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Il rosso segno della follia

  • 1970
  • GP
  • 1 घं 28 मि
IMDb रेटिंग
6.3/10
4.7 हज़ार
आपकी रेटिंग
Il rosso segno della follia (1970)
जियालोस्लैशर हॉररथ्रिलररहस्यहॉरर

अपनी भाषा में प्लॉट जोड़ेंA cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.A cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.A cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.

  • निर्देशक
    • Mario Bava
  • लेखक
    • Santiago Moncada
    • Mario Bava
    • Laura Betti
  • स्टार
    • Stephen Forsyth
    • Dagmar Lassander
    • Laura Betti
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    4.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mario Bava
    • लेखक
      • Santiago Moncada
      • Mario Bava
      • Laura Betti
    • स्टार
      • Stephen Forsyth
      • Dagmar Lassander
      • Laura Betti
    • 66यूज़र समीक्षाएं
    • 79आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    फ़ोटो71

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 67
    पोस्टर देखें

    टॉप कलाकार20

    बदलाव करें
    Stephen Forsyth
    Stephen Forsyth
    • John Harrington
    Dagmar Lassander
    Dagmar Lassander
    • Helen Wood
    Laura Betti
    Laura Betti
    • Mildred Harrington
    Jesús Puente
    Jesús Puente
    • Inspector Russell
    • (as Jesus Puente)
    Femi Benussi
    Femi Benussi
    • Alice Norton
    Antonia Mas
    Antonia Mas
    • Louise
    Luciano Pigozzi
    Luciano Pigozzi
    • Vences
    • (as Alan Collin)
    Gérard Tichy
    Gérard Tichy
    • Dr. Kalleway
    • (as Gerard Tichy)
    Verónica Llimerá
    • Betsy Wester
    • (as Veronica Llimera)
    Pasquale Fortunato
    Pasquale Fortunato
    • John Harrington as a Boy
    • (as Fortunato Pascuale)
    Ignasi Abadal
    • Jimmy Kane
    • (as José Ignacio Abadaz)
    Silvia Lienas
    • Vicky
    Montserrat Riba Vidal
    • Rosy Miller
    • (as Monserrat Riba)
    Susy Andersen
    Susy Andersen
    • Sdenka
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Guido Barlocci
    • Unknown
    • (बिना क्रेडिट के)
    Bruno Boschetti
    • Policeman
    • (बिना क्रेडिट के)
    Elina De Witt
    • Model
    • (बिना क्रेडिट के)
    Rika Dialyna
    • Maria
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mario Bava
    • लेखक
      • Santiago Moncada
      • Mario Bava
      • Laura Betti
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं66

    6.34.7K
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    10

    फ़ीचर्ड समीक्षाएं

    5dfranzen70

    Derivative but colorful

    It's sort of like Psycho, only not, and it's sort of like any number of other serial-killer movies, except you know who the bad guy is from literally the first scene. But we don't watch Mario Bava movies for the intricate plots or, as in this case, for the strong acting. We watch them for the grisly visuals! Man's a maestro of mayhem when it comes to presenting blood. Very stylish movie, very well shot. Forsyth is positively wooden, though.
    BaronBl00d

    Weddings Bava Style

    Interesting, complex look at a man who must kill young brides in order to unlock the secret of who killed his own mother. With each hacked bride, the main character of Harrington sees more and more of his terrible childhood memory when he saw his own mother axed. The acting in this film is nothing terribly special, nor is the story, but Bava'a direction is a visual treasure to behold. As always, he makes the most he can with the camera lens. Some of the shots are inspiring as Bava directs our attention through small orifices sometimes like a small window. His use of a room with mannequins is very effective too. Bava even has fun with his little joke of having Harrington watching Bava's own Black Sabbath on television when having just killed his wife he is visited by the police. Style and visual artistry ripen all around only to be harvested by Bava's gluttonous camera lens. The plot, although missing huge pieces of coherence and logic, is fairly well-crafted. The acting is adequate. I particularly liked the actress that played Harrington's vitriolic wife and the character of the police inspector.The sense of the sixties and fanciful colours pervade almost every scene, and the soundtrack is very suitable to this material. For some horror fans, the film may seem somewhat slow, but it kept my interest throughout.
    6Bribaba

    Axing matters

    John Harrington runs a model agency specialising in bride gowns. He likes model railways and occasionally dressing up as a bride. The latter means he's in killer mode doing what he must do or, as he puts it, 'continue to wield the cleaver' until his 'issues' are resolved. The title suggests a similarity to Leonard Kastle's The Honeymoon Killers but in reality the films are far apart. Kastle's film is gritty, almost documentary-like and contains the massive presence of Shirley Stoler, while Bava opts for a style flamboyant even by giallo standards and has a handsome cast to match.

    The spirit of Psycho looms large, though Bava's lightness of touch offsets the potentially gruesome subject matter - there's a very funny scene in a kitsch disco (with terrific music) where the cleaver wielder is thrown out for suggesting a threesome involving one of the dancers and his dead wife. It's true to say that it's style over substance, but that's the point
    matt-201

    Succulent Bava, served extra-rare

    A note: Was this movie ever called in English HATCHET FOR A HONEYMOON, rather than the awkward HATCHET FOR THE HONEYMOON? I seem to recall this from a Leonard Maltin book circa 1978. Or am I as cracked as Bava's protagonist?

