अपनी भाषा में प्लॉट जोड़ेंProfessor Oscar Collins becomes obsessed with model Penny Lane and her boyfriend, drilling holes in their chaotic apartment and engaging in daydreams and delusions.Professor Oscar Collins becomes obsessed with model Penny Lane and her boyfriend, drilling holes in their chaotic apartment and engaging in daydreams and delusions.Professor Oscar Collins becomes obsessed with model Penny Lane and her boyfriend, drilling holes in their chaotic apartment and engaging in daydreams and delusions.
- निर्देशक
- लेखक
- स्टार
Anita Pallenberg
- Girl at Party
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
In the stuffed apartment of a nerdy professor - books, piles of papers, late romanticism murals of wounded knights and bereaved maidens. He only lives for his science, does not have a social life. Until he finds a hole in a wall. He peeks through and discovers a new world. In the next door apartment - fully decorated in day-glo painted furniture and pop art - young Londoners are fully embracing the swinging lifestyle: photographers, models, musicians. Parties take place, wild music is played and boys and girls experience life. By and by the professor gets sucked into this new world next door.
Even though there are some scenes that could be shorter, the director takes the time to let us know, how slowly but inevitably the professor opens up.
I love movies like Blow Up, Magical Mystery Tour, The Magic Christian, Performance, ... This movie is not one of the cult films but has its own zeitgeist charme. It inspired Oasis to do a song with the same title. George Harrison did the soundtrack.
Even though there are some scenes that could be shorter, the director takes the time to let us know, how slowly but inevitably the professor opens up.
I love movies like Blow Up, Magical Mystery Tour, The Magic Christian, Performance, ... This movie is not one of the cult films but has its own zeitgeist charme. It inspired Oasis to do a song with the same title. George Harrison did the soundtrack.
This "wild" 60's romp is now available on DVD from Rhino. It looks to me like they rushed it out after George Harrison's death. The extras are pretty lousy, but the disc is worth it for the movie alone. The soundtrack seems to have been remastered, but the film seems to be an old beaten up print. Still it isn't too shabby. I would recommend this film to fans of psychedelic movies and Beatles completists. Others may be bored.
Any movie that is defended with the idea that it can only be enjoyed by viewing after taking drugs... well, c'mon, you know it's got to be pretty bad. And this is bad, no mistake about it. Sure, it's very colorful, and for the drug-inclined it's an eye-popping visual "overdose" of nostalgic psychedelia...
But at the the heart of this foolish fruity farrago is an offensive story of a geeky middle-aged man obsessing pervertedly over a pretty young woman living next door -- that obsession fueled by non-stop Peeping Tom activity. This sick invasion of privacy is treated as an excitable, joyous, comical diversion. It leads the geek professor to wild flights of fancy and lunatic dreams, giving us plenty of bizarre sequences filmed in full 60's psychedelic-meets-Richard Lester glory. But, wacky comedy-wise, it's weak tea in comparison to Lester's 'The Knack' or 'Help!' And considering the obvious Lester-Beatles influence (including the actor playing Birkin's boyfriend having a distinct Liverpudlian accent) it's no surprise that George Harrison provides the score.
Too bad that the score is awful. Whole scenes go by with virtually no dialogue, thus a catchy pop score from Harrison would be welcome, and add to the nostalgic value of the film beyond the psychedelia. Unfortunately we get the Shankar-sauce sitar-period Harrison. Only those finding a nostalgic trip from Indian music that sounds like the wailing of out-of-tune violins (or worse, the sound of a cat trapped inside bagpipes) will be pleased. Otherwise, it's an ear-offending slog.
And otherwise, filmically, you get a frantic but professional performance from Jack Macgowran, a lot of eye-catching shots of pretty cult-figure Jane Birkin, and a few comic bits that work.
But at the the heart of this foolish fruity farrago is an offensive story of a geeky middle-aged man obsessing pervertedly over a pretty young woman living next door -- that obsession fueled by non-stop Peeping Tom activity. This sick invasion of privacy is treated as an excitable, joyous, comical diversion. It leads the geek professor to wild flights of fancy and lunatic dreams, giving us plenty of bizarre sequences filmed in full 60's psychedelic-meets-Richard Lester glory. But, wacky comedy-wise, it's weak tea in comparison to Lester's 'The Knack' or 'Help!' And considering the obvious Lester-Beatles influence (including the actor playing Birkin's boyfriend having a distinct Liverpudlian accent) it's no surprise that George Harrison provides the score.
Too bad that the score is awful. Whole scenes go by with virtually no dialogue, thus a catchy pop score from Harrison would be welcome, and add to the nostalgic value of the film beyond the psychedelia. Unfortunately we get the Shankar-sauce sitar-period Harrison. Only those finding a nostalgic trip from Indian music that sounds like the wailing of out-of-tune violins (or worse, the sound of a cat trapped inside bagpipes) will be pleased. Otherwise, it's an ear-offending slog.
And otherwise, filmically, you get a frantic but professional performance from Jack Macgowran, a lot of eye-catching shots of pretty cult-figure Jane Birkin, and a few comic bits that work.
I like George (may his soul play ukulele in heaven), and I like Jane Birkin (may that shadow of Serge Gainsbourg continue to dance with Beck). But to paraphrase Beck, Wonderwall's a loser, baby, why don't you kill it? And, for God's sake what did the pictures of the Beatles at the end have to do with the film? The guy that plays the professor is somewhat humorous in a Charlie Chaplin sort of way (or that guy in silent films who used to hang onto clock towers and things). All in all a tête à tête between Harrison and Birkin on their philosophies of life may have made an interesting movie. Probably much better than My Dinner with Andre. My Dinner with a Dish?
Every scene could have been cut much shorter with no loss of content or story development. It seemed like they were simply trying to fill a 92 minute time slot.
I hope the Quality Control office of the Water Authority replaced the Professor with automated equipment. I would not trust his analyses.
I hope the Quality Control office of the Water Authority replaced the Professor with automated equipment. I would not trust his analyses.
क्या आपको पता है
- ट्रिवियाWhen first approached to compose the movie's soundtrack, George Harrison replied "I don't know how to do music for films." When director Joe Massot promised to include whatever Harrison chose to write, Harrison accepted, composing songs as he was inspired by watching rushes of the unfinished movie, with the help of a stopwatch, to properly time the music to the scenes.
- भाव
Prof. Oscar Collins: [talking to his lab rats] Good night. Have a nice weekend.
- कनेक्शनEdited into George Harrison: Living in the Material World (2011)
- साउंडट्रैकMicrobes
Written and Recorded by George Harrison
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Wonderwall?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 1.66 : 1
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