Gimme Shelter

Boy, you could write a lot about the significance - cultural and otherwise of what happened at this big rock concert and why....but this is a website to review films. So rather than going on and on about how naive and stupid these concert promoters were to hire thugs as "security," suffice to write that the movie speaks for itself. It shows what happened, and you can make up your own mind.

However, much of the time is taken up interviewing mindless stoners and clueless rockers, none of whom sound intelligent enough to properly discuss the situation. This documentary does give you a good idea of the period and how easily one could go from a peaceful Woodstock to this disaster. In fact, watching this film just makes me all the more stunned that nothing really tragic at Woodstock with all those kids, although the organizers there obviously didn't make a few crucial mistakes the guys here made.

This documentary shows how many dumb things were allowed to take place, and just makes you shake your head in disbelief. For that, they did a good job with this film, accomplishing, I assume, what they desired.

It was fun to go back and see clips of The Jefferson Airplane, The Flying Burrito Brothers (you couldn't beat the names of rock groups back then!) and Ike and Tina Turner. However, as we see, the "counterculture" wasn't all good rock, "peace and love," folks; there were so real bummers and lives ruined.

When you see this movie you really understand how sanitised, safe and corporate the music scene is today.

The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.

Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...

Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.

Certainly not a filmed concert, this important documentary describes, in a very sensitive and powerful way, the incredible human bestiary that rushed towards the 1969 free Rolling Stones show located on Altamont speedway, California. Complete disorganization, brutal security staff, drug abuse will turn this rock party to an awful black celebration that will lead to more than a human sacrifice : the destruction of a new kind of innocence. Often shocking and disturbing, sometimes dreadful, "Gimme shelter" brings to us not only the pictures of a riot. It makes us think about the difficulty for men to live as social animals when they're unable to repress their predator instincts. Let's finally mention the great musical first part of the film, and the quality of the direction.

October 1969 marked a month of tragedy for rock and roll. The Rolling Stones were on their US tour when they stopped to play a free concert at the Altamont Speedway in San Francisco. It was a concert event that was supposed to be the Woodstock of the West, but it ended up being just the opposite. Hell's Angels were hired for security and, as the chaos of the show ascended, the Angels became more and more violent towards the crowd until the night ended in the stabbing and murdering of at least one of the concert goers. Gimme Shelter is the documentary which focuses on this tragic occurrence in brutal detail. The film mixes concert footage of the Rolling Stones, footage of the night at Altamont, as well as the band watching and reflecting on that terrible night. It's an extraordinary and harrowing film which will shake you to your core as you watch the raw, unedited footage taken at Altamont and the unending brutality which seems so unnecessary and so easily preventable. It's a remarkably disturbing experience to watch Gimme Shelter.

I honestly believe it was a stroke of genius to make this film so simple. There was no need to tamper with the Altamont footage or add anything extraneous to it. Gimme Shelter is perfect in the way it just shows us all of the actual footage from the concert, as well as leading up to the concert. There's no narration, no extra pictures or clips. It is just the footage put together in a way that details that terrible night in the straightest way possible. There could not be a more thorough account of the events at Altamont. This is the finest way to view something this out of the ordinary. The footage we watch in Gimme Shelter is stunning and unforgettable. It's safe to assume that 99% of the audience at that show was on acid, and the results are amazing to watch. There is an incredible amount of footage of people having wild acid trips, doing all sorts of bizarre things. It is amusing to watch at first, but quickly becomes deadly when Hell's Angels are introduced into the equation. Thus we have a scenario that is nerve racking to witness unfold and we are then filled with immense anxiety and dread as the situation grows into the tragedy it morphed into by the end of the night.

Of course, what makes Gimme Shelter more than just a simple reflection on the tragedy at Altamont Speedway is the footage of the Rolling Stones watching the Altamont footage and reflecting on it all. The shock and awe is very obvious in their reactions and hearing what they have to say about it is fascinating. They don't say much about it because of all the shock, but they say enough and they display enough body language to convey their loss for words at this event and how horrified they are that something like this had to happen under their watch. This is possibly the saddest aspect of the entire situation. The fact that someone was murdered is horrific enough, but the fact that it had to happen in the name of rock and roll is deafeningly sad. It is painful to watch the messages of peace and love flourish in that concert audience, only to be violently contrasted by the over reactions of Hell's Angels. It's a sickening occurrence that seems to evoke more innate sadness than anger. It's terrible to watch but it makes Gimme Shelter one of the most powerful and provocative documentaries you will ever see. This film is an incredible experience that you will not soon forget.

This sort of "artistic documentary" marks a milestone in our culture and it's really a must-see for people interested in history. The DVD version contains important additional features such as excerpts from a long KSAN call-in show the next day. Some of the callers were principals in this event and their commentary is valuable. In addition, there are some incredible still photo collections on the DVD that go even further to capture the climate at this event.

There is a lot of talk about "Hells Angels" this and that in the reviews here. The Hells Angels were not the primary problem - it was a terrible combination of sloppy organization, third parties who reneged on deals and contributed to the problem, and the concert-goers themselves. As some callers to the KSAN show commented, "I was at Woodstock, and Altamont was completely different. Nobody came together. We had no spirit of community. The whole thing was hurried and stayed tense throughout." So imagine 300,000 people working hard to get their groove on quickly - since the concert was only confirmed a day or two prior - using whatever they could roll up in a paper, stir into their cheap wine, or drop on a sugar cube. Then their heroes come up onto the 20'x20'x3'-high stage and viola, you have a massive problem on your hands whether security was Superman, Sgt. Joe Friday and his partner Bill Gannon, Acme Security out of Walla Walla, or the Hells Angels. There was going to be violence. It certainly didn't help that the organizers told the HA to park their bikes right next to the stage. With the crowd as it was, that was guaranteed disaster for a few people.

What a way to end the '60s flower power era.