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En passion

  • 1969
  • R
  • 1 घं 41 मि
IMDb रेटिंग
7.6/10
11 हज़ार
आपकी रेटिंग
En passion (1969)
A recently divorced man meets an emotionally devastated widow and they begin a love affair.
trailer प्ले करें1:48
1 वीडियो
70 फ़ोटो
Drama

अपनी भाषा में प्लॉट जोड़ेंA recently divorced man meets an emotionally devastated widow and they begin a love affair.A recently divorced man meets an emotionally devastated widow and they begin a love affair.A recently divorced man meets an emotionally devastated widow and they begin a love affair.

  • निर्देशक
    • Ingmar Bergman
  • लेखक
    • Ingmar Bergman
  • स्टार
    • Liv Ullmann
    • Bibi Andersson
    • Max von Sydow
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    11 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ingmar Bergman
    • लेखक
      • Ingmar Bergman
    • स्टार
      • Liv Ullmann
      • Bibi Andersson
      • Max von Sydow
    • 58यूज़र समीक्षाएं
    • 22आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 7 नामांकन

    वीडियो1

    Trailer
    Trailer 1:48
    Trailer

    फ़ोटो70

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 64
    पोस्टर देखें

    टॉप कलाकार18

    बदलाव करें
    Liv Ullmann
    Liv Ullmann
    • Anna Fromm…
    Bibi Andersson
    Bibi Andersson
    • Eva Vergérus…
    Max von Sydow
    Max von Sydow
    • Andreas Winkelman…
    Erland Josephson
    Erland Josephson
    • Elis Vergérus…
    Erik Hell
    Erik Hell
    • Johan Andersson
    Sigge Fürst
    Sigge Fürst
    • Verner
    m. fl.
    Ingmar Bergman
    Ingmar Bergman
    • Narrator
    • (वॉइस)
    • (बिना क्रेडिट के)
    Britta Brunius
    Britta Brunius
    • Woman in Dream
    • (बिना क्रेडिट के)
    Lars-Owe Carlberg
    • Police Officer
    • (बिना क्रेडिट के)
    Malin Ek
    Malin Ek
    • Woman in Dream
    • (बिना क्रेडिट के)
    Barbro Hiort af Ornäs
    Barbro Hiort af Ornäs
    • Woman in Dream
    • (बिना क्रेडिट के)
    Svea Holst
    • Verner's Wife
    • (बिना क्रेडिट के)
    Marianne Karlbeck
    • Woman in Dream
    • (बिना क्रेडिट के)
    Annicka Kronberg
    • Katarina
    • (बिना क्रेडिट के)
    Hjördis Petterson
    Hjördis Petterson
    • Johan's Sister
    • (बिना क्रेडिट के)
    Brian Wikström
    • Police Officer
    • (बिना क्रेडिट के)
    Brita Öberg
    Brita Öberg
    • Woman in Dream
    • (बिना क्रेडिट के)
    • निर्देशक
      • Ingmar Bergman
    • लेखक
      • Ingmar Bergman
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं58

    7.610.9K
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    फ़ीचर्ड समीक्षाएं

    spoilsbury_toast_girl

    Landscapes of the Soul

    I think, En passion is indeed not a perfect film, but who likes perfection? In fact, I think, up to now, it belongs in Bergman's top 10 and is a great addition to the issues argued in Vargtimmen, Skammen and Rite. All these characters here are not really authentic, but one: Verner, the old man suspected by the villagers on that island to be the animal abuser, and therefore excruciated. Everyone else, including Andreas, Anna and the couple they are friends with, are people who call for problems, get entrapped by them and catapult themselves into an almost-catastrophe. It's interesting that Verner, writes to Andreas, who seems to be the worst of all, i.e. most un-authentic, a suicide note, saying: "I can't look into anyone's eyes anymore", is, to my understanding, the key to the film - self-made problems contrasted with problems created externally. Given Verner's suicide, driven by slander and torture, Andreas' and Anna's issues in their relationship fade, normally, but then an axe gets involved, a stable burns down and a horse runs off, ablazed, kindled by the real animal tormentor who still is on the loose. An inferno.

