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Il rosso segno della follia

  • 1970
  • GP
  • 1 घं 28 मि
IMDb रेटिंग
6.3/10
4.7 हज़ार
आपकी रेटिंग
Il rosso segno della follia (1970)
जियालोस्लैशर हॉररथ्रिलररहस्यहॉरर

अपनी भाषा में प्लॉट जोड़ेंA cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.A cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.A cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.

  • निर्देशक
    • Mario Bava
  • लेखक
    • Santiago Moncada
    • Mario Bava
    • Laura Betti
  • स्टार
    • Stephen Forsyth
    • Dagmar Lassander
    • Laura Betti
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    4.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mario Bava
    • लेखक
      • Santiago Moncada
      • Mario Bava
      • Laura Betti
    • स्टार
      • Stephen Forsyth
      • Dagmar Lassander
      • Laura Betti
    • 66यूज़र समीक्षाएं
    • 79आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    फ़ोटो71

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 67
    पोस्टर देखें

    टॉप कलाकार20

    बदलाव करें
    Stephen Forsyth
    Stephen Forsyth
    • John Harrington
    Dagmar Lassander
    Dagmar Lassander
    • Helen Wood
    Laura Betti
    Laura Betti
    • Mildred Harrington
    Jesús Puente
    Jesús Puente
    • Inspector Russell
    • (as Jesus Puente)
    Femi Benussi
    Femi Benussi
    • Alice Norton
    Antonia Mas
    Antonia Mas
    • Louise
    Luciano Pigozzi
    Luciano Pigozzi
    • Vences
    • (as Alan Collin)
    Gérard Tichy
    Gérard Tichy
    • Dr. Kalleway
    • (as Gerard Tichy)
    Verónica Llimerá
    • Betsy Wester
    • (as Veronica Llimera)
    Pasquale Fortunato
    Pasquale Fortunato
    • John Harrington as a Boy
    • (as Fortunato Pascuale)
    Ignasi Abadal
    • Jimmy Kane
    • (as José Ignacio Abadaz)
    Silvia Lienas
    • Vicky
    Montserrat Riba Vidal
    • Rosy Miller
    • (as Monserrat Riba)
    Susy Andersen
    Susy Andersen
    • Sdenka
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Guido Barlocci
    • Unknown
    • (बिना क्रेडिट के)
    Bruno Boschetti
    • Policeman
    • (बिना क्रेडिट के)
    Elina De Witt
    • Model
    • (बिना क्रेडिट के)
    Rika Dialyna
    • Maria
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mario Bava
    • लेखक
      • Santiago Moncada
      • Mario Bava
      • Laura Betti
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं66

    6.34.7K
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    फ़ीचर्ड समीक्षाएं

    5dfranzen70

    Derivative but colorful

    It's sort of like Psycho, only not, and it's sort of like any number of other serial-killer movies, except you know who the bad guy is from literally the first scene. But we don't watch Mario Bava movies for the intricate plots or, as in this case, for the strong acting. We watch them for the grisly visuals! Man's a maestro of mayhem when it comes to presenting blood. Very stylish movie, very well shot. Forsyth is positively wooden, though.
    8Mother_of_Tears

    Very strange film...

    I say strange because I'm not quite sure what exactly "Hatchet for the Honeymoon" was supposed to be (but enjoyed it nonetheless). It features many of the traditional giallo elements - a black-clad killer, lots of beautiful young women who may as well have "Murder Victim" tattooed on their foreheads, incompetent detectives, childhood psychological trauma, spooky childhood toys... Yet it also diverges from the giallo blueprint in some ways by incorporating an odd, Twilight Zone-style supernatural element into the plot, and also a wry commentary on bourgeois married life. There are clear elements of both Psycho and Peeping Tom in the story, and it also predates both the 1980 slasher film He Knows You're Alone, and the Bret Easton Ellis book (and later film) American Psycho.

