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Clearly one of the best of its genre, Where Eagles Dare, comes across as a powerful espionage drama with a high dose of adrenealin. Although the screenplay is quite convoluted, it is extremely engrossing and keeps the viewer on the toes. In fact the intertwined storyline adds to the vigor and vitality of the film. Its like a guessing game which the director plays with the audience.

Richard Burton charts out of his usual epic and sensitive roles and dons on the mantle of a tough Major. He is ably supported by Clint Eastwood who is impeccable in his little speaking role of of Lt. Schhaffer.

The cinematography and background score catapults the film to new heights. The title music is haunting and remains with you hours after you finishing watching the film.

I feel that maybe a little more deft editing would have enabled the film to be labled as a classic.

I couldn't help notice one of the postings about this movie, calling it a snoozer. I hardly agree with that assessment. In fact, I would categorize the film as one of the best action films ever made, whether WWII or other. If the action isn't enough to hold one's attention, the movie has a number of twists and turns to hold your attention until the perhaps not-so-obvious ending.

Some postings have also been critical of the length of the movie, somewhat more than 2+ hours. Again, everything about the film keeps it moving very well.

Most of the postings rate this film on a 1-10 basis. I give it a 10 for sure.

Perhaps one of the best war films ever to come out of Hollywood, WED, is typical Boys-Own, escapist adventure, where our heroes (Burton, Eastwood et al) can do no wrong and the action comes thick and fast.

But this isn't total mindless violence (see Rambo 2, for that kind of rubbish). WED does have a decent story and nice little plot twists, that although not totally plausible do make the film a bit more thought-provoking than just watching 148 minutes of gun fire, explosions, decapitations and soldiers being thrown off cable cars at great altitude.

Even though both Eastwood & Burton hog most of the show (and rightly so), they are ably supporting by two women (Mary Ure & Ingrid Pitt). Both women don't have chunky roles but its significant to see any females play such positive parts in what is mostly a male arena when it comes to war films.

Some of the photography is absolutely stunning even though some of the stunts are clearly filmed in the relative safety of a studio, and it shows too!

The acting, although not as po-faced, talky & self-righteous as the film's nearest rival, The Guns Of Navarone (see review), is good by most standards. Burton looks perhaps little old for this kind of all-out hero roll, but he manages to pull it off with his fierce determination and calm disposition.

As for Eastwood, well it meant a uniformed departure from his poncho, gun holster & cowboy hat from his day with Sergio Leone. He is still playing the same kind of character as The Man With No Name, and is still killing hundreds of bad guys while looking suitably cool & reserved, the only difference is the era - from the Wild West to WW2.

But surprisingly the combination of Burton's classical approach to acting & Eastwood's brash new-kid-on-the block 60s adaption works quite well and make for a good partnership as they go about kicking German Butt in their usual inimitable ways.

Brian Hutton's direction follows the pace & temperament of Alistair MacLean's sparkly screenplay although I do feel the film is a tad too long and I think about 15 minutes could've been cut without really upsetting the balance of the story.

WED doesn't challenge the brain, it is thought-provoking in its own little ways and probably bares little or no resemblance to how life was really like during the real WW2. But for all that WED is great entertainment. It doesn't insult the intelligence but then again it was never meant to. But what we are left with is a very enjoyable romp with a great cast and superb scenary.

It doesn't take itself too seriously as Guns Of Navarone does; and neither is it just mindless violence (Rambo 2). This film dares to be different and succeeds in spades.

Recommended.

***/*****

It's fictional, as were Alistair MacLean's other great war stories, but what's unique about Where Eagles Dare is that he also wrote the screenplay (in fact prior to writing the novel). Along with director Brian G Hutton, he created the basis of a two and a half hour+ movie which fairly hums along, not just because of the plentiful action scenes, but because of the intriguing plot line, that just keeps unfolding right up to the last couple of onscreen minutes.

We are literally dropped into the action, along with the British/American extraction team shortly after the opening credits. There is only one brief flashback to sketch out the mission details for us, so we gain more narrative information as the movie timeline progresses, just as Clint Eastwood's Lt Schaffer does. Speaking of Eastwood, this was one of 3 films released in 1968, he had major roles in, that really consolidated his accession to the Hollywood "A" list, after he'd made a name for himself in European films. Sharing the lead with Richard Burton was a successful marriage of convenience, as one can't quite imagine Clint pulling off the longish, but necessary expository scenes, such as that around the fire in the Nazi drawing room, quite as well as Burton's Major Smith. That sort of stuff was second nature to the Shakespearian - trained Burton, whilst Eastwood contentedly added to his taciturn, but quietly threatening onscreen persona.

The trademark MacLean twists come thick and fast in the second half of the film, as does the action which ramps up quite a deal, culminating in the extended escape episode from the Schloß Adler, a mountaintop fortress accessible only by cable car or helicopter. And the onscreen action and tensity is only enhanced by Ron Goodwin's well-known soundtrack.

Where Eagles Dare and his follow-up film Kelly's Heroes are the two war films for undoubtedly which director Hutton is most famous. Besides both involving a collaboration with Clint Eastwood, they are generally recognised as being popular modern classics of the genre. Though not necessarily artistically great, they have great entertainment value, which 50 years of time passing, hasn't affected in the least. Definitely worth a look!

Where Eagles Dare is simply wonderful. Richard Burton and Clint Eastwood are in terrific form as leaders of a mission deep behind enemy lines. Their job: to infiltrate a mountain top castle and rescue an imprisoned American colonel. There's actually more to the mission than that, but to give away the twists would be to rob anyone who hasn't seen the movie of some wonderful surprises.

The snowy backdrop is perfectly captured. The action sequences (of which there are many) are brilliantly staged, especially the fight atop the cable car, and the bus chase at the end. Each character is well cast, with Burton, Eastwood, Ure and Hordern giving commanding performances. Best of all is the little-known Derren Nesbitt who oozes menace and charm as a nasty Nazi soldier.

I've seen this film countless times and it never tires me. It has so many twists and turns and well-execute sequences that it is gripping every time you watch it. There's really no other way to say it - you need to see this film and see it soon!