IMDb रेटिंग
7.3/10
4.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 1 जीत और कुल 2 नामांकन
Lyudmila Saveleva
- Mascia
- (as Ljudmila Saveljeva)
Nadya Serednichenko
- Contadina russa
- (as Nadja Cerednicenko)
Gunars Cilinskis
- Funzionario russo
- (as Gunnar Zilinskij)
Carlo Ponti Jr.
- Giovanna's Baby
- (बिना क्रेडिट के)
Mariya Sapozhnikova
- Passerby
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
"I Girasoli" is certainly one of the best romantic stories in an honest and pure setting in Italy and Russia. It is a dramatic love story of Antonio and Giovana wanting to stay together in the war. The impossibility to hold on to the newly found and sweetest happiness becomes inevitable in the destructive war, where Anoinio is found half frozen by a Russian woman. The accent lies in finding love in warm sunny Italy and loosing this in the freezing cold war thousands of miles away. Although in this new other world there is love too, it is never the same as before. At the end the search for the lost love is completed and in vain when life has changed there lives irreversibly. Un impossibile ritorno al passato.
As another reviewer pointed out this bit of cold war propaganda (pro Soviet) was absurdly impossible. An axis soldier would have been shot period or arrested as a spy and killed slowly in a prison camp.
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
You know the plot.
Sunflower was Vittorio De Sica's last film. It was dismissed by the critics as hopelessly maudlin melodrama. But anyone who cares enough to be reading this no doubt knows the humanity he crafted into every frame, and the beauty and sadness of life it evokes.
Henry Mancini's theme song is, IMVHO, the very best he ever wrote. I'm reduced to tears every time I hear it. Yet it seems Mancini himself treated as a lesser child. His daughter recorded it to lyrics better left forgotten.
Sunflower was Vittorio De Sica's last film. It was dismissed by the critics as hopelessly maudlin melodrama. But anyone who cares enough to be reading this no doubt knows the humanity he crafted into every frame, and the beauty and sadness of life it evokes.
Henry Mancini's theme song is, IMVHO, the very best he ever wrote. I'm reduced to tears every time I hear it. Yet it seems Mancini himself treated as a lesser child. His daughter recorded it to lyrics better left forgotten.
I just finished watching the stunning Blu Ray of the original Italian English-subtitled version of this film--the best version available. I do not understand all the naysayers reviewing this film. If you are a fan of Loren and Mastroianni, if you are a fan of DeSica, if you enjoy a good old-fashioned melodrama that will tear at your heart, you MUST see this film! To dismiss this film as Soviet propaganda, or as unrealistic, is like criticizing "The Little Mermaid" for having a singing mermaid and talking fish. It utterly misses the point. This movie contains one of the very best, if not THE best Sophia Loren performance on film. Henri Mancini's score is unforgettable. This film makes you care about the plight of both characters. It is available as part of the new "Sophia Loren Collection" box set, and for me, this, along with "Marriage Italian Style," is the "jewel" of the set. See it!
meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.
क्या आपको पता है
- ट्रिवियाThe child of Giovanna (Sophia Loren) in this film was actually Loren's from her partnership with producer Carlo Ponti.
- गूफ़Mascia tells Giovanna that when she found Antonio, he was hurt so badly that he had forgotten everything, including his own name. If that's true, then how did Mascia know his name was Antonio?
- कनेक्शनEdited into Marcello, una vita dolce (2006)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Sunflower?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 47 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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