    As usual with Mario Bava, the cinematography, production design and lighting are all beautiful to look at, and there are two great suspense set-pieces: the scene where the killer waltzes with his next victim to the eerie tune of a music box in a shadowy, elegant store-room full of creepy plastic mannequins in wedding dresses; and the scene where he talks to the suspicious cop while his dead wife's arm is hanging from the staircase and dripping blood onto the carpet.

    It's also a surprisingly funny film in many ways. Special mention must go to Laura Betti's hilarious performance as Mildred, the evil wife from hell.

    All in all, "Hatchet for the Honeymoon" is an intriguing and often underrated addition to Mario Bava's formidable canon. Stylish, entertaining and darkly funny.
    BaronBl00d

    Weddings Bava Style

    Interesting, complex look at a man who must kill young brides in order to unlock the secret of who killed his own mother. With each hacked bride, the main character of Harrington sees more and more of his terrible childhood memory when he saw his own mother axed. The acting in this film is nothing terribly special, nor is the story, but Bava'a direction is a visual treasure to behold. As always, he makes the most he can with the camera lens. Some of the shots are inspiring as Bava directs our attention through small orifices sometimes like a small window. His use of a room with mannequins is very effective too. Bava even has fun with his little joke of having Harrington watching Bava's own Black Sabbath on television when having just killed his wife he is visited by the police. Style and visual artistry ripen all around only to be harvested by Bava's gluttonous camera lens. The plot, although missing huge pieces of coherence and logic, is fairly well-crafted. The acting is adequate. I particularly liked the actress that played Harrington's vitriolic wife and the character of the police inspector.The sense of the sixties and fanciful colours pervade almost every scene, and the soundtrack is very suitable to this material. For some horror fans, the film may seem somewhat slow, but it kept my interest throughout.
    6ma-cortes

    Italian/Spain co-production fright flick about a psycho killer who hacks up brides with a hatchet

    The man who brought you such successful chillers as "5 Dolls for an August Moon" , ¨Operazione Paura¨ ,¨Black Sabbath¨ , "Six Women for the Murderer" , ¨The Evil Eye¨ goes back in this nice film that packs great cinematography , impressive spectacle and well staged killings . It begins developing an elaborate animated collage for the film opening credits , being originally created by the great Mario Bava . The flick deals with a respected fashion mogul who runs a house of style where happens several bloody murders and gruesome executions . As a bridal design shop owner called John Harrington (Stephen Forsyth) kills various young brides-to-be (Femi Benussi) in an attempt to unlock a repressed childhood trauma that's causing him to commit murder . John contracts a new fashion model , that person ultimately being Helen Wood (Dagmar Lassander) , who eventually gets a little too close for his comfort . Harrington is facing further torment in the mutually unsatisfying marriage to Mildred (Laura Betti , originally the script didn't include the role , it was only after expressed interest in working with Bava that the director re-wrote the script so that Betti could have a suitable starring) who subsequently to return to haunt him as a ghost . Meanwhile , a police inspector named Russell (Jesus Puente) investigates the strange killings , being his prime suspect Harrington . When Russel enters Carrington's home , the latter tells the screams heard are caused by the television set (the TV show that Harrington refers to in an attempt to fool Inspector is a clip from Mario Bava's own Black Sabbath (1963) - specifically the "Wurdalak" sequence featuring Boris Karloff) .

    Mario Bava strikes again in this mysterious and grisly picture with haunting atmosphere , colorful photography and strange musical score . Bava's great success (the first was ¨Black Sunday¨ or ¨Mask of Demon¨)is compellingly directed with startling visual content . This frightening movie is plenty of thrills , chills , high body-count and glimmer color in lurid pastel with phenomenal results . Interesting screenplay filled with twists , turns and rare situations by prolific Santiago Moncada , an usual playwright . This is a classic slasher where the intrigue , tension , suspense appear threatening and lurking in every room , corridors and luxurious interior and exterior . Nice as well as twisted acting by Stephen Forsyth as a psychotic killer who manages a model house . This genuinely mysterious story is well photographed by the same Mario Bava with magenta shades of ochre , translucently pale turquoises and deep orange-red . Filmed on location in Barcelona , Harrington's villa , Rome , Paris and studios Alfonso Balcazar . The Spanish villa that the majority of the film was shot at was formerly the touristic home of Spanish dictator Generalissimo Francisco Franco .