    What I like most about this film, though, is its situational context: the island. I can't think of another Bergman film where the environment plays a bigger role than here. All figures are moving in a lost, iced vastness, in defoliated, sparse woods, get stuck in morass and dirt. Animals get brutally tortured and killed, wood gets chopped, wagons bog down in mud. The forlornness and menace of the people in nature is wonderfully captured by Nykvist, mostly in long, high-angle or panoramic shots and is an intriguing contrast to the interior (of the cottages, where the talking, cheating and fighting takes place) - inside there lurks the psychic, outside there's the physical death. That is a great imagery. However, I'm not satisfied with these interview snippets which I think is a nice idea (such as Bergman's verbal directions in the off in Vargtimmen), but it's executed quite poorly.
    Ben_Cheshire

    Mockumentary scenes to pull you out of a Bergman film... Just what we didn't ask for.

    Disappointing after Shame, which was near-perfect. Clearly an experiment to break the third wall in a Bergman film, just not at all something I wanted from a Bergman film. I like to be completely absorbed in the reality of the situation. An improvised dinner-party scene where the actors bandy about miscellaneous pretentious ideas, mockumentary moments where "Liv Ullman" and "Max von Sydow" are interviewed about the characters just didn't work for me. I had to turn it off. Will try again at a later date maybe, but I've only just started finding Bergman films I love, this was not a good choice...

    There were scenes I liked, but then I'd get dragged out of the spell by the mockumentary scenes, very strange.

    4/10
    9Quinoa1984

    A Bergman film not entirely sure of itself, though never in perilous hands

    The Passion of Anna (or The Passion, as it might've been more appropriately titled in Sweden), is Ingmar Bergman with a cast of some of his most recognizable faces- Max Von Sydow (Seventh Seal), Liv Ullman (Persona), Erland Josephsson (Scenes from a Marriage), and Bibi Anderson (Cries and Whispers) - and with a script he's written that shows him not entirely sure, or rather confident, as he usually is as a filmmaker.

    He uses improvisation with his actors in some scenes, experiments with what's in the story and what's outside of the story (it's self-conscious but good self-conscious, similar in tune with Persona's self-consciousness of a film being made outside of what's in the story), and deals away with his classic themes of despair, self-drought, and inner-maelstroms. And, indeed, the theme of deconstruction of the soul is in focus. For a couple of moments some of the self-consciousness could come off as distracting, or at most dangerous boring, but there are counter-weights to balance out whatever troubles Bergman must've had that he's pouring out onto the celluloid.

    While I thought the Passion of Anna wasn't one of Bergman's very best works, it has a story and characters (and with a cast that doesn't do wrong within any given scene) that remain as potent as in his masterpieces. The sub-plot involving the slaying of the animals on the island maybe could've been developed more, but that too brings a thought-provoking backbone to the central characters. At the core, Bergman's presenting the audiences with people who are in a hell-ish situation, with fires and blood being spread along the fields, and that these people feel more or less stuck here.

    The relationship between Andreas (Von Sydow) and Anna (Ullman) is the strongest asset to the film, and for their performances it's nearly worth it enough to rush out to buy the DVD. But beneath that, this is a Bergman film that could grow on a particular viewer over time. Maybe upon a first viewing, at least for what I came away with, the style may be trying to one-up over the substance, and that could be what hinders this from being a magnificent work of art on the level of Persona or The Seventh Seal. However, it's also holds subtleties to the craft, to the compositions by Sven Nykvist, and in the emotions conveyed by the principles of the cast.

    Pretty haunting, evocative, though not entirely perfect, this is definitely an intriguing Bergman entry. Grade: (strong) A-
    JOHNNYDOLLARS

    Stunning film concerned with human relationships.

    Bergman is the master when it comes to dealing with the intricacies of love and relationships, this film is extraordinary in the way it slowly gives us an insight into these four lost souls as the struggle to make sense of life and try to find their way which isn't easy, the bleak landscape, the desolation, the sparse dialogue, Liv Ullemans face in close up all come together to produce an explosive emotional roller-coaster with an inevitable outcome, the violence of the characters emotions spill over into the environment in the form of an unexplained killer of dumb animals.

    Where are the contemporary films to match such genius, where are the voices to guide us through the fog?
    9RG-5

    Passion's masterful conclusion

    "A Passion" is one of Ingmar Bergman's underrated classics (inaccurately titled "The Passion of Anna" in the U.S.) and includes one of cinema's great movie endings. "Identity" is one of the primary themes of the film, and the film concludes with Max von Sydow's broken Andreas pacing back and forth in the frame--in an empty, bleak landscape. As the camera pulls back, Bergman (or rather, Nykvist) optically moves in--creating an effect where the image "flattens out" and Andreas literally dissolves into the grain of the film. Brilliant!

