Il castello dalle porte di fuoco

'Scream of the Demon Lover' stradles the time period when sex and gore were slowly becoming more explicit and extreme in European genre movies. Made in 1970, the cast is a hodgepodge of nationalities and names, leading one to wonder if anyone could understand each other during shooting...the dialog ie obviously dubbed, so it's possible that the wooden acting is really the result of too many languages being spoken at once. Similar in some ways to Bava's far superior "Whip and Body", this film presents the story of a young female chemist who comes to live in a town's gothic castle helping the young baron find a way to bring his dead brother back to life. Most of the plot twists come from Italian gothic horror films of the 60's , and there is really very little original or striking about the locations or performances. In short, 'Scream of the Demon Lover' is a well-paced but cliche-laden movie that probably will entertain completists only.

Ivana, a chemist, is hired by Baron Janos Dolmer to work in his secret laboratory in his big castle. The castle is located outside a small village, in which a series of brutal murders of young women has been committed. The townspeople all suspect Janos and his big doberman dogs (or is it rotweilers?). Ivana moves into the castle and pretty soon strange things starts to happen. Nobody of Janos' staff seems to want her around, her drink gets spiked and she has nightmares of a torture chamber in the cellar. Or is it really a dream? Janos himself is a bit suspicious, and the experiment he wants Ivana to participate in is far from normal.

It's quiet a good plot, and the characters are interesting. There are some logical gaps and the `scientific' discussions held between Ivana and Janos are laughable. The castle is beautiful and the atmosphere in the movie is very gothic. The flick features some nudity and sex.

I'd give this one a 6 out of 10. I'd recommend `La plus longue nuit du diable' by Jean Brismée instead if you're looking for an excellent 70's gothic horror movie.

This is the second José Luis Merino film I've seen this week and comparing the two, SCREAM OF THE DEMON LOVER is much more sexual in nature than TERROR OF THE LIVING DEAD due, no doubt, to the Italians being involved. DEMON LOVER is also set in the nineteenth century and stars Erna Schürer as a kittenish chemist who's come to Baron Dalmar's medieval estate to assist him in trying to bring his dead brother back to life. The villagers warn her that the Baron is killing women and ripping them to shreds after consensual sex but she stays on anyway, even after being drugged nightly and put on a rack in the dungeon (?!).

Although it's nowhere near as atmospheric or entertaining, the movie owes something of a debt to Mario Bava's THE WHIP AND THE BODY and it's fascination with sadomasochistic mise-en-scène. The Baron and his hounds cut a dashing figure atop the grand staircase and sexy Schürer shows her globes a lot but she's outshone by the exquisite Agostina Belli, who also bares her boobs in the secondary role of a castle servant.

Erna Schürer was born Emma Costantino in Naples, Italy and modeled for "Vogue" and "Harper's Bazaar"before appearing in the popular "fumetti" foto-comic "Satanik" in the mid-60s. Placed under contract by movie producer Alberto Grimaldi, Erna spent most of the '70s cranking out "classics" like EROTIC CONFESSIONS FROM A WOMEN'S PRISON, YOUR HANDS ON MY BODY, STRIP NUDE FOR YOUR KILLER, MY PLEASURE IS YOUR PLEASURE, and DEPORTED WOMEN OF THE SS SPECIAL SECTION before more-or-less disappearing from the cinema scene. There's no birth or death dates given for Erna on IMDb and there's precious little about her on the worldwide web, either, for that matter. Today, Schürer's sure as sh!t a GILF somewhere (unless she's split the scene, if you know what I mean).

One can't help but immediately note the terrific filming locations, luscious sets, gorgeous costume design, fetching hair and makeup, a beautiful leading lady (with more in the supporting cast), the tall, dark, and handsome baron, and suggestions of budding amorous feelings. With all these aspects firmly in mind it would have taken very little for this picture to have been realized purely as a gothic romantic drama, like 'La belle et la bête' except with more terse and complicated dynamics between all the characters involved. It nearly is, really, since the totality of the horror element doesn't fully come into play until late in the last act, and before that we get only passing scenes and imagery of more insidious goings-on. All the while 'Scream of the demon lover' is splendidly well made, with all the aesthetics we'd assume of contemporary period genre fare out of Italy, capable performances, and strong work from all those operating behind the scenes. And the story that this has to offer is earnestly engaging and compelling.

It's just that if one is looking for a robust thrill ride, or a horror flick that inspires visceral reactions, this isn't the title to provide it. When all is said and done this is enjoyable and satisfying - only, I think one can readily imagine other angles it might have adopted that would have been more wicked, more fun, and more satisfying in turn. For that matter, even if José Luis Merino had only realized the concept with more energy, and a greater sense of dynamics, the end result would have surely benefited. I'm glad I took the time to watch, but I admit I'm a little let down that the movie retains such a measured, restrained tone; it would have required little alteration to have shone more brightly. I think 'Scream of the demon lover' is well worth checking out if one has the opportunity, and above all if one is a fan of contemporary horror generally, and specifically like features coming out of Italy. One should perhaps just be aware that despite even the names this was given in its various releases, ultimately the viewing experience is more slow, steady, and thematic for the vast majority of its length than it is vibrant, violent, and hearty, as it is at the very end.

The handsome Baron Janos Dalmar is believed to be a homicidal maniac who rapes the girls he lures to his castle before feeding the bodies to his monstrous dogs. Still, these are just rumors nobody can prove. Dalmar then recruits the beautiful and intelligent female chemist Ivanna and, through her dreams, she discovers that there are much deeper secrets hidden behind the castle's walls. "Blood Castle" is mediocre Gothic horror with a lot of routine plotting and only one or two really ingenious moments. The castle setting is terrific, though, and the make up effects on the actual murderer are quite eerie and convincing. The lead actress drivels way too much and she doesn't only seem to bore her male counterpart but also us; viewers. All the clichés are there, with the beast in the cellar, the ominous servants and the superstitious villagers who only just survived a plague-epidemic. This film is watchable enough, but there are many other Gothic horror classics available, so you don't really need to waste your time on this average installment. The better choices include "The Virgin of Nuremberg", "The Whip and the Body", "Nightmare Castle", "Baron Blood" and "Danse Macabre".