    The movie well produced by Manuel Caño belongs to Italian Giallo genre , Bava (¨Planet of vampires¨, ¨House of exorcism¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . Rating : Good, this is one more imaginative slasher pictures in which the camera stalks in sinister style throughout a story with magnificent visual skills.
    7Eegah Guy

    Swanky Sixties Spanish/Italian psycho cinema

    In the late sixties Bava began reinventing the murder mystery formula he single-handedly created with films like THE GIRL WHO KNEW TOO MUCH and BLOOD AND BLACK LACE. In this film you know from the start who the killer is and so this film becomes a look into the crazed mind of a guy with childhood trauma who kills women. There's a great experimental score, cool fashions and a dance nightclub sequence for all you Sixties kitsch fans out there. Stephen Forsyth gives a great wide-eyed psycho performance and Bava forsakes his usual stylishly colored lighting for dreamy surreal imagery during the murder scenes. Bava even sticks in scenes from his earlier films on a TV as an in-joke for his fans.

    इस तरह के और

    5 bambole per la luna d'agosto
    5.7
    5 bambole per la luna d'agosto
    Operazione paura
    6.9
    Operazione paura
    La frusta e il corpo
    6.6
    La frusta e il corpo
    Gli orrori del castello di Norimberga
    5.9
    Gli orrori del castello di Norimberga
    La ragazza che sapeva troppo
    6.9
    La ragazza che sapeva troppo
    Lisa e il diavolo
    6.2
    Lisa e il diavolo
    Ecologia del delitto
    6.5
    Ecologia del delitto
    Giornata nera per l'ariete
    6.6
    Giornata nera per l'ariete
    Blood and Black Lace
    7.1
    Blood and Black Lace
    I vampiri
    6.5
    I vampiri
    La morte cammina con i tacchi alti
    6.5
    La morte cammina con i tacchi alti
    La tarantola dal ventre nero
    6.3
    La tarantola dal ventre nero

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The TV show that Harrington refers to in an attempt to fool Inspector Russell is a clip from Mario Bava's own I tre volti della paura (1963) - specifically the "Wurdalak" sequence featuring Boris Karloff.
    • गूफ़
      "Screenplay" is misspelled as "Screemplay" in the opening credits.
    • भाव

      [Inspector Russell and Alice Norton's fiancee are questioning John after he fatally attacks Mildred]

      Jimmy Kane: We heard a woman screaming.

      John Harrington: Screaming?

      Inspector Russell: Yes. We certainly heard.

      John Harrington: Oh, Inspector! You're allowing yourself to be influenced by a very impressionable young man, I'm surprised at you. It's not worthy of you, you know.

      [John motions Russell and Kane to his living room TV set, and turns it on to a broadcast of "Black Sabbath"]

      Maria: [from the TV] No... no, don't touch me! Leave me alone!

      [she is greeted by Gorca - Boris Karloff - and she screams multiple times as he approaches her]

      John Harrington: Were these the screams you heard?

      Inspector Russell: Very interesting. You like horror films, do you? I don't find them very entertaining. I keep thinking that... reality is more terrifying than fiction.

    • कनेक्शन
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Hatchet for the Honeymoon?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 जून 1970 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • स्पेन
      • फ़्रांस
    • भाषाएं
      • इतालवी
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Hatchet for the Honeymoon
    • फ़िल्माने की जगहें
      • Villa Parisi, Frascati, रोम, लाज़ियो, इटली(Harrington's villa)
    • उत्पादन कंपनियां
      • Pan Latina Films
      • Mercury Films
      • Películas Ibarra y Cía.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 28 मि(88 min)
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

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