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En passion

  • 1969
  • R
  • 1 घं 41 मि
IMDb रेटिंग
7.6/10
11 हज़ार
आपकी रेटिंग
En passion (1969)
A recently divorced man meets an emotionally devastated widow and they begin a love affair.
trailer प्ले करें1:48
1 वीडियो
70 फ़ोटो
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंA recently divorced man meets an emotionally devastated widow and they begin a love affair.A recently divorced man meets an emotionally devastated widow and they begin a love affair.A recently divorced man meets an emotionally devastated widow and they begin a love affair.

  • निर्देशक
    • Ingmar Bergman
  • लेखक
    • Ingmar Bergman
  • स्टार
    • Liv Ullmann
    • Bibi Andersson
    • Max von Sydow
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    11 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ingmar Bergman
    • लेखक
      • Ingmar Bergman
    • स्टार
      • Liv Ullmann
      • Bibi Andersson
      • Max von Sydow
    • 58यूज़र समीक्षाएं
    • 22आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 7 नामांकन

    वीडियो1

    Trailer
    Trailer 1:48
    Trailer

    फ़ोटो70

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 64
    पोस्टर देखें

    टॉप कलाकार18

    बदलाव करें
    Liv Ullmann
    Liv Ullmann
    • Anna Fromm…
    Bibi Andersson
    Bibi Andersson
    • Eva Vergérus…
    Max von Sydow
    Max von Sydow
    • Andreas Winkelman…
    Erland Josephson
    Erland Josephson
    • Elis Vergérus…
    Erik Hell
    Erik Hell
    • Johan Andersson
    Sigge Fürst
    Sigge Fürst
    • Verner
    m. fl.
    Ingmar Bergman
    Ingmar Bergman
    • Narrator
    • (वॉइस)
    • (बिना क्रेडिट के)
    Britta Brunius
    Britta Brunius
    • Woman in Dream
    • (बिना क्रेडिट के)
    Lars-Owe Carlberg
    • Police Officer
    • (बिना क्रेडिट के)
    Malin Ek
    Malin Ek
    • Woman in Dream
    • (बिना क्रेडिट के)
    Barbro Hiort af Ornäs
    Barbro Hiort af Ornäs
    • Woman in Dream
    • (बिना क्रेडिट के)
    Svea Holst
    • Verner's Wife
    • (बिना क्रेडिट के)
    Marianne Karlbeck
    • Woman in Dream
    • (बिना क्रेडिट के)
    Annicka Kronberg
    • Katarina
    • (बिना क्रेडिट के)
    Hjördis Petterson
    Hjördis Petterson
    • Johan's Sister
    • (बिना क्रेडिट के)
    Brian Wikström
    • Police Officer
    • (बिना क्रेडिट के)
    Brita Öberg
    Brita Öberg
    • Woman in Dream
    • (बिना क्रेडिट के)
    • निर्देशक
      • Ingmar Bergman
    • लेखक
      • Ingmar Bergman
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं58

    7.610.9K
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    10

    फ़ीचर्ड समीक्षाएं

    9RG-5

    Passion's masterful conclusion

    "A Passion" is one of Ingmar Bergman's underrated classics (inaccurately titled "The Passion of Anna" in the U.S.) and includes one of cinema's great movie endings. "Identity" is one of the primary themes of the film, and the film concludes with Max von Sydow's broken Andreas pacing back and forth in the frame--in an empty, bleak landscape. As the camera pulls back, Bergman (or rather, Nykvist) optically moves in--creating an effect where the image "flattens out" and Andreas literally dissolves into the grain of the film. Brilliant!
    Ben_Cheshire

    Mockumentary scenes to pull you out of a Bergman film... Just what we didn't ask for.

    Disappointing after Shame, which was near-perfect. Clearly an experiment to break the third wall in a Bergman film, just not at all something I wanted from a Bergman film. I like to be completely absorbed in the reality of the situation. An improvised dinner-party scene where the actors bandy about miscellaneous pretentious ideas, mockumentary moments where "Liv Ullman" and "Max von Sydow" are interviewed about the characters just didn't work for me. I had to turn it off. Will try again at a later date maybe, but I've only just started finding Bergman films I love, this was not a good choice...

    There were scenes I liked, but then I'd get dragged out of the spell by the mockumentary scenes, very strange.

    4/10
    msultan

    My First Bergman

    Bergman is a name one hears so often, and it is so associated with slowness and close-ups that he's intimidating even before one gets to watch him. I picked this movie off the shelf just as I could have picked any other of his movies, and since I haven't seen others, I wouldn't know how to compare this to the rest of his work.

    But I liked it, I really liked it. I didn't find it as 'slow' as much as 'focused,' where even the twitch of an eyebrow or a glance to the left is an action. This minuteness was truly amazing. In a lot of ways it reminded me of Bresson's Journal of a Country Priest. Because of this minuteness, I also found it very cruel and raw. I am particularly thinking of the scenes with the animals (not only the sheep, but the dog as well, and especially the bird).

    And I have to say something about the colors. They were amazing, so warm and so different from the narration, which was in itself detached and indifferent (maybe 'disinterested' is a better word). The light was amazing (like what seemed like an eternal sunset when Eva and Andreas have dinner). If this were a painting I suppose it would be realist or naturalist work, but the way the interviews cut in make it hyper-realist. Other reviewers have criticized this but I found it as adding depth to the characters, because it gave them a new, real, life.

    The English title is misleading though, because it forces the viewer to focus on Anna, whereas the original title doesn't do that. I found myself waiting for things to happen to Anna until I found out that there was no reason for that to happen.

    I am very happy to have seen this, and will definitely not shy away from watching more Bergman movies.
    8Xstal

    Ever Increasing Whirlpools...

