I Leopardi di Churchill

This is a decent example of the Italian brand of war movies which, although they never quite reached the artistic heights or levels of influence which their peplums, giallos or Spaghetti Westerns had, frequently offer an offbeat, mildly diverting perspective on familiar historical events. This one here stars Richard Harrison (as an English agent posing as his dead German officer twin brother!) and Klaus Kinski as a sadistic SS official; the fetching female parts (on both sides of the fence, naturally) are personified by Pilar Velazquez and Helga Line', while Giacomo Rossi Stuart and Antonio Casas have key roles to play within the Resistance lines. There are no overwhelmingly spectacular action set-pieces or jaw-droppingly clever plot twists to speak of, but I found this to be an unassuming and adequately handled time-passer which, unlike some of its Italian war film contemporaries, does not heavily feature Hollywood has-beens in an attempt to pass for one of their productions and is, in any case, mercifully short.

The farmers are already working hard, the Nazi subordinate is already waiting impatiently with his car. But top Nazi Hans Müller (Richard Harrison) is still having fun with his beautiful girlfriend Elise (Pilar Velazquez). She suddenly pulls out a knife and the virile powerhouse is over. But it turns out that the German Nazi has an English twin brother who quickly takes on the role of the murdered man. Under the command of his British superior (Giacomo Rossi Stuart), the demolition of an important dam is to be prepared. But it is important that a nasty SS man (who else but Klaus Kinski) doesn't become suspicious. One evening the British twin, who already has his eye on his brother's murderer, also has to stand up for an ex-girlfriend from Paris. Will he also be able to convince the beautiful Marleen Schumann (Helga Liné, who just turned 90 a few days ago!!!)...?

Maurizio Pradeaux didn't make a particularly original Macaroni Kombat film. After all, after the dam is blown up, a lot of water flows through the picture. What may be interesting is that Richard Harrison is one of the few Peplum stars who has made the leap into other genres. Basically from Hercules to a womanizer with hard fists! In German-speaking countries the film is also known as "Geheim Code Leopard".

A routine Italian low budget war action movie about English dam busters working in occupied France. Best feature in the film is, obviously, the great Klaus Kinski whose SS captain brings a sinister edge to the final battle.

All in all an interesting film that suffers from the same problem than most of its peers: lack of ambition. The only scene that stands out is the execution of the resistance leader (by Kinski's SS men), which makes one wonder why the rest of the film wasn't made with similar effort.

The mission: search out and destroy a radio station in Normandy before the D-Day invasion.

The volunteer commandos, misfits from the American army do not care how its done and will run over anyone who gets in their way.

Hasn't this been done a thousand times?

And isn't it STILL being done?

The music is weird.

The direction is spotty.

Over all not really a good movie.

Makes me wonder when the market fell out for spaghetti films that have one or two known American actors.

During the latter days of World War II, a British Special Forces unit is sent behind enemy lines to destroy a dam key to the German war effort.

It wouldn't be unfair to describe Churchill's Leopards as a pretty standard entry from the Italian war movie cycle that was popular circa late 60's. After all it focuses on a crack team of soldiers on a dangerous, borderline suicidal mission. Not only that, it features an even more specific detail that films from this sub-genre often bizarrely used - the lookalike who is used to fool the Germans. Movies such as When Heroes Die (1970) and Casablanca Express (1989) also used this slightly ridiculous gimmick. Richard Harrison is the guy here who plays the dual role of a British soldier pretending to be his identical brother who happens to be a Nazi officer, although the latter is admittedly killed within the first five minutes by a partisan woman, leaving the door open for the English brother to saunter in and take his place - completely silly of course but par for the course when it comes to Macaroni Combat movies. Another regular feature seen here is Klaus Kinski as a ruthless SS officer, although rather stupidly they have this German baddie dubbed with an English accent which makes no sense and unfortunately reduces his potency on screen somewhat. I found this one to be overall not too bad for this kind of thing. I've found these Italian war movies to not be exactly a guarantee of quality, with the majority hovering around the mediocre end of the scale. This one ultimately is no different although I did think it set things up slightly better than most. The best scene has to go to the tense, well-handled part where the Nazis gather a group of French citizens on a picturesque mountain in order to be executed as revenge for the killing of two of their men. This scene is paced really well and does have some good tension; it shows that it's more low-key moments such as this that can have more impact than the more typical, and a bit tedious, gun battles that seem to be part of the formula for this kind of thing and which compromise the latter stages of this one too. Events ultimately culminate perhaps unsurprisingly with the dam explosion, which most people seem to think was terrible but which I actually thought was pretty good.