The Magic Christian

Terry Southern's novel, "The Magic Christian" is very different from the film. However the film, which was written by Southern, among other, still maintains the spirit of the novel.

The film is simply a series of vigniettes centering around Sir Guy Grand (Peter Sellers), and his adopted son, Youngman (Ringo Starr), who goes about "making things hot for people," by using his vast wealth to perpetrate elaborate practical jokes largely aimed at seeing how many of their principles people will give up for money.

The movie is very silly, fragmented, and horribly dated. > Now that you have heard the case against, I have to say that this is one of my favorite movies of all time. The movie destroys or humiliates all social icons, from the police, to "the old school," to the snobbish upper class, to the art world. Its great to see, and once you make up your mind that the movie is just a series of sketches, its funny, and immensely satisfying, albeit somewhat vicious.

Look for cameos by Yul Brynner (in drag), Spike Milligan (Sellers' partner in "The Goon Show"), John Lennon and Yoko Ono, among many others.

Other notes: The novel, "The Magic Christian" was banned for a time, because it was viewed as obscene. Peter Sellers loved this book, and after he read it, he sent copies of it to all of his friends. It might say something about his tragic and depressed personality, that he found this book, with its many vicious stabs against society, so appealing.

The Magic Christian is a wonderful piece of film making. It targets fairly & squarely all parts of the establishment and its aim is always true. The main theme of the movie (that everyone has their price) is shown again and again, no more truly than when the Peter Sellars character throws money into a vat of excrement & urine and hordes of "city gents" jump in to retrieve it! I have never seen another film quite like it and although it must be almost 30 years since last my last viewing, its memory is still crystal clear. Sellars, Spike Milligan and Ringo Starr all turn in fine performances and the soundtrack is great featuring Something in the Air and Come & Get It. Make sure you see this film; its message is even more pertinent today than when it was made.

The pinnacle of British silliness at the movies for an entire decade: The mythical 60's. Mike Meyers could only dream of capturing this time and place with as much fun and style. British entertainment royalty by the truck load including half the Beatles, a decent chunck of Monty Python, Christopher Lee in a cape, and the late great Peter Sellers! Who could ask for more? Well there is always Roman Polanski as an innocent being picked up in a bar by a transvestite (who's identity revelation is the my favorite bit). And of course, who can forget Raquel Welch in her prime, and in a leather mini nothing with a whip. All of this in the context of the movie's namesake--The Love Boat cruise from hell. You will never again think of farm manure without recalling this movie's finale! Check it out.

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One of a succession of self-regarding flops typical of Peter Sellars' choice of projects by the end of the sixties when not performing as court jester at Clarence House and Windsor Castle.

As Spike Milligan - who plays a traffic warden paid to eat his own ticket - observed, "The whole thing could have been written ABOUT Peter instead of FOR him". We are never told the source of the fabulous wealth that enables Guy Grand to humiliate those less wealthy than himself (i.e. Everybody else), but he never seems to show any inclination even towards Christian Grey's nebulous ambition to "end world hunger" rather than just have fun at the expense of others.

Yul Brynner does look astonishingly attractive in drag, however.

Peter Sellers - a Grand performance! Him playing the harp, and with the hot dog-vendor... just to mention 2 scenes. One of the nuttiest and anti - establishment films I ever saw. (I know there should be an adjective instead of "establishment" but the guidelines do not accept it.) Observe the audience in the auditorium of the "Hamlet" theater. Ringo also makes fun of himself - the nose. It amazed me that Paul McCartney provided a song for it. Also I enjoyed the commentary by John Cleese. It must have been a fizzer when first launched in Britain. Does anybody know how the film was accepted by a German audience (see the arrest-scene of the businessman in the train)? I can recommend this movie to everybody!