    For my money, this is primo vintage Bava--which is to say Dario Argento in top hat and tails, Jess Franco with a finishing-school diploma, or, to look at the glass as half empty, Richard Lester after three hits of dirty windowpane acid.

    To top this voiceover narration, you'd have to go either to BARRY LYNDON or, on the other hand, MASSACRE MAFIA STYLE: "My name is John Harrington. I'm thirty years old. I am a paranoiac. Paranoiac! What a marvellous world. So delicate. And full of possibilities. The fact is, I'm completely mad." And so is Bava's odyssey through the crazy-straw-shaped brain of J. Harrington, Esq., a hunky sociopath whose sexual fires are only stoked by burying a hatchet in the flesh of virginal-looking brides in their white-veiled drag--and, when they have the ill fortune to be there, their bridegrooms.

    The hyper-lusciosity of Bava's style suggests a Bertolucci blissfully unconcerned with agrarian collectivism. Mate that rococo with Nicolas Roeg's brand of kaleidoscopus maximus and you have an inkling of what Signior Mario is up to. Note to Greil Marcus: as a sequel to "Lipstick Traces," how about a book tracing the parallel histories of canonical surrealism (Bunuel-Dali-Aragon-Bataille) and Italian horror of the seventies?
    6Milk_Tray_Guy

    Not one of Bava's best, but entertaining enough

    Mario Bava giallo about a guy who runs a wedding dress design and manufacturing company in Paris - whilst having a sideline in murdering young brides whilst they're wearing their wedding dresses. That's not a spoiler; unlike most gialli, in this one we know who the killer is right from the start. The mystery is more involved with his motivation. We know that each killing helps him piece together some long-forgotten childhood trauma, and that he's compelled to keep killing until he's got the whole picture - but exactly what that trauma is we don't know until the end. Canadian actor Stephen Forsyth plays the killer, who in character feels like a cross between Norman Bates and Patrick Bateman, whilst looking like a cross between Clint Eastwood and Timothy Dalton (Forsyth only made 10 movies for some reason, of which this was his last). It's a bit lighter on blood than you'd expect from the title, and there aren't too many onscreen kills. But it does have a real switch-up halfway through when it becomes a ghost story! It's not as gripping as some of Bava's stuff, but it's still fun. 6.5/10.

    इस तरह के और

    5 bambole per la luna d'agosto
    5.7
    5 bambole per la luna d'agosto
    Operazione paura
    6.9
    Operazione paura
    La frusta e il corpo
    6.6
    La frusta e il corpo
    Gli orrori del castello di Norimberga
    5.9
    Gli orrori del castello di Norimberga
    La ragazza che sapeva troppo
    6.9
    La ragazza che sapeva troppo
    Lisa e il diavolo
    6.2
    Lisa e il diavolo
    Ecologia del delitto
    6.5
    Ecologia del delitto
    I vampiri
    6.5
    I vampiri
    Giornata nera per l'ariete
    6.6
    Giornata nera per l'ariete
    Blood and Black Lace
    7.1
    Blood and Black Lace
    La morte cammina con i tacchi alti
    6.5
    La morte cammina con i tacchi alti
    Shock
    6.3
    Shock

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The TV show that Harrington refers to in an attempt to fool Inspector Russell is a clip from Mario Bava's own I tre volti della paura (1963) - specifically the "Wurdalak" sequence featuring Boris Karloff.
    • गूफ़
      "Screenplay" is misspelled as "Screemplay" in the opening credits.
    • भाव

      [Inspector Russell and Alice Norton's fiancee are questioning John after he fatally attacks Mildred]

      Jimmy Kane: We heard a woman screaming.

      John Harrington: Screaming?

      Inspector Russell: Yes. We certainly heard.

      John Harrington: Oh, Inspector! You're allowing yourself to be influenced by a very impressionable young man, I'm surprised at you. It's not worthy of you, you know.

      [John motions Russell and Kane to his living room TV set, and turns it on to a broadcast of "Black Sabbath"]

      Maria: [from the TV] No... no, don't touch me! Leave me alone!

      [she is greeted by Gorca - Boris Karloff - and she screams multiple times as he approaches her]

      John Harrington: Were these the screams you heard?

      Inspector Russell: Very interesting. You like horror films, do you? I don't find them very entertaining. I keep thinking that... reality is more terrifying than fiction.

    • कनेक्शन
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Hatchet for the Honeymoon?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 जून 1970 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • स्पेन
      • फ़्रांस
    • भाषाएं
      • इतालवी
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Hatchet for the Honeymoon
    • फ़िल्माने की जगहें
      • Villa Parisi, Frascati, रोम, लाज़ियो, इटली(Harrington's villa)
    • उत्पादन कंपनियां
      • Pan Latina Films
      • Mercury Films
      • Películas Ibarra y Cía.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 28 मि(88 min)
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

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