Sam Whiskey

Playing the title role Burt Reynolds settles into the cynical good old boy character he would really shine in for the 70s and 80s in Sam Whiskey. Burt's playing a man no better than he should be who often goes back and forth on both sides of the law who gets an interesting proposition from widow Angie Dickinson.

It seems during the late war between the safe her late husband robbed the Denver Mint of a lot of its bullion. She wants to give it back, but not so anyone would know it was ever stolen because some fake bullion was left in its place and about to be discovered as the U.S. government is about to withdraw Greenbacks and resume specie type money. He gets $20,000.00 from Dickinson for he and his associates Ossie Davis and Clint Walker.

They to devise quite the caper and that I won't go into. Reynolds took a lot of his style and persona from James Garner and his Sam Whiskey could have been Jim Rockford in the old west. Dickinson's the kind of woman you don't turn down, she knows how to keep a man's interest.

Special mention goes to Woodrow Parfrey as the inspecting Treasury man from the east. Without knowing it Parfrey and his hapless checker playing self become an integral part of the caper.

A caper western in the tradition of The War Wagon and a good one.

After being enlisted by a hot widow (Angie Dickinson), a former war spy (Burt Reynolds), a blacksmith (Ossie Davis) and an inventor (Clint Walker) team-up to salvage a treasure in gold bars from a sunken ship in the Platte River, a treasure the woman's husband stole. They then have to return the gold bars to the Denver Mint before the phony bars are discovered and the woman's family name is tarnished. But how will they get all those gold bars into the Mint without anyone noticing?

People tend to dub this a Western Comedy, but it's not in the silly sense of "Blazing Saddles" (1974) "Texas Across the River" (1966) or "The Duchess and the Dirtwater Fox" (1976). It's more of a Western Caper with amusing flashes, mainly due to Reynold's fun-loving title character.

The same plot was later used in John Wayne's "The Train Robbers" (1973) with Ann-Margret in the Angie Dickinson role, minus the caper in the third act. They're both worth checking out, but I favor "The Train Robbers" because, to me, the caper in the last act gets kind of tedious, not to mention unbelievable. Nevertheless, "Sam Whiskey" features a great cast with fun-lovin' chemistry and quality Western locations.

It is presumed that the story takes place circa 1870-75 since it is detailed that Sam was a spy during the Civil War and he appears to be around 30-35 tops. Actually, the earliest the story COULD have taken place would be 1906, which is when the Denver Mint began minting coins, but this would make Whiskey about 65 years old, which he obviously isn't. Adding to the problem, the Carson City Mint shut down in 1893. So the timeline is all fudged up.

The movie runs 1 hour, 36 minutes and was shot at Universal City, Burbank and Lake Camanche, Ione, California (with underwater scenes done in Silver Springs, Florida).

GRADE: B/B- (6.5/10)

Reynolds' undeniable charm and appeal are stretched to their limit in this simple, eternally average western yarn. He plays the title character, a drifter who is talked into a nearly impossible heist job by the sexually persuasive Dickinson. The film opens with an enjoyable confrontation between Reynolds and Davis (who would later work together on "Evening Shade".) The pair later hooks up with gorgeous lunkhead inventor Walker and attempts the job at hand...putting $125,000 worth of gold BACK INTO the Denver mint. They are pursued by a mysterious man, with the thickest eyeglasses on the planet, who wants the gold for himself. The film has a light tone and has the elements to be amusing and entertaining, but somehow misses the mark. For one thing, if one removed the scenes of the covered wagon travelling cross country, the film would probably run about 40 minutes! Also, the plot, as written, is just a little thin to sustain a feature film. Reynolds is near the peak of his attractiveness and shows off his chest in a bathtime scene. Unfortunately, Walker (who possessed the chest to end them all!) is denied that chance. The closest he gets is a bondage scene in which his shirt is cut open slightly. (Was Reynolds afraid of a little beefcake competition?) Davis does well in his role and Walker has a few nice bits as well. The whole thing just has a sheen of mediocrity over it. Dickinson is her usual stiff, breathy-voiced self, but is attractive and manages to supply a touch of amusement. Oft-used character actor Schallert is given a nice role. One mystery that even J.B. Fletcher couldn't solve: How could anyone, after hearing Reynolds sing in this film, hire him for "At Long last Love"?? Fans of Reynolds and of quirky westerns should enjoy it more than others.

