Kostnice

So many curious stuff in such a short time.

• a school visit to an ossuary, presumably the largest in the world, where 70,000 human skeletons are arranged into elaborate ornaments. It seems the entire suffering of Czech history is represented here. Black Death, the 15th century Hussite wars, tortures, religious purgings.

• the ossuary as mass grave, church, and art gallery, where the visitor may puzzle over his reactions to the grotesque spectacle. To be sanctimoniously solemn or to marvel? Is what we see a collection of relics or exhibits?

• a funny remark about an American who offered to pay $100,000 to purchase a chandelier made of skulls and bones.

• the rather amusing imprudence of the kids who are not phased by any of this, and will write with ballpoint pens on the skulls, much to the tour guide's irritation.

• the man responsible for the art here, who spent 10 years of his life down there arranging human bones to a monument of flowery death. Devotional obsession as pursued at the close proximity of death. Of course the images Svankmajer captures of this, the textures and fractures.

Some great horror movies could be made around this place. Perhaps this is one of them.

Watching this, I was stunned such a place exists. To be perfectly honest, I didn't know the meaning of the word "ossuary," but I do now. This is the Sedlec Ossuary in the Czech Republic and, I guarantee you, a place unlike any you have ever seen.

For history of this amazing shrine, if you will, please read Galina's review here. She seems well-versed on the topic.

To see a building, an old chapel, with 70,000 skulls and human bones in it, arranged "artistically," is really eerie, wouldn't you say? It looks even stranger with Czech filmmaker Jan Swankmejer's grainy black-and-white photography, and how he presents what is there.

In the background we hear a woman giving a tour to students. We never see her or the kids, but we hear her throughout. She sounds as odd as this place and almost gets hysterical in the end when she thinks some kid might have handled one of the bones. She says she's worked there for a year-and-a-half and she feels a kinship with these bones, looking at them (my words, not hers) as if they are still alive and she is protecting them. That's how she comes across.

Anyway, the "story" is not her but this incredible place with skulls and complete skeletons all over - floors, walls, ceilings....everywhere you see in this big chapel. Most of these people died horrific deaths, many because of the Black Death: the plague. It's unbelievable. One piece of "art" is a chandelier from human bones and skulls that someone from America offered $100,000 for back in 1968.

I imagine it's really incredible to see this in person. It's macabre, to say the least, and perhaps it is the most bizarre placed to visit on Earth.

In "The Ossuary", Jan Svankmajer shows that while he was still in his preliminary stages of filmmaking, the styles he utilized in his earliest works would ultimately become extremely important to his work later on. This 1970 work does not make use of any animation as later became the director's trademark, and is more of a documentary than an avant-garde short, but the absolute most is made of the setting he had to work with, and it is executed to perfection as a result. Most of this is due largely to the camerawork, which is sometimes non-stationary and other times moves controlled by stop-motion - essentially the only use of the technique seen in the entire movie.

The ten-minute film documents a historic chapel, famous for the fact that the various decorations and ornaments inside the place are made entirely of human bones. The setting alone is interesting enough to make the film work, but the creative editing and camerawork brings the setting to life in a crazy way. Little actually happens, and the soundtrack itself consists entirely of a Spanish-speaking narrator talking about the history (apparently), but Svankmajer made the most of what he had to work with and the result is a truly amazing meditation on death.

I've seen many films by Jan Svankmajer, short and feature and I like them all but the most astounding film of all and since couple of days ago, my favorite is "The Ossuary"(1970).

"The Ossuary" is the most stunning, disturbing, masterful and creative short film even for Svankmajer. I usually would stay away from the words THE MOST but "The Ossuary" deserves the epithet for the unique subject matter which is a voyage inside the Sedlec Ossuary, a small chapel located beneath the Cemetery Church of All Saints in Sedlec, a suburb of Kutná Hora in the Czech Republic with an actual tour-guide (or rather a substitute for a tour guide) who tells the story of the Ossuary to the group of middle school students. The ossuary contains approximately 40,000 human skeletons which have been artistically arranged to form decorations and furnishings for the chapel. During the Black Death in the mid 14th century, and after the Hussite Wars in the early 15th century many thousands of people were buried there.

In 1870, František Rint, a woodcarver, was employed by the Schwarzenberg family to arrange the bones of 40,000 people or so artistically and orderly. What he had created with the help of his wife and two children is the most disturbing, macabre, ominous and unsettling works of art I've ever seen: four enormous bell-shaped mounds occupy the corners of the chapel. A huge chandelier of bones, which contains at least one of every bone in the human body, hangs from the center of the nave with garlands of skulls draping the vaults. The guide proudly informed the audience that the USA government had offered the Czechoslovakia government $100, 000 for chandelier but the offer was declined. The signature of Master Rint and the year 1870 carved in bone can be seen on he wall near the entrance.

In 1970, the centenary of Rint's contributions, Jan Švankmajer was commissioned to make a "cultural documentary" about the ossuary. The result was a 10 minute long nightmare of the images that could be compared to the darkest and most pessimistic works in the history of Art. Bosch's "Inferno" looks like a sitcom next to the quiet and silence horrors of the artistically and lovingly arranged human bones and sculls that would never for a second let a mesmerized viewer forget about decay and death. Svankmajer did not have to create any hellish nightmarish images or visions - all he had to do - to let his camera go wild in capturing the never stopping and never ending Dance of Death.

Absolutely fascinating, terrifying, and unforgettable.

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