House of Dark Shadows

The film features a number of the series regulars repeating their original TV roles, and there are several recycled plot elements from the show that come in handy for the movie. But producer/director Dan Curtis(the creator of the original series), knows the drastic difference between a daytime TV soap opera and a feature film, and uses this knowledge to create a striking, entertaining picture. Unlike an episodic TV series, the film doesn't allow the suspense to lag at a snail's pace, but actually builds suspense from the opening scene and never lets up! The performances by the multi-talented cast are truly wonderful, though star Joan Bennett(one of my most favorite characters on the show), doesn't get as much screen time as I would have liked. This is probably due to the fact that the film was cut by some twenty minutes before being released. But even in its truncated form, HOUSE OF DARK SHADOWS remains one of the greatest vampire/horror flicks of its time.

Intelligently done, but bloody and violent story based on the hit TV show Dark Shadows from the late 60s. The plot revolves around vampire Barnabas Collins, who finds a cure to become human again so he can wed a beautiful girl. Genuinely creepy atmosphere, beautifully filmed and surprisingly first-rate acting by cast.

'Dark Shadows' is one of those shows that wholly deserves its popularity and its reputation as a classic. There are a few films based on it, and while they're all watchable in varying ways quality-wise they're mixed.

By far the best of them is this, 'House of Dark Shadows'. To me also, it's the only film to be as good as the show, not quite on the same level but almost as good. Its only real problems are some characters not given enough screen time or development, especially Elizabeth and Maggie, and Joan Bennett being very underused as Elizabeth that she doesn't shine anywhere near as much as in the show.

'House of Dark Shadows' however is visually an improvement over the show's production values, with the exception of a couple of goofs and bloopers which didn't hurt the film at all. The production and costume design are lavish and splendidly Gothic, and it's all photographed stunningly and boasts some surprisingly good special effects. The music is suitably moody, and evokes a real eeriness.

The script has a good balance of the funny and the tense, and the story is never dull, is always fun and has some real nerve-shredding tension and bone-chilling shock. The highlight was the somewhat poetic ending, which is also a masterclass in sheer galvanising horror and incredible Gothic imagery. There is a good deal of gore, but it's used chillingly and is never overused or gratuitous. Dan Curtis directs beautifully and intelligently, never once undermining the tension, suspense or horror and doesn't make the mistakes of not having enough of either or over-crowding the film with them.

Most of the characters are interesting, particularly Barnabas and Julia, and the wonderful chemistry between the actors in the show translates every bit as wonderfully here. The acting is uniformly good, with only Bennett not shining as much as she could have done due to being so underused. Jonathan Frid is terrifyingly magnetic, while Grayson Hall, Thayer David and Nancy Barrett are particularly strong in support.

All in all, by far the best of the 'Dark Shadows' films and the only one to be as good as the show. 8/10 Bethany Cox

This is one of the best horror films of the '70's, and certainly the best vampire flick of that decade. Based on the highly successful supernatural soap opera DARK SHADOWS, this feature film version of the ever popular series recounts the resurrection of Barnabas Collins(Jonathan Frid), a 175-year-old vampire who passes himself off as a modern-day descendant of the Collins clan. While staying at the Gothic Collinwood estate, Barnabas becomes entranced by a beautiful governess(Kathryn Leigh Scott) who bears a striking resemblance to his long-lost love, Josette, and determines to make the young woman his new bride. Few films based on Tv shows work, but HOUSE OF DARK SHADOWS is an exception to that rule and like the TV series on which it is based, HOUSE OF DARK SHADOWS has developed into a cult classic over the years. Like its sequel, 1971's NIGHT OF DARK SHADOWS, the film is currently under restoration. There are several sequences from both films missing. Hopefully, the generally unfavorable opinion of NIGHT will change once all of the missing footage has been recovered, and the film will then rank right up there along with its predecessor like it should.

HOUSE OF DARK SHADOWS (1970) is the movie-house version of the then popular Gothic Soap Opera. The film's plot is a re-tracing of the TV series. Willie Loomis (John Karlen), while robbing a New England crypt, accidently awakens 200 year old vampire Barnabas Collins (Jonathan Frid's moment of immortality!) Barnabas comes upon his modern descendants as a "long lost relative from England" leaving out the one little detail about being 200 years old. In the meantime, he is secretly feasting on victims. He enjoys a temporary cure, via a local doctor. What makes this film unique is how this murderous vampire is worthy of sympathy, the tender but extremely haunting encounter the pre-teen Collins boy has with his dead sister, and the rather doomsday style climax. This gem came at a time when decent horror films were a rarity. (Relaxed censorship let about 90% of the horror directors depend more on gore and sex).