अपनी भाषा में प्लॉट जोड़ेंA psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.A psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.A psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.
फ़ीचर्ड समीक्षाएं
I saw "Run Wild, Run Free" only once -- when I was 11 or 12 years old (now 49) and have never forgotten the moving effect it had on me. It was the second movie I had ever seen that brought me to tears -- the first was "Bambi." However, it remains indelible in my mind.
In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.
Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.
I am hoping that someday this movie will be available for rental or purchase on DVD.
Regards,
Cassandra2
In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.
Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.
I am hoping that someday this movie will be available for rental or purchase on DVD.
Regards,
Cassandra2
Mark Lester hasn't spoken a word in years. He and his parents, Gordon Jackson and Sylvia Syms, live by the moors in Devon. Retired Colonel John Mills take an interest in the boy and the moor pony he wanders about with.
Since his starring role in OLIVER!, Lester was the great child actor of the British cinema, a position he would hold through the middle of the following decade. This movie tries to be a bit mystical, but is so obvious about its symbols that it is a bit off-putting. Nonetheless, it held my interest, mostly because of the beautiful cinematography of the foggy moors (thanks to cinematographer Wilkie Cooper), the subplot about the kestrel Mills, Lester, and young Fiona Fullerton are training, and Mills' performance.
The adults in the cast are a sterling lot, and include Bernard Miles in his last screen performance, sporting a stage West Country accent.
Since his starring role in OLIVER!, Lester was the great child actor of the British cinema, a position he would hold through the middle of the following decade. This movie tries to be a bit mystical, but is so obvious about its symbols that it is a bit off-putting. Nonetheless, it held my interest, mostly because of the beautiful cinematography of the foggy moors (thanks to cinematographer Wilkie Cooper), the subplot about the kestrel Mills, Lester, and young Fiona Fullerton are training, and Mills' performance.
The adults in the cast are a sterling lot, and include Bernard Miles in his last screen performance, sporting a stage West Country accent.
RUN WILD, RUN FREE is a clear entry in the 'love of nature' sub-genre of movies that came out during the late '60s; titles include BORN FREE and RING OF BRIGHT WATER. This one's heavily indebted to the latter as well as KES, telling of a young autistic boy growing up on Dartmoor who finds himself unable to communicate with the human race. Instead, he finds a love of animals and nature which gradually brings him out of his shell.
This was made shortly after the success of OLIVER! and saw Mark Lester's fame riding high. He's certainly a good choice for the role of the protagonist, but John Mills is even better in support, essaying the role of the kindly benefactor with skill and ease. Gordon Jackson and Sylvia Sims play Lester's exasperated parents and the former is particularly effective. Watch out for future Bond girl Fiona Fullerton as a kid, playing a girl who befriends Lester.
Inevitably, it's the creatures who end up being the most enjoyable characters in these productions, and the pony and the kestrel are undoubtedly the best things in the movie, lovable both of them. There aren't too many films set on Dartmoor and the cinematography brings out the best of the rugged locales, which I loved. There are the usual highs and lows, peaks of happiness and moments of tragedy, alongside one of the most gruelling climaxes I've seen in a film. It's well worth a watch if you're a fan of the genre.
This was made shortly after the success of OLIVER! and saw Mark Lester's fame riding high. He's certainly a good choice for the role of the protagonist, but John Mills is even better in support, essaying the role of the kindly benefactor with skill and ease. Gordon Jackson and Sylvia Sims play Lester's exasperated parents and the former is particularly effective. Watch out for future Bond girl Fiona Fullerton as a kid, playing a girl who befriends Lester.
Inevitably, it's the creatures who end up being the most enjoyable characters in these productions, and the pony and the kestrel are undoubtedly the best things in the movie, lovable both of them. There aren't too many films set on Dartmoor and the cinematography brings out the best of the rugged locales, which I loved. There are the usual highs and lows, peaks of happiness and moments of tragedy, alongside one of the most gruelling climaxes I've seen in a film. It's well worth a watch if you're a fan of the genre.
Mark Lester plays the part beautifully of an autistic child. When the film was made in 1969, little was known about autism. The child is locked inside and unable to communicate or understand the ways of people around. Ahead of it's time, we nowadays accept and understand that animals relate to human vulnerability and judge the true nature of the person. Young Philip is aggravating and irritating to those who he has to live with. The parents try hard to help but are unable to get a satisfactory relationship with the boy. Being accepted by the horse helps the child to communicate and understand the meaning of relationships. When Philip harms the falcon inadvertently, he is stricken with grief. Fiona Fullerton is totally believable in her role. I think all the actors were first class. It's a beautiful and realistic story and a study of life with autism. The scenery is wild and beautiful yet chills the soul when the fog falls. A very enjoyable film for young and old.
10moors
I thought the film was very well done. Mark Lester turned in another sensational performance. His portrayal of the disturbed child,Philip,was very believable. The other cast members did fine jobs,too. The ending was solid. Nice family-type movie.
क्या आपको पता है
- ट्रिवियाFinal theatrical movie of Bernard Miles (Reg).
- भाव
Philip Ransome: [speaking for the first time, to the pony that is stuck in a bog hole on the moor] Philip! Philip! Wake up. Don't die now. You've got to help yourself.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Run Wild, Run Free?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Zwei Freunde fürs Leben
- फ़िल्माने की जगहें
- Dartmoor, Devon, इंग्लैंड, यूनाइटेड किंगडम(made entirely on location on Dartmoor)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 40 मि(100 min)
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें