Pendulum

Just saw this movie again after 39 years. Well-acted period piece. Out-dated by today's standards, but still a decent night at the movies. What really caught my attention was how George Peppard chained smoked throughout this film. The guy burned one in every scene. Aside from that, he did give a creditable performance, but nothing to write home about.

Jean Seberg looked beautiful. She was a rare beauty and very talented as well. She is wasted here, but her brief time on scene does capture your attention.

The supporting cast of veteran actors do a professional job. The only real problem is that the film drags at times and lacks any real action. The ending was typical, but this was 1969, so don't expect too many surprises.

I readily admit that I know very little about Director George Schaefer, who appears to have done more TV film than cinema.

The title PENDULUM comes from the words of a circuit judge reluctant to release on technical grounds proven rapist cum murderer Sanderson (coyly played by Rpbert Lyons, with typical connection to Mom Madeleine Sherwood).

The movie opens with an interesting relationship between police captain Matthews (Peppard) and cheating wife Jean Seberg, looking somewhat plumper than nine years earlier in Jean-Luc Godard's A BOUT DE SOUFFLE but still extremely gorgeous in her 1960s attire, and in her translucent gowns. You know instinctively that her deception will not last and that Sanderson, who Peppard put behind bars, will seek revenge.

That part of the movie is engrossing. The part of Peppard being immediately found guilty by his own copper colleagues, escaping, and using the street phone booth to gain access to Sanderson at his mother's place beggars an excessive amount of suspension of disbelief.

In any event, PENDULUM remains quite watchable. Seberg comes across as a charming cheat, Richard Kiley does well as lawyer Woodrow Wilson King (familiar names, ain't it?), interesting to see Charles McGraw as deputy police chief (up from police detective in the great B picture, NARROW MARGIN, of 1952) and cinematography by Lionel Lindon is quite professionally done. 7/10.

DC Police Captain Frank Matthews is honoured and promoting after capturing a violent rapist and murderer, soon after his commendation, he is suspected of killing his wife Adele and her lover, he sets about proving his innocence.

Why such a low score, I honestly couldn't relate the score here to the actual movie. I thoroughly enjoyed it, it's an 8 in anybody's book surely.

I had preconceived ideas about it being slow, it is anything but, the pace moves up a few notches about 45 minutes in with the discovery of the bodies. The twist at the end is very well done.

Great visuals, seeing DC in the 60's, those amazing cars, it's a real treat for fans of the great era.

George Peppard is absolutely fantastic as Matthews, he's a brooding, serious figure, but definitely one with a roguish charm.

Yes Peppard is great, but the supporting, smaller roles, Jean Seberg, Richard Kiley etc are all spot on too. Even the extras are convincing.

This was so much better than I expected it to be.

8/10.

Peppard is frank matthews, who has just left his job as a cop to work for a senator. When someone close to him is knocked off, he's the lead suspect! So now he's got to find the real killer before he gets locked up.. or even gets the death penalty. Lots of talk about one's rights when someone is arrested. The miranda warning had just been instituted in 1966. A fair amount of suspense. First, matthews keeps meddling in the investigation, and might screw up his own defense if it goes to trial. Then, later, it looks like matthews really has done the murder himself. It's pretty good! Nothing too new or earth shaking, but it was during the era of discussions of civil rights. Keep an eye out for isabel sanford as the maid; she will play louise in "the jeffersons". Peppard made this after tiffany's and crossbow, but just before banacek. He was nominated for a bafta for "home from the hill." directed by george schaefer. Story by stanley niss. He died young at 53, soon after this film was released. It's good!

Peppard is ideally cast as inflexibly hard-nosed cop who gets sucked through the looking-glass when indicted for his cheating wife's murder. Charles McGraw and Richard Kiley are both magnificent in the key supporting roles. Dana Elcar and Isabel Sanford also add poignantly amusing support. Director George Schaeffer's pacing and choice of score is perfect for the genre. And, many of the key ironies are even more appropriate today than when the film was made. Very highly recommended.