    इस तरह के और

    Skammen
    8.0
    Skammen
    Vargtimmen
    7.5
    Vargtimmen
    Ansikte mot ansikte
    7.5
    Ansikte mot ansikte
    Tystnaden
    7.7
    Tystnaden
    Ansiktet
    7.5
    Ansiktet
    Aus dem Leben der Marionetten
    7.2
    Aus dem Leben der Marionetten
    Såsom i en spegel
    7.9
    Såsom i en spegel
    Djävulens öga
    7.1
    Djävulens öga
    Scener ur ett äktenskap
    8.3
    Scener ur ett äktenskap
    Riten
    7.0
    Riten
    Viskningar och rop
    7.9
    Viskningar och rop
    The Touch
    6.3
    The Touch

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film, commonly known as "En passion" (or "The Passion" aka "The Passion of Anna"), has an actual on-screen title of "L 182".
    • भाव

      Anna Fromm: Andreas, we should travel somewhere. We should get away from here. I know it would be good for us both.

      Andreas Winkelman: When you speak of traveling, I really want to say yes.

      Anna Fromm: What are you thinking?

      Andreas Winkelman: That we can speak to Elis. He can lend us money. But at the same time a wall appears. I can't speak. I can't show that I'm happy. I can see your face, I know you're you, but I can't reach you. Do you understand what I mean?

      Anna Fromm: I understand what you mean. I understand very well, Andreas.

      Andreas Winkelman: I'm on the outside of this wall. I put myself on the outside. I fled and now I'm so far away.

      Anna Fromm: I understand, Andreas. I understand how strange it seems.

      Andreas Winkelman: Yes, it's strange. I want to be warm, tender and alive. I want to break free. You understand, don't you?

      Anna Fromm: It's like a dream. You want to move, you know what to do, but you can't. Legs are impossible and arms heavy as lead. You want to speak, but you can't.

      Andreas Winkelman: I'm terrified of being humiliated. It's constant misery. I've accepted the humiliation and let them become part of me. Do you understand what I mean?

      Anna Fromm: I understand what you mean. I understand you.

      Andreas Winkelman: It's terrible not being fortunate. Everybody thinks they have the right to decide over you. Their benevolent contempt. A momentary desire to trample something living.

      Anna Fromm: I understand, Andreas. You don't need...

      Andreas Winkelman: I'm dead, Anna. No, no, I'm not dead. No, that's wrong. Too melodramatic. I'm not dead at all. But I live without self-respect. I know it sounds silly - pretentious - since almost all people are forced to live without self-worth. Humiliated to the core, stifled and spat upon. They just live. They know nothing more. They know no alternative. Even if they did, they would never reach for it. You understand? Can you be sick from humiliation? Is it a disease we're all infected by and we have to live with? We talk so much about freedom, Anna. Isn't freedom a terrible poison for the humiliated... or is the word "freedom" only a drug the humiliated use in order to endure. I can't live with this. I've given up. Sometimes it's almost unbearable. The days drag by. I feel like I'm choking on the food I swallow, the crap I get rid of, the words I say. The light - the daylight which comes every morning and yells at me to get up. Or the sleep which always brings dreams, chasing me back and forth. Or just the darkness rattling with ghosts and memories. Has it occurred to you, Anna, that the worse off people are, the less they complain? Eventually they're silent... even though they're living creatures with nerves, eyes and hands. Massive armies of both victims and executioners. The light which rises and sinks heavily. The cold approaches. Darkness. The heat. The smell. And everyone is silent. We can never leave this place. I don't believe in escape. It's too late. Everything's too late.

    • इसके अलावा अन्य वर्जन
      The Criterion Collection DVD and Blu-ray have the additional opening Criterion and Janus Films logos plus the 2016 restoration disclaimer.
    • कनेक्शन
      Featured in Liv Ullmann scener fra et liv (1997)
    • साउंडट्रैक
      Always Romantic
      Performed by Allan Gray

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is The Passion of Anna?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 10 नवंबर 1969 (स्वीडन)
    • कंट्री ऑफ़ ओरिजिन
      • स्वीडन
    • भाषा
      • स्वेदिश
    • इस रूप में भी जाना जाता है
      • The Passion of Anna
    • फ़िल्माने की जगहें
      • Fårö, Gotlands län, स्वीडन
    • उत्पादन कंपनियां
      • Svensk Filmindustri (SF)
      • Cinematograph AB
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $1,814
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 41 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    En passion (1969)
    टॉप गैप
    What is the German language plot outline for En passion (1969)?
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