अपनी भाषा में प्लॉट जोड़ेंA New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.A New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.A New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.
- 6 प्राइमटाइम एमी के लिए नामांकित
- 1 जीत और कुल 10 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
This has to be one of the funnest detective shows in the history of television. Dennis Weaver went from being the country bumpkin deputy Chester on "Gunsmoke" to what became his defining role as Marshall Sam McCloud. I especially loved the fact that it never took itself seriously as most shows of this type did. I'm just sorry that it never was spun off onto its own separate series as this show was definitely a classic.
Sam McCloud is one of the more entertaining characters ever created for television, and possibly the most natural "fish out of water" creation.
In the pilot, McCloud escorts a witness in an important murder case to New York, and winds up solving a complicated case virtually single-handedly. The premise then becomes that he is "assigned" by the Taos, NM Sheriff's Office to stay in New York as learn their police techniques and procedures.
Each episode becomes a study of how McCloud's stubborn, but common sense, demeanor trumps his big city colleagues to find the truth where more common methods fail.
While the cases presented are serious -- most often murders -- the series has a comical edge the will cause you to chuckle out loud at least a few times per episode.
The only failing is that some of the plots have a few holes in them, and today, it's hard to not only find the episodes, but to find uncut versions that don't leave out important scenes.
Dennis Weaver is brilliant in the show.
"There ya go."
In the pilot, McCloud escorts a witness in an important murder case to New York, and winds up solving a complicated case virtually single-handedly. The premise then becomes that he is "assigned" by the Taos, NM Sheriff's Office to stay in New York as learn their police techniques and procedures.
Each episode becomes a study of how McCloud's stubborn, but common sense, demeanor trumps his big city colleagues to find the truth where more common methods fail.
While the cases presented are serious -- most often murders -- the series has a comical edge the will cause you to chuckle out loud at least a few times per episode.
The only failing is that some of the plots have a few holes in them, and today, it's hard to not only find the episodes, but to find uncut versions that don't leave out important scenes.
Dennis Weaver is brilliant in the show.
"There ya go."
McCloud is a good 70's police show. It is never really serious, and McCloud always drives chief Clifford crazy in almost every episode, JD Cannon (the Chief) adds some humor to the show. This is a great show to see famous old time TV and Movie stars make guest appearances. One can also see many stars when they were young and just starting out, example Terri Garr, and Weekend at Bernie's Terry Kizer. I rate this show a 9/10. See it for fun.
When the Mystery Movies started on NBC, the viewer was treated to a set of rotating series, including the great Columbo, the fresh MacMillan & Wife, the unusual Hec Ramsey, the very 70s Banacek, to name a few. And then there was this fish-out-of-water series about a New Mexican lawman working in the Big Apple, and it was cool, very fun and enjoyable.
Having never seen Coogan's Bluff, I had no comparison points and so took the program on its own merits. The cast was excellent. Lanky, likable Dennis Weaver wore Marshall Sam McCloud like a second skin, and because he'd been in Westerns, was believable as the cowboy cop; his riding and gun-handling skills appeared very natural, and he was also good at fight scenes. Short-fused police Chief Peter B. Clifford was his foil, adeptly portrayed by veteran actor J. D. Cannon. These two formed the main dynamic conflict for the programs. They were supported by a good cast of characters that included long-suffering Sergeant Joe Broadhurst(Terry Carter), a lovely reporter in love with Sam named Chris Coughlin(Diana Muldaur), and a changing roster of cops(including a delightful turn by Teri Garr as Sergeant Phyllis Norton).
The writing was decent, and the episodes where McCloud went even further afield to places like Australia, Paris and Hawaii were great. The chemistry of the cast was never flat, and there did slowly build in the cranky Chief Clifford a grudging respect for McCloud's unconventional approach to police investigation. When stuck in Hawaii on a trumped-up murder charge, Clifford is almost even glad that McCloud is there with him...almost.
Unlike some of the other shows that aired in the NBC Mystery Movies, this one has not grown stale or appears too dated, much like Columbo. Yes, it was at times formulaic, but the formula was appealing and easy to enjoy, and the main character less grating than some from that same time period. It wasn't as dated as Banacek or as silly as the Snoop Sisters, but like Columbo and McMillan & Wife, has aged gracefully and is still a fun ride, you betcha.
