Un tranquillo posto di campagna

"A Quiet Place in the Country (1969) is about an Italian painter who rents a villa that is haunted by the spirit of a young woman killed during WWII. Essentially, that is about it, as far as a plot for this film. Franco Nero plays the stereotypical image of a temperamental artist; arrogant and dismissive of others, his character is not exactly what one would call warm. The first part of the film is somewhat dull. Nero is shacked up with his lover (Vanessa Redgrave) who encourages his painting, although her motives seem to be more financial, his for the artistry. For whatever reason, he becomes obsessed with a run-down Italian villa and moves there. Nero is plagued by dreams about a young girl who lived in the village and was promiscuous with some of the males who still reside there. The film becomes more interesting as Nero tries to unravel the mystery of how the young woman died, who she was involved with -- and it begins to drive him into total madness. I won't give away the very bizarre ending, and I am not sure I could explain it myself! One positive here is the creepy atmosphere the director manages to set -- one can almost feel the spirit of the young woman throughout the villa. There are some very fascinating visuals throughout. All of that said, the plot is at times quite disjointed, full of holes and unanswered questions. Nero is fascinating to watch, and I confess I knew little of him as an actor. Vanessa Redgrave, always one of my favorites, is given little to do here. Her devotion to Nero's character seems to border on the pathological at times, and we get slight glimpses into their bizarre and -- I think -- unhealthy relationship. This is definitely not a film for everyone, but I found it interesting, despite its flaws.

(1968) A Quiet Place In The Country/ Un tranquillo posto di campagna DUBBED PSYCHOLOGICAL THRILLER/ ART HOUSE

Co-written and directed by Elio Petri that has Flavia (Vanessa Redgrave) walking in while her live-in love interest, Leonardo Ferri (Franco Nero) is tied up. At the same time, he also has dreams about her stabbing or killing him and vice versa. We then find out that all of the teasing and playing was so that he can be motivated to paint more. Except that he often has these bizarre dreams, that would lead him to be attracted to a particular villa located in Venice while complaining about hanging around in Milan. Leonardo eventually manages to convince Favia he won't be motivated to paint anything unless she would either buy or rent the villa. Upon him trespassing onto the property itself, the caretaker Attilo Bresson (Georges Geret) informs him the empty and isolated villa can either be for sale or for rent. When Favia manages to get Leonardo the villa he was asking for, it is not long before he becomes more infatuated with the 18 year old, Wanda Valier (Gabriella Grimaldi) killed there said to be killed by war planes after she was making out with a German officer. One of the bizarre moments that happen is whenever Favia were to stay in that particular villa even for the time she was there- first, a roof collapses she was almost buried under the rubble before a book shelf falls toward her direction almost happening at the same time. And then when Favia takes a shower, a fire breaks out. And while his nightmares continue, he was at least motivated back to painting again.

This is yet another one of those weird movies where viewers have to determine what is real and what is not, where there are some scenes where it looked like the artist is attacking someone, usually his girlfriend, Favia but then it would show on the next scene she is alive and well. That because Leonardo is a successful artist that the more popular he becomes the more crazier his mind increases.

Not sure if this is intentional - but the movie seems little artistic/weird & sometime disjointed. That's not necessarily bad thing - at least in this case, because it adds to to eeriness of the plot & setup. Nero acted brilliantly as a half crazy painter & other supporting actors too performed well. The end was very interesting & mostly left on imagination of audience to correctly interpret it. Overall, quite enjoyable.

A hypnotic Italian thriller about a very imaginative young painter (Nero). He's popular, energetic, so are his paintings. His matron and lover (Redgrave) is going to do everything to make him do his thing. She's willing to create an environment in which he'd be able to churn out more work that's hot and expensive. He decides he needs a quiet place in the country to live and paint in. But as they find such a place, he gets distracted big time... This film is brilliantly crafted. Full of striking and dynamic visuals created by clever camera-work. Always logical, insane, but never "cheesy", "Quiet Place..." at times reminds of Fulci's "Lucertola con la Pelle di Donna" and Verhoeven's "De Vierde Man". Franco Nero's a dead ringer to Kurt Cobain in this one. He's so great in this role that it's almost as if he isn't acting. Highly recommended to fans of Bunuel, Verhoeven, Argento, etc.

An artist named Leonardo (Franco Nero) decides to escape the big city life of Milan, and moves to A QUIET PLACE IN THE COUNTRY. He and his lover / agent, Flavia (Vanessa Redgrave) locate a beautiful villa in the middle of nowhere. Leonardo moves in and gets right to work on his paintings.

Unfortunately, he discovers that a 17 year old countess died in the villa, and suspects that her ghost is still there. Becoming obsessed with the girl, Leonardo's mind begins to unravel. Meanwhile, a series of near-fatal "accidents" befall Flavia. Is Wanda responsible? This all leads to the big finale, where the true extent of Leonardo's madness is revealed.

This is a rather odd, deceptively creepy film. It's an effective, late 60's art house movie that can be quite disorienting, and is best understood in the context of the period...