Macunaíma

If you like films like Jodorowsky's "The Holy Mountain", you will love Macunaima! Overall just a very fun spirited movie, and a very interesting perspective of the Tropicalia movement of the late 60's and early 70's of Brazil.

This film is hard to categorise because one can say that it is sincere, naturalist, mocking of urban life of metropols in Brazil; while being very entertaining and relatively easy to watch. Not quite knowlegdeable what is going on at that side of the ocean, I can only find the resemblances with my own country (Turkey), which is on par with Brazil in terms of industrialization, wealth and education. What you see in the film is streets are dangerous in many ways. Thievery, trickery and violence are present and politics are involved too. But it is very fortunate that this film is not totally a cold-hearted judgment of society of Brazil. Fantastic elements are incorporated so well that the result is very amusing in some sequences but it still leaves ashes in your mouth. Characters are greatly genuine and colorful and and script makes you curious about the book it is based upon. You just wanna watch more and you stumble upon its anarchic and modernistic wisdom. You needn't dig very deep to get the best out of this movie yet it touches nicely to the matters of society in Brazil. As you watch just be curious more and more about Brazil's problems. A very impressive movie hard to fault that deserves 8 out of 10.

I first saw Macunaima in a World Cinema class here at Rutgers University. The film is about a native Brazilian born fully grown as he is depicted as defecated more than born, a dark Black baby to a White mother and all White siblings.Macunaima faces the harsh reality of his color, as he picks out the scraps a pig's end trails as his brothers eat the succulent flesh.He then finds a well which spurts water which turns him White, in a fantastically colorful sequence, Macunaima revels in his new color, as it changes his life and opens doors of opportunity to metropolitan Sao Paulo as he meets a guerrilla assassin femme fatale with whom he bares a Black child. She is killed, he seeks to avenge her death and realizes being White isn't all its cracked up to be. Macunaima has to wrangle with blood sucking neocolonialists. Despite its serious subject matter, Macunaima creates a carnivalesque atmosphere, light hearted wit and sexy mystique that defines Brazil

Macunaíma is one of the weirdest films I have watched and, I may also state, is a quite overrated movie. An adaptation (probably a very personal and loose one) of modernist classic novel by Mário de Andrade (which I did not read), Joaquim Pedro de Andrade's Macunaíma is less magic but not more realist. Indeed, it seems to seek a cubist or mosaic-like outcome, such as the books's mood: it does it through changes in style and in characters' traits, and through a very chaotic story. Bright and colourful, noisy and alegoric, it was a meeting of Cinema Novo with Chanchada, two opposite Brazilian cinema "waves". Besides that, in many situations it emulates animated cartoon aesthetics, although doing it with live action in genrrally raw sets. It could have been nice, but serious sins led it to what I consider a failure. First of all: racism (the hero is considered ugly when is born as black but when becomes a handsome prince he is white Paulo José; not to mention the native characters who are whites or blacks); if there were ironies and sarcasm, it was supposed to be more clear and not open to be taken as acceptable. Secondly: mysoginy; there is a gag on sexual harassment and rape (not to mention the psychological role of all women in the whole movie)! I do not know if racist and sexist traits were already present in Mário de Andrade's book, or if they were there but in a more critical view of society and as an undoubtful mockery. The third sin is that the absurd situations, be them surrealist of absurd, should have been more well connected to each other. Unfortunately, seriously disagreeing with Brazilian experts, I think it lays far from what should be expected due the importance of the director and many actors: besides Grande Otelo, the best ever in Brazilian cinema and television, there are Hugo Carvana, Paulo José, Joana Fomm, Rodolfo Arena, Jardel Filho, Milton Gonçalves...

Macunaíma (Grande Otelo / Paulo José) is a lazy anti-hero born black in Amazonas. After the death of his mother, he moves with his two brothers to Rio de Janeiro, but along his journey, he baths in a fountain and becomes Caucasian. Once in Rio, he incidentally meets the killer guerrilla woman Ci (Dina Sfat), who wears an amulet made of stone, and they fall in love for each other. They live together and a couple of months later, Ci delivers a black baby. While carrying a bomb for a terrorist attack in the stroller, the bomb explodes and Ci and the baby die, and the amulet vanishes. A very strong man finds the stone and Macunaíma tries to recover it. In the end, he returns to the jungle.

"Macunaíma" is a non-sense, anarchic, crazy and surrealistic Brazilian cult-movie and I am not sure whether a foreigner may like it or not. The story is funny, and belongs to a very specific moment of the history of Brazil, with the "Cinema Novo" ("New Cinema") and "Tropicalismo" movements and the military dictatorship. Further, it is absolutely original and unique, without any reference to another movie or use of clichés. Just as a curiosity, the rigid censorship in 1969 did not allow to expose two breasts at the same time. It was permitted to show one, but not both of them. The viewer can note that specially when Dina Sfat is in the kitchen wearing no shirt. When she turns, her left breast is covered by an object that she is holding. Today (04 April 2008) I have watched this film again, now in a magnificently restored (unfortunately very expensive) DVD. My vote is eight.

Title (Brazil): 'Macunaíma'