    If you take a shovel, and dig right into the middle, there are things you'll likely find, quite impossible to riddle, conundrums wrapped entwined, blind alleys, sacs that bind, confusion, chaos, mayhem all well signed; encompassing them all, is the fear of standing tall, of being seen to fall, of rejection all around, the desire to be found, the need to melt into the ground, just to live as if not bound; but you're moulded in their vision, taught to be so since incision, told what, where, when, who you are, plasters, shields overlay scars, behaviours born from who knows where, send your chaos to despair, no support for your constructions, can relieve these sad contortions.

    If you don't recognise something in them in you, you're in denial.
    JOHNNYDOLLARS

    Stunning film concerned with human relationships.

    Bergman is the master when it comes to dealing with the intricacies of love and relationships, this film is extraordinary in the way it slowly gives us an insight into these four lost souls as the struggle to make sense of life and try to find their way which isn't easy, the bleak landscape, the desolation, the sparse dialogue, Liv Ullemans face in close up all come together to produce an explosive emotional roller-coaster with an inevitable outcome, the violence of the characters emotions spill over into the environment in the form of an unexplained killer of dumb animals.

    Where are the contemporary films to match such genius, where are the voices to guide us through the fog?

    इस तरह के और

    Skammen
    8.0
    Skammen
    Ansikte mot ansikte
    7.5
    Ansikte mot ansikte
    Tystnaden
    7.7
    Tystnaden
    Aus dem Leben der Marionetten
    7.2
    Aus dem Leben der Marionetten
    Ansiktet
    7.5
    Ansiktet
    Vargtimmen
    7.5
    Vargtimmen
    Såsom i en spegel
    7.9
    Såsom i en spegel
    Riten
    7.0
    Riten
    Djävulens öga
    7.1
    Djävulens öga
    Nattvardsgästerna
    8.0
    Nattvardsgästerna
    Viskningar och rop
    7.9
    Viskningar och rop
    Nära livet
    7.3
    Nära livet

    संबंधित रुचियां

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    ड्रामा

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film, commonly known as "En passion" (or "The Passion" aka "The Passion of Anna"), has an actual on-screen title of "L 182".
    • भाव

      Anna Fromm: Andreas, we should travel somewhere. We should get away from here. I know it would be good for us both.

      Andreas Winkelman: When you speak of traveling, I really want to say yes.

      Anna Fromm: What are you thinking?

      Andreas Winkelman: That we can speak to Elis. He can lend us money. But at the same time a wall appears. I can't speak. I can't show that I'm happy. I can see your face, I know you're you, but I can't reach you. Do you understand what I mean?

      Anna Fromm: I understand what you mean. I understand very well, Andreas.

      Andreas Winkelman: I'm on the outside of this wall. I put myself on the outside. I fled and now I'm so far away.

      Anna Fromm: I understand, Andreas. I understand how strange it seems.

      Andreas Winkelman: Yes, it's strange. I want to be warm, tender and alive. I want to break free. You understand, don't you?

      Anna Fromm: It's like a dream. You want to move, you know what to do, but you can't. Legs are impossible and arms heavy as lead. You want to speak, but you can't.

      Andreas Winkelman: I'm terrified of being humiliated. It's constant misery. I've accepted the humiliation and let them become part of me. Do you understand what I mean?

      Anna Fromm: I understand what you mean. I understand you.

      Andreas Winkelman: It's terrible not being fortunate. Everybody thinks they have the right to decide over you. Their benevolent contempt. A momentary desire to trample something living.

      Anna Fromm: I understand, Andreas. You don't need...

      Andreas Winkelman: I'm dead, Anna. No, no, I'm not dead. No, that's wrong. Too melodramatic. I'm not dead at all. But I live without self-respect. I know it sounds silly - pretentious - since almost all people are forced to live without self-worth. Humiliated to the core, stifled and spat upon. They just live. They know nothing more. They know no alternative. Even if they did, they would never reach for it. You understand? Can you be sick from humiliation? Is it a disease we're all infected by and we have to live with? We talk so much about freedom, Anna. Isn't freedom a terrible poison for the humiliated... or is the word "freedom" only a drug the humiliated use in order to endure. I can't live with this. I've given up. Sometimes it's almost unbearable. The days drag by. I feel like I'm choking on the food I swallow, the crap I get rid of, the words I say. The light - the daylight which comes every morning and yells at me to get up. Or the sleep which always brings dreams, chasing me back and forth. Or just the darkness rattling with ghosts and memories. Has it occurred to you, Anna, that the worse off people are, the less they complain? Eventually they're silent... even though they're living creatures with nerves, eyes and hands. Massive armies of both victims and executioners. The light which rises and sinks heavily. The cold approaches. Darkness. The heat. The smell. And everyone is silent. We can never leave this place. I don't believe in escape. It's too late. Everything's too late.

    • इसके अलावा अन्य वर्जन
      The Criterion Collection DVD and Blu-ray have the additional opening Criterion and Janus Films logos plus the 2016 restoration disclaimer.
    • कनेक्शन
      Featured in Liv Ullmann scener fra et liv (1997)
    • साउंडट्रैक
      Always Romantic
      Performed by Allan Gray

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is The Passion of Anna?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 10 नवंबर 1969 (स्वीडन)
    • कंट्री ऑफ़ ओरिजिन
      • स्वीडन
    • भाषा
      • स्वेदिश
    • इस रूप में भी जाना जाता है
      • The Passion of Anna
    • फ़िल्माने की जगहें
      • Fårö, Gotlands län, स्वीडन
    • उत्पादन कंपनियां
      • Svensk Filmindustri (SF)
      • Cinematograph AB
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $1,814
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 41 मि(101 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

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