...tick... tick... tick...

I can't rate it a 10 because of the music, the music did not go with the movie, happy go lucky in a racially tense movie, didn't make any scence to me, I guess when I first saw it, I didn't mind the music back then but now the music is stupid

...tick...tick...tick... (1970)

** 1/2 (out of 4)

Interesting drama about a new black sheriff (Jim Brown) who takes over duties in a Southern town where the KKK aren't too happy about his election. The Mayor (Fredric March) doesn't want any violence because he doesn't want federal men in his town but after a white man is arrested for murder, some of the good ol' boys don't like the idea of a black man arresting him. The former sheriff (George Kennedy) decides to step in and try to help but soon all sorts of racist types are coming in. I think it's fair to call this movie a wannabe IN THE HEAT OF THE NIGHT but the three lead performances make it worth viewing. I think the weakest thing is the screenplay, which tries too hard to be like that previous film but in the end it really can't come close to the tension in its story. I think the one thing that really does work well here is that the racial tensions against Brown are because he's black but the interesting thing is that those sides turn against him for crimes dealing with the same race. The white man is arrested for drunk driving that kills a white girl and the black man arrested is for raping a black teen girl. I think the fact that this film tries to stay away from a race riot was something rather refreshing and I liked how the film didn't solve the race issues but instead simply tried to get both sides to fight for a common cause. Brown is very good in his role and I really liked the laid back approach that he brought to the role. There's no screaming and there's no tough, macho action but instead he plays a man with morals and I thought the actor did a very good job with the part. Kennedy was born to play the good-hearted redneck and he too does nice work here. March certainly overacts a bit in his next to last film role but he's always fun to see. The supporting cast also step up with everyone fitting their roles quite nicely. ...TICK...TICK...TICK... isn't the greatest race drama out there but I think there are enough interesting aspects to make it worth viewing.

Sure, if one is going to compare this film to the earlier "In the Heat of the Night", it can't quite measure up, but that doesn't mean that it's not a good film in its own right. It's a pretty effective story of race relations, in which a black man, Jimmy Price (Jim Brown) is elected the new sheriff of Colusa County. He's replacing the outgoing sheriff, white man John Little (George Kennedy). Jimmy is going to have a rough road ahead of him, but rises to the challenge, and enforces the law in a fair manner, showing no favouritism to either race. His job is made particularly difficult when he arrests a young man (Robert Random) who's killed a little girl in a traffic accident, and the mans' bigshot father (Karl Swenson) shows up to demand his release.

Brown is extremely good in this early lead role, playing a character of likability and integrity. Kennedy is also fine as the one white person willing to stand behind him. A lot of familiar faces fill out supporting and character roles: Lynn Carlin (as Littles' wife), Janet MacLachlan (as Prices' spouse), Don Stroud, Richard Elkins, Clifton James, Mills Watson, Bernie Casey, Anthony James (who was actually in "In the Heat of the Night"), Dub Taylor, and Barry Cahill. Stroud is utterly convincing as Littles' former deputy who's one of the biggest, creepiest racists in the bunch. All of the performers do fine work, but it's the great Fredric March (in one of his last film roles) who tends to steal the show as the aged, ill tempered mayor who's resistant to the idea of outside help.

Plenty of solid local flavour and a nice assortment of music help to make this decent entertainment. Director Ralph Nelson manages to milk some believable tension out of the scenario, especially near the end when it's believed that Swenson will be returning to town with all of his bigoted cronies.

Nelson does come up with an ingenious way to begin the action, with some of the townspeople literally frying an egg on the pavement while there is insistent ticking on the soundtrack. And there's a highly amusing exchange between our leads to end the film.

Seven out of 10.

This film is hugely under rated and deserved a clutch of awards.

"Racial tensions threaten to explode when a black man is elected sheriff of a small, racially divided town in the Deep South".

The movie is set in a time when race almost defined a nation. And the picture captures the period brilliantly illustrating the culture, language and music of the era.

There are stand out performances from George Kennedy-surely one of his finest- as the former sheriff coming to terms with unemployment and racism. The town mayor played by Frederic March, who gives a charismatic amusing performance. But the best of all and the one who steal the show is Clifton James who is apparently hostile to the new sheriff but events have a way of changing minds. Where he excels is his ability to convey his thoughts silently, a skill few actors possess.

All the cast are convincing as is the ultimate theme and outcome of the story.

Highly recommended:

8/10.

This movie isn't typically my genre of choice, since it's predictably depressing, but I watched it for love of Fredric March. Even in his old age, in one of his last movies, he managed to turn a throwaway part into a memorable one. He plays the mayor of a Southern racist town, and he takes a healthy bite out of all his lines.

Freddie isn't the star of the movie, though. Jim Brown is, playing a new sheriff in town. Even though no one wants him to take the job, and his pregnant wife begs him to step down, he thinks it's important to take a stand. He gets heckled, his wife gets threatened, and he nearly loses his life in a routine arrest, but still he won't quit. Depending on your point of view, you'll either think him admirable or not prioritizing the right things.

One of the great parts of the film is George Kennedy, the retiring sheriff. He's always a solid, consistent performer, and he carries the energy of this movie from scene to scene. One of the lousy parts of the film is Jerry Styner's music. This is a serious movie akin to Hurry Sundown, and during some sequences, Styner wrote comical, cartoon-esque music. Was he told to lighten the mood, or did he have no idea what the movie was about? It's quite distracting, but if bad music won't hinder your enjoyment and you like George Kennedy, you can give this a shot.