Having never seen Coogan's Bluff, I had no comparison points and so took the program on its own merits. The cast was excellent. Lanky, likable Dennis Weaver wore Marshall Sam McCloud like a second skin, and because he'd been in Westerns, was believable as the cowboy cop; his riding and gun-handling skills appeared very natural, and he was also good at fight scenes. Short-fused police Chief Peter B. Clifford was his foil, adeptly portrayed by veteran actor J. D. Cannon. These two formed the main dynamic conflict for the programs. They were supported by a good cast of characters that included long-suffering Sergeant Joe Broadhurst(Terry Carter), a lovely reporter in love with Sam named Chris Coughlin(Diana Muldaur), and a changing roster of cops(including a delightful turn by Teri Garr as Sergeant Phyllis Norton).
The writing was decent, and the episodes where McCloud went even further afield to places like Australia, Paris and Hawaii were great. The chemistry of the cast was never flat, and there did slowly build in the cranky Chief Clifford a grudging respect for McCloud's unconventional approach to police investigation. When stuck in Hawaii on a trumped-up murder charge, Clifford is almost even glad that McCloud is there with him...almost.
Unlike some of the other shows that aired in the NBC Mystery Movies, this one has not grown stale or appears too dated, much like Columbo. Yes, it was at times formulaic, but the formula was appealing and easy to enjoy, and the main character less grating than some from that same time period. It wasn't as dated as Banacek or as silly as the Snoop Sisters, but like Columbo and McMillan & Wife, has aged gracefully and is still a fun ride, you betcha.
I miss the NBC Mystery Movie, which gave us Columbo, McMillan and Wife, McCloud, and several shows that didn't make it. McCloud deservedly was a show that lasted. It starred Dennis Weaver who, after his big success as Chester on "Gunsmoke" proved that he wasn't one to be typecast. He was terrific as McCloud, a westerner assigned to work in New York City under Chief Clifford (the ever-irate J.D. Cannon). Though his ways were often criticized, McCloud always got the job done. "You said yourself I'm funky," he once told Clifford. Terry Carter provided able support.
Diana Muldaur was McCloud's sophisticated Manhattan girlfriend, and you could really see how she'd fall for him - it's obvious she saw him as a real man in a world of dull types.
At the time of this writing, Dennis Weaver is 81 and still working occasionally, though not enough for his many fans. He has given us some wonderful characters over the years. McCloud is one, a funky cowboy riding the Manhattan streets.
Diana Muldaur was McCloud's sophisticated Manhattan girlfriend, and you could really see how she'd fall for him - it's obvious she saw him as a real man in a world of dull types.
At the time of this writing, Dennis Weaver is 81 and still working occasionally, though not enough for his many fans. He has given us some wonderful characters over the years. McCloud is one, a funky cowboy riding the Manhattan streets.
क्या आपको पता है
- ट्रिवियाThis show was a television adaptation of the Clint Eastwood movie, Coogan's Bluff (1968).
- गूफ़McCloud's accent is totally wrong for someone supposedly from Taos New Mexico. Taos is located in northern New Mexico, and Anglos there do not speak in that sort of accent, but rather more or less a general American accent.
- भाव
[repeated line]
Sam McCloud: *There* yuh go!
- इसके अलावा अन्य वर्जनOnly the first season featured hour long episodes (47 minutes plus commercials). The pilot and subsequent seasons were 90 minutes or longer. For repeats, the six episodes of season one were edited together in pairs of two to form three 90 minutes installments. These were given the new titles 'Man from Taos'; 'Manhattan Manhunt'; and 'Murder Arena'. Some additional voice-overs by the main cast was added to imply connections between the story lines where originally there had been none.
- कनेक्शनEdited from Four-In-One (1970)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does McCloud have?Alexa द्वारा संचालित
विवरण
- चलने की अवधि2 घंटे
- ध्वनि मिश्रण
- पक्ष अनुपात
- 4:3
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