialog scenes and a couple of lazy zooms that would not have appeared in a Wyler film a few years before that, but in every other way this shows him still at the top of his game. It's a shame that he stopped making films after this. He himself considered it a strong film and he seems to have more or less expected that it would anger people (white ones that is) when it was released. His usual skill with actors is in evidence and there is some interesting use of sound to help tell the story at crucial moments. Very powerful stuff all around.

Sometimes I have to scratch my head and wonder why the hell a film isn't more acclaimed and/or remembered. William Wyler's last film The Liberation of L.B. Jones (1970) is one of these. A nail biting inferno of racial hate and discomfort.

Don't read the tagline and stay away from certain posters, it might spoil it! But even though I knew part of the outcome parts of this film stopped me from breathing, and I'm still filled with this heavy indescribable feeling.

It's essentially the tale of when the people discriminated against stops being afraid. It's also an exploration of the small towns of a bygone age, and their despicable sentiments.

The Liberation of L.B. Jones would fit perfectly in the company of films in In the Heat of the Night. Perhaps it was just a tad late, or perhaps it was a bit too bleak, but this is surely a film I will remember. A wonderful way to go out for the legendary Mr. Wyler. One of the best directors who ever lived! 8.5/10