So I was sick all weekend, bedridden with the flu and flipping through cable when I stumbled upon the Encore Western Channel, which I watched for hour after hour. For some reason, they were playing a triple-shot of Burt Reynolds westerns: Navajo Joe, The Man who Loved Cat Dancing and Sam Whiskey.

Now I grew up in the Eighties so I missed most of Reynolds movies; last year I hunted down and watched many for which he is best known: Smokey and the Bandit (rip-roaring hilarity), Stroker Ace (yuck), Cannonball Run (meh) and Hooper (my all-time favorite, ridiculously entertaining). I thought I had seen all there was to see from ol' Burt, but Sam Whiskey pleasantly surprised me.

This isn't really a western, it's more like a heist movie set on the frontier. I think the reason some of the other reviewers were disappointed by this one was that they were looking for stagecoach robberies, breakneck horseback riding and wide frontier vistas. While there is some of that, for the most part this film revolves around a "reverse-heist;" In this case, Burt and his team played by Ossie Davis(very funny and amiable as a blacksmith) and Clint Walker (imposing hulk of a man who's gentle on the inside) are trying to return some gold to the US mint. They work out a suitably ingenious and ludicrous scheme (the cornerstone for every caper flick) and work it out.

While the proceedings are executed largely for laughs there are surprising amounts of edge-of-your-seat suspense as various curveballs are thrown our heroes' way. I have to admit I laughed out loud probably five times, which was incredible considering how miserable I felt and how much my sore throat hurt WHEN I LAUGHED. But I forgive the movie for this! I like the overall good-natured and almost lackadaisic nature of the pacing. The film keeps moving and is engaging, but by no means is it in any hurry.

So I would recommend this one to all Burt Reynolds fans, all caper movie fans and generally anyone who is willing to give a 40-year-old easygoing movie a chance.

And as an interesting side-note: As if I didn't already realize that I'd watched westerns all weekend -- I thought that actor Clint Walker looked vaguely familiar but couldn't quite place him. They I looked him up on IMDb...he played the icy bad guy in a Charles Bronson western I'd watched earlier in the weekend, "The White Buffalo." I hadn't placed him because it was such a polar opposite role for him. So in his career he's pulled a heist on the Denver Mint with Burt Reynolds and got into a gunfight with Charles Bronson on the frontier. Not too shabby.

It's no mystery that Burt Reynolds is one of the most underestimated actors of our time. In this particular film, he gave us one of his best comedy-stilish acting ("no-one noticed it", he said) which makes this movie working. Burt's acting would be enough to make it watchable, but also Ossie Davis and Clint Walker fit well in their roles.

For me the remarkable of this movie is a) the way it is directed and edited (it ain't dull for one second), although there are some silly situations (e.g. Burt firing with a machine gun to save his friends killing all his enemies without hitting his friends...), but hey, it's a comedy and it's not the story which is most interesting. It's the mood of the film and the way characters are portrayed. It contains a lot of fine jokes and dialogue ("I'm not riding this long way to bury your bird") and chemistry between Burt and Angie Dickinson is amazing. Also the more serious parts of the film (stealing the gold out of the fort) are working well.

Also, there are some things which seem to be rare in a film: The fact that no-one of the "thieves" have intentions killing his buddies to keep the gold for himself. No, they even break in to return it back to the government! It's hardly believable, but it is that fact that make the film and these characters charming.

I give it a 7 of 10