The Body Beneath

The Body Beneath: Directed by Andy Milligan. N.B. IMDb 82mins. It's difficult not to like a vampire movie with an odd bit of atmosphere filmed and produced by the late Andy Milligan, a director people love to hate. He was well known for producing movies with budgets ranging between $8 and $30, 000 dollars on a regular basis and giving the viewer in this case something creepy and surprisingly well put together. It was shot on location in England and some scenes were filmed in one of the most wildly filmed gothic cemeteries, Highgate Cemetery. An ancient coven of avant-garde vampires are hunting for their last living relatives in order to find a new bloodline in order to continue their existence. Their leader, the Reverend Alexander Algernon Ford, (Gavin Reed ) has the usual streak of cruelty in him but he's also a very different kind of vampire. He needs a blood transfusion before he can walk outside in the sunshine. I never saw a vampire having a blood transfusion before. Our friend the reverend has a lease on Carfax Abbey near Hempstead Heath. Very Draculaish, don't you think? He's accompanied by a trio of ladies, in particular a green painted, very red lipped vampire, looking more like a zombie, who walk about during the day and a sad blonde haired ski hatted mortal hunchback called Spool, (Berwick Taylor), their servant, who all follow their master in this schlock horror feast. Normally in a vampire movie you would expect a lot of blood and gore ,but in this one you get a lot of talk and talk. In fact, that reverend vampire never stops talking , especially when he reveals his final plans. The sepia unfocused green tinted look and its terrible mono sound with its home movie look about it seem to fit well with the severity of the decaying building where most of the filming occurs. The idea of the story has the makings of a good vampire movie but all those painted maidens and poor Spool (rather a strange name) get in the way of the actual story. Finally the movie itself is a bit slow at times but the last fifteen minutes are so crazily weird enough to make it worth watching though it's really for someone who loves a bad movie. bcarruthers-76500

Andy Milligan has firmly established himself in my mind as probably the worst horror director of all time. Despite making decent sexploitation flick 'Seeds' in 1968, Milligan has succeeded only in boring me to death with the rest of his crappy oeuvre since then, and this film is certainly no exception. I really don't understand this director at all; it seems like he's trying to make some sort of point as his films all have a similar style, but somehow nothing comes out of them but boredom. Take the plot pace of this film as an example; it's painfully slow and the dialogues are delivered by actors who sound like they're close to death. Quite how Milligan made this film and didn't realise how dull it was is anyone's guess...my only thought on the matter is that perhaps it was the director's intention to torture his audience? The plot supposedly revolves around vampires but for all I care they could have been clowns, postmen, FBI agents or French maids...it doesn't really matter. No film made with as little enthusiasm as this is ever going to be interesting, and after seeing five Milligan films; I doubt I'll be seeing another.

The Body Beneath (1970)

* 1/2 (out of 4)

A family of vampires realize that their bloodline is coming to an end so they must try and get new people in so that their family tradition can continue.

THE BODY BENEATH is one of five films that director Andy Milligan made in Britian and believe it or not this film has some fans out there. Sadly, I am not one of them as I found this to be yet another extremely boring period piece that just didn't have enough working in it to keep me interested. It's strange but the more Milligan films I see the more of them I don't like but at the same time I find myself becoming a fan. That might sound weird because how can you become a fan by watching bad movies? Perhaps it's the fact that no matter which Milligan movie you're watching you can tell that it's a Milligan picture.

I must admit that I somewhat admire the fact that he was making these period looking films on such a small budget. There are all sorts of technical issues with this film and there really aren't any "good" performances. With that said, the film remains mildly entertaining just because of that weird factor that the director always managed to bring to his pictures.

To say THE BODY BENEATH is a *GOOD* film might be sugaring things a bit heavily, but it certainly stands as one of the more professional achievements put forward by schlock auteur Andy Milligan.

The evidence of more technically adept workmanship than in many of his other projects is multi-directional within this eerie little vampire opus, though the the gore is noticeably slight this time around. It's a fairly unembellished bloodsucker story with a few novel twists...a vampire-priest calls a meeting of all existing vampires at his Old England lair. During this meeting, he expresses his concern with the rapidly diminishing numbers of their blood-line, and motions that they move, collectively, to the United States.

THE BODY BENEATH looks like a project which Milligan took a bit more seriously than many of his other horror offerings. It's fairly coherent(an amazing achievement for him), and the pacing and exposition actually aren't miles away from the accepted norm. Is this merely a film which denotes the natural progress of it's maker? Is it a sincere attempt to bring something palatable to mainstream horror film fans? Is it a sellout? ...I dunno...all I can say is that it has all the quirky Milligan hallmarks, but it's far removed from the schlock quality of much of his other work.

4/10

One of The better Milligan films that actually sort of works if you give it a a few allowances. One of Milligans English films, this movie actually is a good...okay...just...story of a vampires and such trying to get new blood into their family. (that maybe giving too much away, or not since the movie doesn't wholly make sense.) Technically competent which only has to survive the need to keep all of the actors in close huddle and some make up that would be too thick even on stage, this is a decent drama/thriller thats actually one of the few Milligan movies I can recommend on any level. Sure it dances the fine line around being a bad movie (and crosses over into that territory a few times) but its the sort of time killer you may actually watch to the end. Both better and worse than I'm making out this maybe the Milligan movie to start with if you have a yen so long as you understand what you're getting yourself into.