Fellini - Satyricon

Fellini engages us through a tapestry of decadence during the Roman Empire with such stunning juxtapositions of exceptional images from a collapsing society that one cannot help but be reminded of our own times and its disconcert morality…

The film is freely adapted from Petronius' book, which is the exploits of two young Romans, Ascilto and Encolpio, as they venture throughout the empire, indulging in both heterosexual and homosexual relationships… In the course of this proliferation of sensuality, Ascilto becomes impotent and madly goes for a cure which ends in tragedy for Encolpio…

The movie's treatment of the sexual decadence is remarkably powerful without being explicit… In fact, in light of the mental images it presents, it actually puts on view very little on screen… But there is a great quantity of mysterious whores, hedonists, gluttons, and gross indulgence in carnal pleasure… In the midst of this chaos, however, there is a beautifully light reprieve as the young Romans come across a forsaken villa... A very charming slave girl has remained behind, and she playfully troubles the two men into an erotic game…

Apart from that, the sex is portrayed as bizarre, tempting, suggestive of hidden secrets, violating the rules of morality, and going beyond the limit

...and because I had read "Satyricon" before I saw it I probably was less baffled by the movie than most people. Very little survives of the content of original story, a few longish bits and lots tiny fragments, sometimes as short as a sentence or a word. All disconnected from each... ...ning and end of Petronius' novel are missing, what we have left suddenly starts in the middle without any background or prelude. And each of the surviving bits is the same way, giving few, if any hints, of how our heroes got there from their last adventure, or how their current one will be resolved. Or even what their current crisis is. We can onl... ...bother making a film of from such a fragmentary source? Because Petronius is wickedly funny and has a gifted insight into human... ...participant in the decadence and depravity, yet judging and commenting on it at the... ...2000 years been read and translated... ...amorallity, but social standards always... ...Fellini captures the spirit not only of Imperial Rome but of... ...doesn't make sense, so like you do in the original, you have to extrapolate based on... ...satiric, sardonic, and visually stunning... ...enjoy...

"Satyricon" is among the weirdest and most colorful, larger-than-life movies I've ever seen, along with Erasurehead, Erendira, Santa sangre, Naked lunch... If you don't like these, don't even try "Satyricon".

On one hand, its many flaws are rather upsetting. The out-of-sync lipping (bad post-sync), the fact that the movie neither really tells a story nor evocates sensible moral or philosophical concepts... so one may say it's actually a dull movie. The violence in this movie doesn't seem to make real sense, neither does the homosexuality, neither does the "romanian decadence" portrait.

On the other hand, the scenography, the sets, the costumes and makup are among the most dazzling ones you'll ever see in cinema, and the cinematography... well... maybe the BEST one you'll ever see. I can't think of any another movie able to compete with "Satyricon"'s mindblowing cinematography. Each scene is a terrific picture, with several visual layers, extraordinary lights and focuses, a lot of invention, of visual flair, and the overall technical mastery is stunning.

The result is something mesmerizing for some, totally disgusting for others. I have to say I'm more on the mesmerized side, because I was mainly focused on the visual/meditative aspects of the movie, not on the narrative ones.

If you're really into cinema, I mean as an artistic media more than as entertainment, you MUST see "Satyricon", as it's to my sense the most *visually* outstanding movie ever made. Be prepared for some disappointment about the movie as a whole, though...

It was well known that in the late 60's, famed Italian director Federico Fellini experiment with LSD. That's why "Juliet of the Spirits" was so bizarre and colorful. But the 1969 head trip "Fellini Satyricon" was even stranger than previous Fellini films. Loosely based on the novel by Petronius, the beginning of the story concerns two men in the B.C. Roman era fighting over the love of one boy. Later they have many strange and colorful misadventures. This film may be to bizarre for some; with its grotesque images, a mild orgy, dwarfs and even a hermaphrodite goddess. The set pieces are out of this world. It's like being caught in a two hour dream. Many times I had no idea what was going on, but that didn't bother me. Satyricon is a visual decadent head trip of color. Fellini considered this film a sci-fi of the past. I consider Fellini a genius; he's designed a film that makes a great substitute for drugs. If you enjoy "Fellini Satyricon" you should also watch Vera Chytilova's "Daisies" (1966), Alejandro Jodorowsky's "The Holy Mountain" (1973), Guy Maddin's "Careful" (1992) and Tsui Hark's "Green Snake". All of these film contain bright colors and surreal images. Enjoy!

As far as plots go, movies differ. Some have obvious plots that have been done repeatedly in the history of film/literature culture. You know how the thing is going to end in the first five min. Others have plots that are there, but one has to watch the movie five times before understanding it all. Some do not have plots and everyone knows it, in which case it better have something else that is damn well done! Then comes along a movie, teetering on the thin line of questionable success where one can not tell whether there is a plot or not. If, while watching Satyricon you find yourself wandering whether it is going to wrap up finally into an understandable conclusion after which you can satisfactorily murmur `ahh yes, now I got it'. Well, in the end there is no such luck, sorry lads and lasses. Of the plot the one thing I could gather is that it is the journey of the main character who is searching for something, or some one? Very hard to figure out. It starts out as a conflict between one Greek lad and another who both have unbegotton lust of a younger lad then themselves. The lad ends up choosing one over the other, or something of that strange sort. The other goes off, into something like a whorehouse, or something. The whole thing is bathed in color of unnatural hue. But, I degrees., To get back to the supposed half invisible story line, the supposed main character goes off on a journey of many naked breasted strange looking ladies. The secondary characters all come in and disappear throughout the story. One really has to view this more as a surreal world with little scenes and parts that are not really connected by any great spine, because otherwise one is to be lost for sure. Over all it has the flow of an acid trip with some really pretty boys strange kings (or was there just one) and strange looking women! There is no doubt that there are many subtle points to be made, but it may not at first be clear what they are. Ultimately, if there is any sort of plot it probably revolves around a young man trying to find himself (or his sexuality) though different occurrences.