The Undefeated

Set in the period just after the Civil War, "The Undefeated" pits ex-Union officer John Wayne against ex-Confederate officer Rock Hudson in an amiable, if uneven, big-budget western. Hudson, as Colonel James Langdon, leaves his ancestral home after the defeat of the Confederacy and leads his family and friends southwards on a trek to find a new home in Emperor Maximilian's Mexico. Meanwhile, Colonel John Henry Thomas, played by Wayne, gathers his ex-army buddies and endeavors to round up and sell horses to the U.S. Army. The two men and their followers meet up in Northern Mexico and find themselves embroiled in the struggle between French-backed supporters of Maximilian and Mexican nationalists who back Benito Juarez. The resulting film, directed by Andrew V. McLaglen, is a predictable western with enough action and friendly verbal sparring between the former battlefield enemies to entertain for the two-hour running time.

Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."

Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.

The Undefeated is a pretty good Western flick. It's light-hearted (for the most part), solid entertainment. John Wayne plays a Yankee soldier who forms an unlikely friendship with a Confederate, played by Rock Hudson, very shortly after the end of the Civil War. The two are both leading men south of the border for various reasons, and as the film progresses, the two help each other, rescue each other, and share a few drinks a number of times.

That's why it's light-hearted, there's a lot of smiles from both lead actors, all the supporting cast and, I dare say, the majority of the audience. There are very few unlikeable parts to this movie. That's not to say it's outrageously good; some of the supporting cast look amateurish at times, and the music occasionally stifles the action on screen, but aside from that, it's fine. John Wayne and Rock Hudson were two of those rare actor types who can't put in a bad performance if they try, but I don't think I need to tell you that.

It's a good package. Perfect for evening viewing, I'd recommend, as I just spent a very profitable evening in front of it. Some short but sweet action scenes, some just plain sweet romance subplots and a good and happy ending makes for one satisfied viewer. Far from perfect but great all the same. *** / *****

Saw this film around 30 years ago. At that time I thought it just a fairly formulaic star vehicle, bringing together the grizzled, typical Wayne cowboy character with someone who was a newer and - at the time -a really big name in Rock Hudson. Seeing it anew in 2007, I realise my earlier estimate was too dismissive by far. It has a good plot with many original aspects, well described already on the web-site by earlier reviewers, especially the linkage of US civil war with events happening at the same time in Mexico. Not being a huge fan, ordinarily, of either of the main stars, it has to be said they both turn in good performances and are fully believable as leaders whom other men would naturally follow, and who inspire fierce loyalties. The dialogue has a few unexpectedly good lines and is generally above average standard. The stars play it light-heartedly, and this gives the film warmth, colour and humour. Some aspects of the film, admittedly, conform to the hackneyed Wayne cowboy film recipe, such as the free-for-all fist fight, but in general the film stands up well nearly 40 years after it was made, and it has held on to a much more modern feel than other Wayne westerns. The musical score just about carries enough grandeur to match the action and the occasionally majestic cinematography, especially the scenes involving the drive across country of a few thousand horses. Any film-lover who enjoys the more upmarket western should give this film a try. The nearly two hours pass quickly, and it's a film to make you think (about the nature of war against your fellow countrymen, about loyalty, friendship and heroism) and escapist enough to make you smile.

The Undefeated is directed by Andrew V. McLaglen and adapted for the screen by James Lee Barrett from a story by Stanley L. Hough. It stars John Wayne & Rock Hudson, features a musical score by Hugo Montenegro and William H. Clothier provides the South Western cinematography.

Much yee-hawing and lots of patriotic fervour, The Undefeated is a fun and undemanding way for the Western fan to spend a couple of hours. Plot basically revolves around some post Civil War rivalries between Union and Confederate leaders played by Wayne and Hudson respectively. Both men and the groups they have under their control, get mixed up in the Maximillian/Juarez revolution in Mexico. Cue moral quandaries, big decisions and life affirming human interests; as McLaglen (aided by Wayne apparently) directs unfussy without pushing the envelope of Western directing. True enough at times the tone is uneven, it's hard to tell if it's meant to be light hearted or serious during some passages (kind of why John Ford was a genre master since he could achieve it comfortably), and some casting decisions are rather baffling (hello Roman Gabriel); but it's all very spirited, especially Hudson, to round it out as a solid genre offering from the late 1960s. 6.5/10

Wayne, discovering that the Union army is planning to cheat him on a horse-trading deal, decides instead to drive his herd down to Mexico to sell to the Emperor Maximilian; Hudson, meanwhile, is leading a wagon train of disgruntled Southerners to settle in Mexico at the Emperor's invitation. Their odysseys converge, and when their arrival in Mexico coincides with the Juarez revolt, they decide that the good old US of A provides better choices than these pesky foreigners after all.

Characteristically folksy Western, the Undefeated has a lively supporting cast, great camera work by William Clothier, and a very inspiring idea, exploring the relation between the former Union and Confederate post-civil war, and they realise they have something in common.

It's a good western, a bit slumbering in places, especially in the first half, then after that moves briskly. It's got a mix of action (horse stampede at the end is exciting), humour and drama, but it's the two stars The duke and Rock Hudson that carry the film. Both actors are like chalk and cheese, but they work well together. The romantic subplot can be a bit contrived, though.

There's a great one liner: "The conversation sorta dried up, ma'am" when a lady asks him why they stopped the conversation and shot the bandit.